LUMIX GH7 Camera DC-GH7GN

DC-GH7GN

Mobility Meets Mastery.

Equipped with a 25.2MP BSI CMOS sensor with PDAF, ProRes RAW HQ internal recording, and the world’s first 32-bit float recording,* LUMIX's flagship hybrid camera allows you to produce high-quality and high-efficiency content with minimal setup.

*For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research. When used with the XLR microphone adaptor DMW-XLR2 (sold separately).

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DC-GH7GN

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Features

Flagship Hybrid Camera for Professional Content Creation

Enhanced Content Quality

The LUMIX GH7's Phase Hybrid AF tracks subjects persistently, capturing them quickly and precisely. Its Dynamic Range Boost enables a wide dynamic range at all ISO sensitivity ranges.

Efficient Workflow

ProRes RAW HQ internal recording, 32-bit float format recording,* etc. can be performed on the camera body itself, making it possible to produce high-quality and high-efficiency content with minimal setup.

*Optional DMW-XLR2 is required.

Outstanding Reliability

Combines a compact body with a heat dissipation structure, enabling extended recording even when shooting at heavy loads (4:2:2 10-bit C4K/4K 60p/50p, ProRes RAW HQ).

Dependable Autofocus System

Phase Hybrid AF

The most important thing with autofocus is to be dependable. In addition to contrast AF, the LUMIX GH7 offers the Phase Detection AF system, which dramatically improves subject tracking performance and metering technologies. The camera can capture the subject even in challenging scenes where multiple subjects are involved, delivering accuracy even in backlit or low-light environments.

Real-time Recognition

The LUMIX’s advanced detection AF pushes the envelope on sports, wildlife, and car/motorcycle photography. The LUMIX GH7 can now recognize a wider range of subjects and target parts, including human and animal eyes, the front of vehicles, the helmets of drivers and motorcyclists, the frontmost car of a train, or the nose of an airplane.

･Depending on settings, some subjects may not be recognized. ･The camera may sometimes recognize non-animal subjects as animals.

Production of High-quality Content

The LUMIX GH7 incorporates a completely new image sensor. The new 25.2-megapixel BSI CMOS sensor delivers a richer tonal expression and improved AF performance through Phase Detection AF, helping you produce high-quality content.

Richer Tonal Expression

Dynamic Range Boost function acquires two types of images with a single exposure and synthesizes them in real time to create composite images with rich tonal range even in scenes with significant luminance differences. With still images, it allows for richer expression of shadow tones in RAW data. With video, it enables 13+-stop V-Log/V-Gamut recording.* It achieves a wide dynamic range in all ISO sensitivity ranges.

*When shooting video over 60fps (including VFR), latitude will be 12+ stop. ･Dynamic Range Boost is not activated when shooting HFR/VFR video of 61fps or higher, or with SH burst shooting. Also not activated at shutter speeds slower than 1/15 during still image shooting, depending on the ISO. ･This function is applied automatically.

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ProRes RAW HQ Internal Recording

5.7K 30p ProRes RAW HQ footage can be recorded on the camera body itself, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices. Improved gimbal compatibility also expands the range of expressions.

･Recording is not possible on the SD card. ･Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.

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Streamlined Workflow

World’s First 32-bit Float Recording*

When combined with the DMW-XLR2 (sold separately), the LUMIX GH7 delivers the world's first 32-bit float recording,* improving the quality and efficiency of the entire workflow. With its wide dynamic range, the 32-bit float format records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio recording.

*For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research. When used with the XLR microphone adaptor DMW-XLR2 (sold separately).

FIND OUT MORE ABOUT DMW-XLR2

ARRI LogC3 Recording

By using DMW-SFU3A Software Upgrade Key (sold separately), users can use the ARRI LogC3*, which enables color matching with ARRI’s digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX’s workflow compatibility.

*ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4. *On the LUMIX GH7, ARRI LogC3 can be used for 10bit recording in Creative Video mode. ･ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.

