LUMIX GH7 Video Hybrid Mirrorless Camera - Body Only DC-GH7GN
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DC-GH7GN
Mobility Meets Mastery.
Experience unparalleled video performance and exceptional portability with the LUMIX GH7. Featuring a 25.2MP BSI CMOS sensor with PDAF, ProRes RAW HQ internal recording, and the world’s first 32-bit float recording,* LUMIX's flagship hybrid camera allows you to create high-quality, efficient content with minimal setup. Includes GH7 body only.
*For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research. When used with the XLR microphone adaptor DMW-XLR2 (sold separately).
Features
Flagship Hybrid Camera for Professional Content Creation
Enhanced Content Quality
Experience exceptional image quality for both photos and videos with the LUMIX GH7. Equipped with Phase Hybrid AF for precise and reliable subject tracking, and Dynamic Range Boost dual gain output to deliver outstanding dynamic range across all ISO sensitivity levels.
Efficient Workflow
With ProRes RAW HQ internal recording and 32-bit float recording in camera,* the GH7 simplifies high-quality content creation, enabling efficient workflows with minimal setup.
*Optional DMW-XLR2 is required.
Outstanding Reliability
The LUMIX GH7 combines a compact design with a heat dissipation structure, allowing for extended recording even when shooting in high bit-rate recording modes between -10 and 40 degrees Celsius.
Phase Hybrid AF
Dependable autofocus is critical. The LUMIX GH7’s Phase Detection AF system ensures fast and reliable autofocus performance even in challenging lighting conditions. The camera can accurately track human subjects in both photo and video recording.
Unparalleled Image Quality
The LUMIX GH7 incorporates a new image sensor that offers high speed readout, exceptional dynamic range and noise performance, while also featuring on sensor Phase Detection AF, helping you create stunning content.
Richer Tonal Expression
The revolutionary sensor powering the GH7 features Dynamic Range Boost technology which improves dynamic range and low light performance by utilising the dual gain architecture and combining both channels of information to produce one HDR image, This technology is available in both photo and video allowing for more shadow detail throughout the ISO range.
*When shooting video over 60fps (including VFR), latitude will be 12+ stop. ･Dynamic Range Boost is not activated when shooting HFR/VFR video of 61fps or higher, or with SH burst shooting. Also not activated at shutter speeds slower than 1/15 during still image shooting, depending on the ISO. ･This function is applied automatically.
ProRes RAW HQ Internal Recording
The GH7 sets a new benchmark in recording quality by being the first mirrorless camera to record internal Pro Res RAW at 5.7K 25/30p. Both ProRes RAW and ProRes RAW HQ compression options are available, offering the flexibility for white balance and gain adjustment in post.
･Recording is not possible on the SD card. ･Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.
Streamlined Workflow
World’s First 32-bit Float Recording*
When combined with the DMW-XLR2 (sold separately), the LUMIX GH7 enables the world’s first 32-bit float recording,* capturing a wider dynamic range and eliminating the need for tedious sound level adjustments during audio recording.
*For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research. When used with the XLR microphone adaptor DMW-XLR2 (sold separately).
ARRI LogC3 Recording
Create true cinematic masterpieces with ARRI's professional log colour. Utilising the ARRI LogC3* curve on the GH7 enables seamless colour matching with ARRI's digital cinema cameras. The SFU3 software upgrade key (sold separately) enhances colour output that is certified by ARRI.
*ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4. *On the LUMIX GH7, ARRI LogC3 can be used for 10bit recording in Creative Video mode. ･ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.
Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording Time
Designed for video professionals, the GH7 is engineered for continuous recording in any environment. Its truly unlimited 4K 50/60p recording up to 40 degrees Celsius sets the industry benchmark for thermal reliability in hybrid cameras.
*Under the guaranteed operating environment. When using a battery. The recording time depends on the capacity of the battery and the recording media. **-10–40℃. ･Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI). ･CFexpress card or an SD memory card with Video Speed Class 90 is required.