FIND OUT MORE ABOUT DMW-SFU3A

Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording Time

Offering 4:2:2 10-bit C4K/4K 60p/50p internal recording, the LUMIX GH7 delivers unlimited recording time* when used at the recommended operating temperature**. Ideal for small production teams and in demanding conditions where mobility and high-quality are a must. Also allows for simultaneous internal recording and external recording via HDMI output.

*Under the guaranteed operating environment. When using a battery. The recording time depends on the capacity of the battery and the recording media. **-10–40℃. ･Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI). ･CFexpress card or an SD memory card with Video Speed Class 90 is required.

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Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording Time

Collaborate Anytime, Anywhere

Native camera to cloud integration with Adobe’s Frame.io

With Frame.io Camera to Cloud, creator’s images and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud.

･Not all features of Frame.io Camera to Cloud are guaranteed. ･Frame.io, the Frame.io logo, and Camera to Cloud are either registered trademarks or trademarks of Adobe in the United States and/or other countries.

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Native camera to cloud integration with Adobe’s Frame.io

Wireless Live Streaming

Enjoy creative live streaming with digital single lens mirrorless cameras, both indoors and outdoors. Live streaming (RTMP/RTMPS protocol) can be easily configured via the LUMIX Lab app*.

･Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be cases where the live streaming is not possible when the platform’s service changes. For more information, please refer to the terms and conditions of the platform. ･Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. *Please update the camera firmware to version 1.3.

Colour Grading Straight Out of the Camera

REAL TIME LUT

LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera.

･This image has been shot with the creator’s custom LUT.

LUMIX Lab App

Pair the camera with your smartphone in three steps and transfer content seamlessly with ultra-fast Wi-Fi connection. You can also crop, adjust brightness, apply LUTs, etc., enabling simple editing for any social media platform to be done in a snap.

LEARN MORE ABOUT THE LUMIX LAB

Get Inspired

Specs

Size and Weight

Height: 100.3mm

Width: 138.4mm

Depth: 99.6mm

Weight: 805g

All values are approximate. Lens is excluded. Weight with shoe cover, battery and SD card. Body only 721g. Dimensions exclude protrusions.

Micro Four Thirds System Standard
25.2 Megapixels
Phase Hybrid AF
ProRes RAW HQ
C4K/4K 4:2:2 10-bit 60p/50p video
32-bit Float Audio (Optional DMW-XLR2 is required)
Active I.S.
1840k-dot Tilt and Free-angle Monitor
3680k-dot OLED Live View Finder
Splash, Dust and Freeze-resistant
LUMIX Lab app

25.2-megapixel BSI CMOS Sensor

Phase Hybrid AF

ProRes RAW HQ Internal Recording

32-bit Float Recording (Optional DMW-XLR2 is required)

Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording Time

TYPE

Type
- Digital Single Lens Mirrorless camera
Lens mount
- Micro Four Thirds mount

IMAGE SENSOR

Type
- BSI CMOS sensor (17.3 x 13.0 mm)
Camera effective pixels / Total pixels
- Approx. 25.2 megapixels / Approx. 26.5 megapixels
AR (Anti Reflection) coating
- Yes
Aspect ratio / Colour filter
- 4:3 / Primary colour filter
Dust reduction system
- Image sensor shift type

LATITUDE

13+ stops (V-Log) (Sensor output is 60fps or less)
12+ stops (V-Log) (Sensor output is 61fps or higher)

STILL IMAGE

Recording file format
- JPEG (DCF, Exif 3.0), RAW
Aspect ratio
- 4:3 / 3:2 / 16:9 / 1:1
File size (Pixels)
- 4:3
  - 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.
- 3:2
  - 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.
- 16:9
  - 5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.
- 1:1
  - 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.
Image quality
- RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)
Colour space
- sRGB, AdobeRGB

MOTION PICTURE

MP4(Lite) (*⁶) / 59.94Hz
- [3.8K] 3840x2880 (4:3)
  - 29.97p, 50Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
MP4(Lite) (*⁶) / 50.00Hz
- [3.8K] 3840x2880 (4:3)
  - 25.00p, 50Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
MP4(Lite) (*⁶) / 24.00Hz
- -

VARIABLE FRAME RATE

MOV (*¹) (*²) / 59.94Hz
- [5.7K] 5728x3024 (17:9)
  - 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
- [FHD] 1920x1080
  - 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
MOV (*¹) (*²) / 50.00Hz
- [5.7K] 5728x3024 (17:9)
  - 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
- [FHD] 1920x1080
  - 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
MOV (*¹) (*²) / 24.00Hz
- [5.7K] 5728x3024 (17:9)
  - 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**　
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    **External USB-SSD recording.
- [FHD] 1920x1080
  - 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

HDMI RAW DATA OUTPUT

Compatible external devices
- Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR
  *DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data.
  *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR.
  *All functions may not be available depending on the situation.
  *When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording.
  
  ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect"
  *All functions may not be available depending on the situation.
  *Please check here for compatible firmware versions of external recorders.
  https://panasonic.jp/support/global/cs/dsc/connect/index.html
  *"Ninja V" "Ninja" "Shogun" does not support some RAW video data.
  *Software that supports Apple ProRes RAW is required to edit RAW video recorded.
  *A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
  https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
Rec quality / NTSC (59.94Hz)
- [5.8K] 5760x4320 (4:3)
  - 29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [5.7K] 5728x3024 (17:9)
  - 59.94p, 12-bit (LPCM)*
    29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [4.4K] 4352x3264 (4:3)
  - 59.94p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
- [C4K] 4096x2160 (17:9)
  - 119.88p, 12-bit (LPCM)*
    59.94p, 12-bit (LPCM)*
    29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
Rec quality / PAL (50.00Hz)
- [5.8K] 5760x4320 (4:3)
  - 25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [5.7K] 5728x3024 (17:9)
  - 50.00p, 12-bit (LPCM)*
    25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [4.4K] 4352x3264 (4:3)
  - 50.00p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
- [C4K] 4096x2160 (17:9)
  - 100.00p, 12-bit (LPCM)*
    50.00p, 12-bit (LPCM)*
    25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
Audio format
- 4ch Audio Recording: OFF
  - Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
    Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
    *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
- 4ch Audio Recording: XLR*
  - Linear format: LPCM (4ch monaural 48kHz/24-bit)
    Float format: LPCM (4ch monaural 48kHz/32-bit)
    *When attaching DMW-XLR2 (sold separately).
- 4ch Audio Recording: XLR*+Camera
  - Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
    *When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

EXTERNAL USB-SSD RECORDING

Yes (ON / OFF)

STREAMING

Wired LAN
- -

VIEWFINDER

Type
- OLED Live View Finder
Pixels
- Approx. 3.68 million dots
Field of view / Magnification
- Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m^-1, when the aspect ratio is set to 4:3
Eye point / Diopter adjustment
- Approx. 21 mm at infinity; -1.0 m^-1 / -4.0 - +2.0 (dpt)
Eye sensor
- Yes
Display speed
- 120fps / 60fps

REAR MONITOR

Type
- TFT LCD monitor with static touch control
Monitor size
- Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect
Pixels
- Approx. 1.84 million dots
Field of view
- Approx. 100%

FOCUS (*⁴)

Type
- Phase Detection AF system / Contrast AF system
DFD technology
- Yes
Focus mode
- AFS (Single) / AFC (Continuous) / MF
AF mode
- Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
  *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set.
AF detective range
- EV -4 - 18 (F2.0, ISO100 equivalent, AFS)
AF custom setting
- AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF assist light
- Yes
AF lock
- Set the Fn button in custom menu to AF lock
Focus ring control
- Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached.
Others
- AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

EXPOSURE CONTROL

Light metering system
- 1,728-zone multi-pattern sensing system
Light metering mode
- Multiple / Centre Weighted / Spot / Highlight Weighted
Metering range
- EV0-18 (F2.0 lens, ISO100 equivalent)
Mode dial
- Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto
  *The same exposure operations as P/A/S/M mode is available.
Exposure compensation
- 1/3 EV step ±5EV (±3EV for motion picture)
ISO sensitivity (Standard output sensitivity)
- Still image
  - [Normal]
    Auto / 50 (Extended ISO) / 100-25600
    