Collaborate Anytime, Anywhere
Native camera to cloud integration with Adobe’s Frame.io
With frame.io Camera to Cloud, you can be uploading proxies to your editor, while you're still out capturing. Frame.io C2C is available in camera and can transfer proxy video files, and RAW or Jpeg over WiFi or LAN* directly to the cloud.
･Not all features of Frame.io Camera to Cloud are guaranteed. ･Frame.io, the Frame.io logo, and Camera to Cloud are either registered trademarks or trademarks of Adobe in the United States and/or other countries.
* Requires USB-C to Ethernet Adaptor
Versatile Live Streaming Options
The GH7 is perfect to get your business live without the hassle. Outdoor streaming is made possible with the cameras inbuilt streaming encoder is able to output RTMP/RTMPS with simple setup with LUMIX sync. For indoor use the wired live streaming is possible via RTP/RTSP with a LAN adaptor*.
･Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ･Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ･A commercially available USB ethernet adaptor is required to convert the DC-GH7's USB Type C terminal to a LAN terminal. Compatibilities of USB ethernet adapter: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html
Colour Grading Straight Out of the Camera
REAL TIME LUT
Simplify the editing process with LUTs applied in camera for quick turn arounds. There is also the ability to record LUTs to Proxy files while maintaining the full flexibility of the LOG master file. LUMIX Lab app makes it possible to easily transfer and share LUTs to camera simplifying the upload process.
LUMIX Lab App
Pair the camera with your smartphone in three steps and transfer content seamlessly with ultra-fast Wi-Fi connection. You can also crop, adjust brightness, apply LUTs, etc., enabling simple editing for any social media platform to be done in a snap.
Get Inspired
Specs
Size and Weight
- Height
- 100.3mm
- Width
- 138.4mm
- Depth
- 99.6mm
- Weight
- 805g
All values are approximate. Lens is excluded. Weight with shoe cover, battery and SD card. Body only 721g. Dimensions exclude protrusions.
Micro Four Thirds System Standard- 25.2 Megapixels
- Phase Hybrid AF
- ProRes RAW HQ
- C4K/4K 4:2:2 10-bit 60p/50p video
- 32-bit Float Audio (Optional DMW-XLR2 is required)
- Active I.S.
- 1840k-dot Tilt and Free-angle Monitor
- 3680k-dot OLED Live View Finder
- Splash, Dust and Freeze-resistant
- LUMIX Lab app
25.2-megapixel BSI CMOS Sensor
Phase Hybrid AF
ProRes RAW HQ Internal Recording
32-bit Float Recording (Optional DMW-XLR2 is required)
Oversampled Full Width 4K120P
TYPE
-
Type
-
Digital Single Lens Mirrorless camera
-
-
Lens mount
-
Micro Four Thirds mount
-
IMAGE SENSOR
-
Type
-
BSI CMOS sensor (17.3 x 13.0 mm)
-
-
Camera effective pixels / Total pixels
-
Approx. 25.2 megapixels / Approx. 26.5 megapixels
-
-
AR (Anti Reflection) coating
-
Yes
-
-
Aspect ratio / Colour filter
-
4:3 / Primary colour filter
-
-
Dust reduction system
-
Image sensor shift type
-
LATITUDE
-
13+ stops (V-Log) (Sensor output is 60fps or less)
12+ stops (V-Log) (Sensor output is 61fps or higher)
STILL IMAGE
-
Recording file format
-
JPEG (DCF, Exif 3.0), RAW
-
-
Aspect ratio
-
4:3 / 3:2 / 16:9 / 1:1
-
-
File size (Pixels)
-
4:3
-
5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.
-
-
3:2
-
5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.
-
-
16:9
-
5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.
-
-
1:1
-
4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.
-
-
-
Image quality
-
RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)
-
-
Colour space
-
sRGB, AdobeRGB
-
MOTION PICTURE
-
Recording file format
-
MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW
MP4: H.264/MPEG-4 AVC, H.265/HEVC
-
-
Audio format
-
4ch Audio Recording: OFF
-
MOV
Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
*When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
MP4
Linear format: AAC (2ch stereo 48kHz/16-bit)
-
-
4ch Audio Recording: XLR*
-
MOV
Linear format: LPCM (4ch monaural 48kHz/24-bit)
Float format: LPCM (4ch monaural 48kHz/32-bit)
*When attaching DMW-XLR2 (sold separately).
-
-
4ch Audio Recording: XLR*+Camera
-
MOV
Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
*When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).
-
-
-
System frequency
-
59.94Hz / 50.00Hz / 24.00Hz
-
-
Image area of video
-
FULL / PIXEL/PIXEL
-
-
Log recording
-
V-Log
-
-
Proxy
-
ON / OFF
Proxy Rec Quality: H / M / L
Real Time LUT (Proxy): ON / OFF
*When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming].
-
-
MOV (*¹) (*²) (*³) / 59.94Hz
-
[5.8K] 5760x4320 (4:3)
-
29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[5.7K] 5728x3024 (17:9)
-
59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[4.4K] 4352x3264 (4:3)
-
59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to PIXEL/PIXEL during this recording mode.
-
-
[C4K] 4096x2160 / [4K] 3840x2160
-
119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
-
-
[FHD] 1920x1080
-
239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**Image Area of Video is set to FULL during this recording mode.
***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
-
-
-
MOV (*¹) (*²) (*³) / 50.00Hz
-
[5.8K] 5760x4320 (4:3)
-
25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[5.7K] 5728x3024 (17:9)
-
50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[4.4K] 4352x3264 (4:3)
-
50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to PIXEL/PIXEL during this recording mode.
-
-
[C4K] 4096x2160 / [4K] 3840x2160
-
100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
-
-
[FHD] 1920x1080
-
200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**Image Area of Video is set to FULL during this recording mode.
***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
-
-
-
MOV (*¹) (*²) (*³) / 24.00Hz
-
[5.8K] 5760x4320 (4:3)
-
24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[5.7K] 5728x3024 (17:9)
-
48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[4.4K] 4352x3264 (4:3)
-
48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to PIXEL/PIXEL during this recording mode.
-
-
[C4K] 4096x2160 / [4K] 3840x2160
-
120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
-
-
[FHD] 1920x1080
-
120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**
120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
-
-
-
MP4 (*¹) (*²) / 59.94Hz
-
[4K] 3840x2160
-
59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
-
-
[FHD] 1920x1080
-
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
-
-
-
MP4 (*¹) (*²) / 50.00Hz
-
[4K] 3840x2160
-
50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
-
-
[FHD] 1920x1080
-
50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
-
-
-
MP4 (*¹) (*²) / 24.00Hz
-
-
-
-
ProRes (*¹) (*³) / 59.94Hz
-
[5.7K] 5728x3024 (17:9)
-
29.97p, 4.2Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
29.97p, 2.8Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
29.97p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 3.3Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
23.98p, 2.2Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
23.98p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
**Software that supports Apple ProRes RAW is required to edit RAW video recorded.
**A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
-
-
[C4K] 4096x2160
-
59.94p, 4.2Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
59.94p, 2.8Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
59.94p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
59.94p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 2.1Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
29.97p, 1.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
29.97p, 972Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 648Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
23.98p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
23.98p, 778Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**Image Area of Video is set to PIXEL/PIXEL during this recording mode.
***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
-
-
[FHD] 1920x1080
-
59.94p, 454Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
59.94p, 302Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 227Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
29.97p, 151Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 181Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
23.98p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
-
-
-
ProRes (*¹) (*³) / 50.00Hz
-
[5.7K] 5728x3024 (17:9)
-
25.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
25.00p, 2.3Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
25.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
**Software that supports Apple ProRes RAW is required to edit RAW video recorded.
**A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
-
-
[C4K] 4096x2160
-
50.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
50.00p, 2.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
50.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
50.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 1.8Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
25.00p, 1.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
25.00p, 811Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 541Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**Image Area of Video is set to PIXEL/PIXEL during this recording mode.