    [V-Log]
    Auto / 125 (Extended ISO) / 500-12800
    
    *Switchable between 1/3 or 1 EV step.
- Motion picture
  - [Normal]
    Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800
    Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) / 100-3200 / 4000-12800 (Extended ISO)
    
    [V-Log]
    Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800
    Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) / 250-3200 / 4000-12800 (Extended ISO)
    
    [Hybrid Log Gamma]
    Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800
    Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO)
    
    *Switchable between 1/3 or 1 EV step.
ISO Auto
- Still image
  - [Normal]
    Minimum: 100-12800
    Max: Auto / 200-25600
    
    [V-Log]
    Minimum: 500-6400
    Max: Auto / 800-12800
- Motion picture
  - [Normal]
    Minimum:
    Sensor output is 60fps or less: 100-6400
    Sensor output is 61fps or higher: 100-1600
    Max:
    Sensor output is 60fps or less: Auto / 200-12800
    Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO)
    
    [V-Log]
    Minimum:
    Sensor output is 60fps or less: 500-6400
    Sensor output is 61fps or higher: 250-1600
    Max:
    Sensor output is 60fps or less: Auto / 800-12800
    Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)
    
    [Hybrid Log Gamma]
    Minimum:
    Sensor output is 60fps or less: 250-6400
    Sensor output is 61fps or higher: 250-1600
    Max:
    Sensor output is 60fps or less: Auto / 400-12800
    Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)
Synchro scan
- Still image / Motion picture
AE lock
- Set the Fn button in custom menu to AE lock

IMAGE STABILISATION SYSTEM

B.I.S. (5-axis / 7.5-stop*)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.]

Dual I.S. 2 (7.5-stop**)
**Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.]

WHITE BALANCE

White balance
- AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3, 4
White balance adjustment
- Blue/Amber bias, Magenta/Green bias
Colour temperature setting
- 2500-10000K in 100K

SHUTTER

Type
- Focal-plane shutter
Shutter speed
- Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
  Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
  Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60
  Motion picture: 1/25,000 - 1/25
  Creative Video M mode / MF mode: 1/25,000 - 1/8
Self timer
- 10sec, 3 images / 2sec / 10sec / Custom Time
Remote control
- Remote control by DMW-RS2 (sold separately)
Silent mode / Shutter type
- Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

BRACKET

AE bracket
- 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket
- 3, 5 or all positions
Focus bracket
- Yes
White balance bracket
- 3 images in blue/amber axis or in magenta/green axis, colour temperature setting

BURST SHOOTING

Burst speed
- Mechanical shutter
  - H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)
- Electronic front curtain shutter
  - H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)
- Electronic shutter
  - SH75: 75 frames/sec (AFS/MF)
    SH60: 60 frames/sec (AFS/AFC/MF)
    SH20: 20 frames/sec (AFS/AFC/MF)
    SH75 PRE: 75 frames/sec (AFS/MF)
    SH60 PRE: 60 frames/sec (AFS/AFC/MF)
    SH20 PRE: 20 frames/sec (AFS/AFC/MF)
    H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)
Number of recordable images
- H/M/L*
  RAW+JPEG: More than 170 images**, More than 165 images***
  RAW: More than 215 images**, More than 200 images***
  JPEG: More than 260 images**, More than 250 images***
  
  SH
  RAW / RAW+JPEG : 190 images
  JPEG: 190 images***
  
  *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
  **When using a card with CFexpress Type B
  ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".