***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
-
-
[FHD] 1920x1080
-
50.00p, 378Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
50.00p, 252Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 189Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
25.00p, 126Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
-
-
-
ProRes (*¹) (*³) / 24.00Hz
-
[5.7K] 5728x3024 (17:9)
-
24.00p, 3.3Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
24.00p, 2.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
24.00p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
24.00p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
**Software that supports Apple ProRes RAW is required to edit RAW video recorded.
**A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
-
-
[C4K] 4096x2160
-
24.00p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
24.00p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
24.00p, 779Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
24.00p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
**Image Area of Video is set to PIXEL/PIXEL during this recording mode.
***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
-
-
[FHD] 1920x1080
-
24.00p, 182Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
24.00p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
*Proxy video recording is available.
-
-
VARIABLE FRAME RATE
-
MOV (*¹) (*²) / 59.94Hz
-
[5.7K] 5728x3024 (17:9)
-
29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[C4K] 4096x2160 / [4K] 3840x2160
-
59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
-
-
[FHD] 1920x1080
-
59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
-
-
-
MOV (*¹) (*²) / 50.00Hz
-
[5.7K] 5728x3024 (17:9)
-
25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[C4K] 4096x2160 / [4K] 3840x2160
-
50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
-
-
[FHD] 1920x1080
-
50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL.
*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
-
-
-
MOV (*¹) (*²) / 24.00Hz
-
[5.7K] 5728x3024 (17:9)
-
24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[C4K] 4096x2160 / [4K] 3840x2160
-
24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
**External USB-SSD recording.
-
-
[FHD] 1920x1080
-
24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
*An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
-
-
HDMI RAW DATA OUTPUT
-
Compatible external devices
-
Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR
*DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data.
*Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR.
*All functions may not be available depending on the situation.
*When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording.
ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect"
*All functions may not be available depending on the situation.
*Please check here for compatible firmware versions of external recorders.
https://panasonic.jp/support/global/cs/dsc/connect/index.html
*"Ninja V" "Ninja" "Shogun" does not support some RAW video data.
*Software that supports Apple ProRes RAW is required to edit RAW video recorded.
*A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
-
-
Rec quality / NTSC (59.94Hz)
-
[5.8K] 5760x4320 (4:3)
-
29.97p, 12-bit (LPCM)*
23.98p, 12-bit (LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[5.7K] 5728x3024 (17:9)
-
59.94p, 12-bit (LPCM)*
29.97p, 12-bit (LPCM)*
23.98p, 12-bit (LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[4.4K] 4352x3264 (4:3)
-
59.94p, 12-bit (LPCM)*
*Image Area of Video is set to PIXEL/PIXEL during this recording mode.
-
-
[C4K] 4096x2160 (17:9)
-
119.88p, 12-bit (LPCM)*
59.94p, 12-bit (LPCM)*
29.97p, 12-bit (LPCM)*
23.98p, 12-bit (LPCM)*
*Image Area of Video is set to PIXEL/PIXEL during this recording mode.
-
-
-
Rec quality / PAL (50.00Hz)
-
[5.8K] 5760x4320 (4:3)
-
25.00p, 12-bit (LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[5.7K] 5728x3024 (17:9)
-
50.00p, 12-bit (LPCM)*
25.00p, 12-bit (LPCM)*
*Image Area of Video is set to FULL during this recording mode.
-
-
[4.4K] 4352x3264 (4:3)
-
50.00p, 12-bit (LPCM)*
*Image Area of Video is set to PIXEL/PIXEL during this recording mode.
-
-
[C4K] 4096x2160 (17:9)
-
100.00p, 12-bit (LPCM)*
50.00p, 12-bit (LPCM)*
25.00p, 12-bit (LPCM)*
*Image Area of Video is set to PIXEL/PIXEL during this recording mode.
-
-
-
Audio format
-
4ch Audio Recording: OFF
-
Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
*When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
-
-
4ch Audio Recording: XLR*
-
Linear format: LPCM (4ch monaural 48kHz/24-bit)
Float format: LPCM (4ch monaural 48kHz/32-bit)
*When attaching DMW-XLR2 (sold separately).
-
-
4ch Audio Recording: XLR*+Camera
-
Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
*When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).
-
-
EXTERNAL USB-SSD RECORDING
-
Yes (ON / OFF)
STREAMING
-
Wi-Fi
-
Protocol
-
RTMP / RTMPS
-
-
59.94Hz / [FHD] 1920x1080
-
59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
29.97p, 6Mbps / 3Mbps (H.264)
-
-
59.94Hz / [HD] 1280x720
-
59.94p, 6Mbps (H.264)
29.97p, 4Mbps (H.264)
-
-
50.00Hz / [FHD] 1920x1080
-
50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
25.00p, 6Mbps / 3Mbps (H.264)
-
-
50.00Hz / [HD] 1280x720
-
50.00p, 6Mbps (H.264)
25.00p, 4Mbps (H.264)
-
-
-
USB Tethering
-
Protocol
-
RTMP / RTMPS
-
-
59.94Hz / [4K] 3840x2160
-
29.97p, 12.5Mbps (H.264)
-
-
59.94Hz / [FHD] 1920x1080
-
59.94p, 16Mbps / 8Mbps (H.264)
29.97p, 6Mbps / 3Mbps (H.264)
-
-
59.94Hz / [HD] 1280x720
-
59.94p, 6Mbps (H.264)
29.97p, 4Mbps (H.264)
-
-
50.00Hz / [4K] 3840x2160
-
25.00, 12.5Mbps (H.264)
-
-
50.00Hz / [FHD] 1920x1080
-
50.00p, 16Mbps / 8Mbps (H.264)
25.00p, 6Mbps / 3Mbps (H.264)
-
-
50.00Hz / [HD] 1280x720
-
50.00p, 6Mbps (H.264)
25.00p, 4Mbps (H.264)
-
-
-
Wired LAN
-
Protocol
-
RTP / RTSP
-
-
59.94Hz / [4K] 3840x2160
-
59.94p, 50Mbps / 25Mbps (H.265)*
59.94p, 50Mbps / 25Mbps (H.264)*
29.97p, 25Mbps / 12.5Mbps (H.265)
29.97p, 25Mbps / 12.5Mbps (H.264)
*When Image Area of Video is set to PIXEL/PIXEL.
-
-
59.94Hz / [FHD] 1920x1080
-
59.94p, 20Mbps / 16Mbps (H.265)
59.94p, 16Mbps / 8Mbps (H.264)
29.97p, 12Mbps / 6Mbps (H.265)
29.97p, 6Mbps / 3Mbps (H.264)
-
-
59.94Hz / [HD] 1280x720
-
59.94p, 6Mbps (H.264)
29.97p, 4Mbps (H.264)
-
-
50.00Hz / [4K] 3840x2160
-
50.00p, 50Mbps / 25Mbps (H.265)*
50.00p, 50Mbps / 25Mbps (H.264)*
25.00p, 25Mbps / 12.5Mbps (H.265)
25.00p, 25Mbps / 12.5Mbps (H.264)
*When Image Area of Video is set to PIXEL/PIXEL.