FLASH

Flash type
- TTL External Flash (sold separately)
Flash mode
- Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization
- 1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment
- 1/3EV step ±3EV
Synchronization speed
- Less than 1/250 second
Wireless control
- Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
Flash sync socket
- Yes

CROP ZOOM

Still image / Motion picture

COLOUR SETTINGS

Photo Style
- Photo Style
  - Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)*
    *Set to ON from Show/Hide Photo Style to select.
- Picture adjustment
  - Contrast / Highlight / Shadow / Saturation / Colour Tone / Hue / Filter Effect / Grain Effect / Colour Noise / Sharpness / Noise Reduction / ISO / WB / LUT
    *Adjustable settings vary depending on the Photo Style mode.
Filter
- Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass
LUT Library
- Supported file types: .vlt, .cube
  Vlog_709 / Set 1-39 (Set 1-3: Sample LUT)
  *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings.

MOTION PICTURE FUNCTION

Time lapse shot
- Yes
Stop motion animation
- Yes
SS/Gain operation
- Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Luminance level
- 8-bit: 0-255 / 16-235 / 16-255
  10-bit: 0‒1023 / 64‒940 / 64‒1023
Master pedestal level
- 31 steps
Colour bars / Test tone
- Yes (SMPTE / EBU / ARIB) / Yes
LUT view assist
- Monitor / HDMI
HLG view assist
- Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
Anamorphic desqueeze display
- 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Wave form monitor / Vectorscope
- Selectable
Knee control
- Yes (in Like709 mode)
Other functions
- Red REC Frame Indicator, Streaming Blue Frame Indicator

VERTICAL POSITION INFORMATION

Still image / Motion picture (ON/OFF)

LEVEL GAUGE

FUNCTION BUTTON

REC
- Exposure Comp. / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Video) / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabiliser / Shutter Type / Crop Zoom (Photo) / Live View Composite / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Proxy Recording / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Audio Recording / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabiliser / E-Stabilisation (Video) / Boost I.S. (Video) / Image Area of Video / Crop Zoom (Video) / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist (Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Colour Bars / Focus Ring Control / AF Micro Adjustment / Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Streaming / REAL TIME LUT / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default
PLAY
- Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel (Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default

INTERFACE

USB
- USB Type-C^® (USB 10Gbps)
HDMI (*⁵)
- HDMI
  - HDMI TypeA
    Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
- Monitor-through
  - 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
    4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
    4K/120p / 4K/100p
    Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF
- Playback
  - 59.94Hz: 8K/30p* / C4K/120p / C4K/60p / C4K/30p / 4K/120p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
    50.00Hz: 8K/25p* / C4K/100p / C4K/50p / C4K/25p / 4K/100p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
    24.00Hz: 8K/24p* / C4K/120p / C4K/24p / 4K/120p / 4K/24p / 1080/120p / 1080p
    *Only for still image playback. **Only for playback.
Remote input
- φ2.5mm
Audio
- Build-in microphone
  - Stereo
    Wind Noise Canceller: OFF / Standard / High
- External microphone / External audio device input
  - φ3.5mm for external microphone / external audio device
    MIC (Plug-in Power) / MIC / LINE
    Wind Cut: OFF / Low / Standard / High *When attaching Φ3.5mm microphone.
    Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).
- XLR microphone
  - Yes with DMW-XLR2 (sold separately)
- 4ch mic input
  - Yes with DMW-XLR2 (sold separately)
- Speaker
  - Monaural
- Headphone output
  - φ3.5mm
Card slot
- Slot 1: CFexpress Card (CFexpress Type B)
  Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
  *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

TC IN/OUT

TC IN/OUT
- Yes with BNC Converter Cable (bundled)
Count up
- Rec Run / Free Run
Time code mode
- Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)
HDMI time code output
- ON / OFF
External TC setting
- TC Synchronization / TC Output Reference

FAN

Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.

LAMP

Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light

WIRELESS

Wi-Fi
- 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
  5GHz bands (STA/AP) (IEEE 802.11a/n/ac)
  Security: WPA/WPA2/WPA3
Bluetooth
- Bluetooth^® v5.0 (Bluetooth Low Energy (BLE))

DUST AND SPLASH RESISTANT*

Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

POWER

Battery
- Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
  USB power supply, USB power charging, USB power delivery
Battery life (CIPA standard)
- When using CFexpress Card
  - Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
    Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
    *Using a Nextorage CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
- When using SD memory card
  - Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
    Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
    *Using a Nextorage SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
- When using external USB-SSD
  - Approx. 280 images with H-ES12060 / DMW-BLK22
    Approx. 290 images with H-FS12060 / DMW-BLK22
    *Using a Samsung external SSD (T9_2TB). Under the test conditions specified by Panasonic based on CIPA standard.
Continuous recordable time (Motion picture) (*¹)
- When using CFexpress Card
  - MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
- When using SD memory card
  - MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
- When using external USB-SSD
  - MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060
Actual recordable time (Motion picture) (*¹)
- When using CFexpress Card
  - MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
- When using SD memory card
  - MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
- When using external USB-SSD
  - MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060

DIMENSIONS / WEIGHT

Dimensions (W x H x D)
- Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (Body only, excluding protrusions)
  Approx. 138.4 x 100.3 x 142.0 mm / 5.45 x 3.95 x 5.59 inch (with H-FS12060, excluding protrusions)
  Approx. 138.4 x 100.3 x 157.0 mm / 5.45 x 3.95 x 6.18 inch (with H-ES12060, excluding protrusions)
Weight
- Approx. 805g / 1.77 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
  Approx. 721g / 1.59 lb (Body, Hot Shoe Cover) (excluding body cap)

OPERATING ENVIRONMENT

Operating temperature
- -10℃ to 40℃ (14℉ to 104℉)
Operating humidity
- 10%RH to 80％RH

STANDARD ACCESSORIES

Software
- Recording
  - LUMIX Lab / LUMIX Sync
    ･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
    https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)
    
    LUMIX Tether
    ･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
    http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
- Playback / Editing
  - ･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Adwaa's website using computer connected to the Internet.
    http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)　
Standard accessories
- DC-GH7 Kit
  Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap
  
  DC-GH7L Kit / DC-GH7M Kit
  Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap, Lens Cap, Lens Hood, Lens Rear Cap
  
  ･The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.

Note

(*1) About motion picture recording

- The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card

- A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
Motion pictures with less than 72Mbps: 30 minutes
Motion pictures with 72Mbps or more: 3 hours 4 minutes

- A new file will be created to continue recording if the file size exceeds the following conditions.
[MP4] in [FHD]: 4GB
[MP4] in [4K]: 96GB
[MOV] in 600Mbps or less: 192GB
[MOV] in 800Mbps: 640GB
[ProRes] in [5.7K]: 640GB

- If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.

(*2) Hybrid Log Gamma is selectable in [4:2:2 10bit] or [4:2:0 10bit].

(*3) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

(*4) About AF
- Automatic Detection is not available for High Frame Rate video shooting above 60p.
- Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting above 60p.

(*5) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).

(*6) Firmware must be updated to version 1.3.

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Reviews

USER REVIEWS

4.8 out of 5 stars. 6 reviews

Summary of Customer Ratings & Reviews

READ AND WRITE USER REVIEWS

Accessories

Lenses

H-E08018

LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH.

H-X1025

Micro Four Thirds 10-25mm Standard Zoom Lens / 20-50mm (35mm camera equiv.)

H-ES12035GC

Micro Four Thirds 12-35mm Standard Zoom Lens / 24-70mm (35mm camera equiv.)

H-ES12060

LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S.

H-X2550

Micro Four Thirds 25-50mm Telephoto Zoom Lens / 50-100mm (35mm camera equiv.)

H-ES35100GC

Micro Four Thirds 35-100mm Telephoto Zoom Lens / 70-200mm (35mm camera equiv.)

H-ES50200

LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. / POWER O.I.S.

H-RSA100400G

Micro Four Thirds 100-400mm Telephoto Zoom Lens / 200-800mm (35mm camera equiv.)

H-X09GC

Micro Four Thirds 9mm Fixed Focal Length Lens / 18mm (35mm camera equiv.)

H-X012

LEICA DG SUMMILUX 12mm / F1.4 ASPH.

H-X015

LEICA DG SUMMILUX 15mm / F1.7 ASPH.

H-XA025

Micro Four Thirds 25mm Fixed Focal Length Lens / 50mm (35mm camera equiv.)

H-NS043

LEICA DG NOCTICRON 42.5mm / F1.2 ASPH. / POWER O.I.S.

H-ES045

LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S.

H-ES200

LEICA DG ELMARIT 200mm / F2.8 / POWER O.I.S.

H-HSA12035

LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S.

H-HSA35100

LUMIX G X VARIO 35-100mm / F2.8 II / POWER O.I.S.

H-F007014

LUMIX G VARIO 7-14mm / F4.0 ASPH.

H-FS12032

LUMIX G VARIO 12-32mm / F3.5-F5.6 ASPH. / MEGA O.I.S.

H-FS12060

LUMIX G VARIO 12-60mm / F3.5-5.6 ASPH. / POWER O.I.S.

H-PS14042

LUMIX G X VARIO PZ 14-42mm / F3.5-5.6 ASPH. / POWER O.I.S.

H-FS1442A

LUMIX G VARIO 14-42mm / F3.5-5.6 II ASPH. / MEGA O.I.S.

H-FSA14140

Micro Four Thirds 14-140mm Standard Zoom Lens / 28-280mm (35mm camera equiv.)

H-FS35100

LUMIX G VARIO 35-100mm / F4.0-5.6 ASPH. / MEGA O.I.S.

H-FS45150

LUMIX G VARIO 45-150mm / F4.0-5.6 ASPH. / MEGA O.I.S.

H-PS45175

LUMIX G X VARIO PZ 45-175mm / F4.0-5.6 ASPH. / POWER O.I.S.

H-FSA45200

LUMIX G VARIO 45-200mm / F4.0-5.6 II / POWER O.I.S.

H-FSA100300

LUMIX G VARIO 100-300mm / F4.0-5.6 II / MEGA O.I.S.

H-F008

LUMIX G FISHEYE 8mm / F3.5

H-H014A

LUMIX G 14mm / F2.5 II ASPH.

H-H020A

LUMIX G 20mm / F1.7 Ⅱ ASPH.

H-HS030

LUMIX G MACRO 30mm / F2.8 ASPH. / MEGA O.I.S.

H-E08018

LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH.

H-X1025

Micro Four Thirds 10-25mm Standard Zoom Lens / 20-50mm (35mm camera equiv.)

H-ES12035GC

Micro Four Thirds 12-35mm Standard Zoom Lens / 24-70mm (35mm camera equiv.)

H-ES12060

LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S.

H-X2550

Micro Four Thirds 25-50mm Telephoto Zoom Lens / 50-100mm (35mm camera equiv.)

H-ES35100GC

Micro Four Thirds 35-100mm Telephoto Zoom Lens / 70-200mm (35mm camera equiv.)

H-ES50200

LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. / POWER O.I.S.

H-RSA100400G

Micro Four Thirds 100-400mm Telephoto Zoom Lens / 200-800mm (35mm camera equiv.)

H-X09GC

Micro Four Thirds 9mm Fixed Focal Length Lens / 18mm (35mm camera equiv.)

H-X012

LEICA DG SUMMILUX 12mm / F1.4 ASPH.

H-X015

LEICA DG SUMMILUX 15mm / F1.7 ASPH.

H-XA025

Micro Four Thirds 25mm Fixed Focal Length Lens / 50mm (35mm camera equiv.)

H-NS043

LEICA DG NOCTICRON 42.5mm / F1.2 ASPH. / POWER O.I.S.

H-ES045

LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S.

H-ES200

LEICA DG ELMARIT 200mm / F2.8 / POWER O.I.S.

H-HSA12035

LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S.

H-HSA35100

LUMIX G X VARIO 35-100mm / F2.8 II / POWER O.I.S.

H-F007014

LUMIX G VARIO 7-14mm / F4.0 ASPH.

H-FS12032

LUMIX G VARIO 12-32mm / F3.5-F5.6 ASPH. / MEGA O.I.S.

H-FS12060

LUMIX G VARIO 12-60mm / F3.5-5.6 ASPH. / POWER O.I.S.

H-PS14042

LUMIX G X VARIO PZ 14-42mm / F3.5-5.6 ASPH. / POWER O.I.S.

H-FS1442A

LUMIX G VARIO 14-42mm / F3.5-5.6 II ASPH. / MEGA O.I.S.

H-FSA14140

Micro Four Thirds 14-140mm Standard Zoom Lens / 28-280mm (35mm camera equiv.)

H-FS35100

LUMIX G VARIO 35-100mm / F4.0-5.6 ASPH. / MEGA O.I.S.

H-FS45150

LUMIX G VARIO 45-150mm / F4.0-5.6 ASPH. / MEGA O.I.S.

H-PS45175

LUMIX G X VARIO PZ 45-175mm / F4.0-5.6 ASPH. / POWER O.I.S.

H-FSA45200

LUMIX G VARIO 45-200mm / F4.0-5.6 II / POWER O.I.S.

H-FSA100300

LUMIX G VARIO 100-300mm / F4.0-5.6 II / MEGA O.I.S.

H-F008

LUMIX G FISHEYE 8mm / F3.5

H-H014A

LUMIX G 14mm / F2.5 II ASPH.

H-H020A

LUMIX G 20mm / F1.7 Ⅱ ASPH.

H-HS030

LUMIX G MACRO 30mm / F2.8 ASPH. / MEGA O.I.S.

Upgrade Software Key

DMW-SFU3A

ARRI LogC3 recording can be used on the LUMIX GH7 (DC-GH7) and LUMIX GH6 (DC-GH6) by using the Upgrade Software Key DMW-SFU3A.

XLR Microphone Adaptor / Microphone

DMW-XLR2

XLR microphone adaptor compatible with the LUMIX S5II (DC-S5M2), the LUMIX S5IIX (DC-S5M2X), the LUMIX GH7 (DC-GH7), the LUMIX GH6 (DC-GH6) and the LUMIX G9II (DC-G9M2).

DMW-MS2

Microphones

VW-VMS10

Microphones

Battery / Battery Charger

DMW-BLK22

Battery Pack for LUMIX S5

DMW-BTC15

Battery Charger for DMW-BLF19 or DMW-BLK22

DMW-DCC18

DC Coupler for cameras compatible with battery pack DMW-BLK22

DMW-AC11

AC Adapter for use with DC Coupler DMW-DCC18

Others

DMW-RS2

Shutter Remote Control

DMW-SHGR2

A compact, lightweight handgrip / mini tripod with USB Type-C connection allowing start/stop video recording and shutter release.

VW-LED1

LED Video Light

DMW-BDC1

Body Cap

DMW-RS2

Shutter Remote Control

DMW-SHGR2

A compact, lightweight handgrip / mini tripod with USB Type-C connection allowing start/stop video recording and shutter release.

VW-LED1

LED Video Light

DMW-BDC1

Body Cap

See All Accessories

Learn More About The Product

Outstanding Reliability

4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.

Enhanced Content Quality

The LUMIX GH7 incorporates a completely new image sensor.

Efficient Workflow

5.7K 30p ProRes RAW HQ footage can be recorded on the camera body itself, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices.

LUMIX GH7 Camera DC-GH7GN

NO ROOM TO ADD MORE PRODUCTS

Mobility Meets Mastery.

Features

Flagship Hybrid Camera for Professional Content Creation

Enhanced Content Quality

Efficient Workflow

Outstanding Reliability

Dependable Autofocus System

Phase Hybrid AF

Real-time Recognition

Production of High-quality Content

Richer Tonal Expression

ProRes RAW HQ Internal Recording

Streamlined Workflow

World’s First 32-bit Float Recording*

ARRI LogC3 Recording

Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording Time

Collaborate Anytime, Anywhere

Native camera to cloud integration with Adobe’s Frame.io

Wireless Live Streaming

Colour Grading Straight Out of the Camera

REAL TIME LUT

LUMIX Lab App

Get Inspired

Specs

Size and Weight