-
-
50.00Hz / [FHD] 1920x1080
-
50.00p, 20Mbps / 16Mbps (H.265)
50.00p, 16Mbps / 8Mbps (H.264)
25.00p, 12Mbps / 6Mbps (H.265)
25.00p, 6Mbps / 3Mbps (H.264)
-
-
50.00Hz / [HD] 1280x720
-
50.00p, 6Mbps (H.264)
25.00p, 4Mbps (H.264)
-
-
VIEWFINDER
-
Type
-
OLED Live View Finder
-
-
Pixels
-
Approx. 3.68 million dots
-
-
Field of view / Magnification
-
Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3
-
-
Eye point / Diopter adjustment
-
Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)
-
-
Eye sensor
-
Yes
-
-
Display speed
-
120fps / 60fps
-
REAR MONITOR
-
Type
-
TFT LCD monitor with static touch control
-
-
Monitor size
-
Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect
-
-
Pixels
-
Approx. 1.84 million dots
-
-
Field of view
-
Approx. 100%
-
FOCUS (*⁴)
-
Type
-
Phase Detection AF system / Contrast AF system
-
-
DFD technology
-
Yes
-
-
Focus mode
-
AFS (Single) / AFC (Continuous) / MF
-
-
AF mode
-
Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
*Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set.
-
-
AF detective range
-
EV -4 - 18 (F2.0, ISO100 equivalent, AFS)
-
-
AF custom setting
-
AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
-
-
AF assist light
-
Yes
-
-
AF lock
-
Set the Fn button in custom menu to AF lock
-
-
Focus ring control
-
Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached.
-
-
Others
-
AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume
-
EXPOSURE CONTROL
-
Light metering system
-
1,728-zone multi-pattern sensing system
-
-
Light metering mode
-
Multiple / Center Weighted / Spot / Highlight Weighted
-
-
Metering range
-
EV0-18 (F2.0 lens, ISO100 equivalent)
-
-
Mode dial
-
Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto
*The same exposure operations as P/A/S/M mode is available.
-
-
Exposure compensation
-
1/3 EV step ±5EV (±3EV for motion picture)
-
-
ISO sensitivity (Standard output sensitivity)
-
Still image
-
[Normal]
Auto / 50 (Extended ISO) / 100-25600
[V-Log]
Auto / 125 (Extended ISO) / 500-12800
*Switchable between 1/3 or 1 EV step.
-
-
Motion picture
-
[Normal]
Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800
Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) / 100-3200 / 4000-12800 (Extended ISO)
[V-Log]
Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800
Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) / 250-3200 / 4000-12800 (Extended ISO)
[Hybrid Log Gamma]
Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800
Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO)
*Switchable between 1/3 or 1 EV step.
-
-
-
ISO Auto
-
Still image
-
[Normal]
Minimum: 100-12800
Max: Auto / 200-25600
[V-Log]
Minimum: 500-6400
Max: Auto / 800-12800
-
-
Motion picture
-
[Normal]
Minimum:
Sensor output is 60fps or less: 100-6400
Sensor output is 61fps or higher: 100-1600
Max:
Sensor output is 60fps or less: Auto / 200-12800
Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO)
[V-Log]
Minimum:
Sensor output is 60fps or less: 500-6400
Sensor output is 61fps or higher: 250-1600
Max:
Sensor output is 60fps or less: Auto / 800-12800
Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)
[Hybrid Log Gamma]
Minimum:
Sensor output is 60fps or less: 250-6400
Sensor output is 61fps or higher: 250-1600
Max:
Sensor output is 60fps or less: Auto / 400-12800
Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)
-
-
-
Synchro scan
-
Still image / Motion picture
-
-
AE lock
-
Set the Fn button in custom menu to AE lock
-
IMAGE STABILISATION SYSTEM
-
B.I.S. (5-axis / 7.5-stop*)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.]
Dual I.S. 2 (7.5-stop**)
**Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.]
WHITE BALANCE
-
White balance
-
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3, 4
-
-
White balance adjustment
-
Blue/Amber bias, Magenta/Green bias
-
-
Colour temperature setting
-
2500-10000K in 100K
-
SHUTTER
-
Type
-
Focal-plane shutter
-
-
Shutter speed
-
Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60
Motion picture: 1/25,000 - 1/25
Creative Video M mode / MF mode: 1/25,000 - 1/8
-
-
Self timer
-
10sec, 3 images / 2sec / 10sec / Custom Time
-
-
Remote control
-
Remote control by DMW-RS2 (sold separately)
-
-
Silent mode / Shutter type
-
Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)
-
BRACKET
-
AE bracket
-
3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
-
-
Aperture bracket
-
3, 5 or all positions
-
-
Focus bracket
-
Yes
-
-
White balance bracket
-
3 images in blue/amber axis or in magenta/green axis, colour temperature setting
-
BURST SHOOTING
-
Burst speed
-
Mechanical shutter
-
H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View)
M: 6 frames/sec (AFS/AFC/MF) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)
-
-
Electronic front curtain shutter
-
H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
M: 6 frames/sec (AFS/AFC/MF) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)
-
-
Electronic shutter
-
SH75: 75 frames/sec (AFS/MF)
SH60: 60 frames/sec (AFS/AFC/MF)
SH20: 20 frames/sec (AFS/AFC/MF)
SH75 PRE: 75 frames/sec (AFS/MF)
SH60 PRE: 60 frames/sec (AFS/AFC/MF)
SH20 PRE: 20 frames/sec (AFS/AFC/MF)
H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
M: 6 frames/sec (AFS/AFC/MF) (with Live View)
L: 2 frames/sec (AFS/AFC/MF) (with Live View)
-
-
-
Number of recordable images
-
H/M/L*
RAW+JPEG: More than 170 images**, More than 165 images***
RAW: More than 215 images**, More than 200 images***
JPEG: More than 260 images**, More than 250 images***
SH
RAW / RAW+JPEG : 190 images
JPEG: 190 images***
*Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
**When using a card with CFexpress Type B
***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".
-
FLASH
-
Flash type
-
TTL External Flash (sold separately)
-
-
Flash mode
-
Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
-
-
Flash synchronization
-
1st Curtain Sync, 2nd Curtain Sync.
-
-
Flash output adjustment
-
1/3EV step ±3EV
-
-
Synchronization speed
-
Less than 1/250 second
-
-
Wireless control
-
Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
-
-
Flash sync socket
-
Yes
-
CROP ZOOM
-
Still image / Motion picture
COLOUR SETTINGS
-
Photo Style
-
Photo Style
-
Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)*
*Set to ON from Show/Hide Photo Style to select.
-
-
Picture adjustment
-
Contrast / Highlight / Shadow / Saturation / Colour Tone / Hue / Filter Effect / Grain Effect / Colour Noise / Sharpness / Noise Reduction / ISO / WB / LUT
*Adjustable settings vary depending on the Photo Style mode.
-
-
-
Filter
-
Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass
-
-
LUT Library
-
Supported file types: .vlt, .cube
Vlog_709 / Set 1-39 (Set 1-3: Sample LUT)
*REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings.
-
MOTION PICTURE FUNCTION
-
Time lapse shot
-
Yes
-
-
Stop motion animation
-
Yes
-
-
SS/Gain operation
-
Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
-
-
Luminance level
-
8-bit: 0-255 / 16-235 / 16-255
10-bit: 0‒1023 / 64‒940 / 64‒1023
-
-
Master pedestal level
-
31 steps
-
-
Colour bars / Test tone
-
Yes (SMPTE / EBU / ARIB) / Yes
-
-
LUT view assist
-
Monitor / HDMI
-
-
HLG view assist
-
Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
-
-
Anamorphic desqueeze display
-
2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
-
-
Wave form monitor / Vectorscope
-
Selectable
-
-
Knee control
-
Yes (in Like709 mode)
-
-
Other functions
-
Red REC Frame Indicator, Streaming Blue Frame Indicator
-
VERTICAL POSITION INFORMATION
-
Still image / Motion picture (ON/OFF)
LEVEL GAUGE
-
Yes
FUNCTION BUTTON
-
REC
-
Exposure Comp. / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Video) / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabiliser / Shutter Type / Crop Zoom (Photo) / Live View Composite / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Proxy Recording / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Audio Recording / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabiliser / E-Stabilisation (Video) / Boost I.S. (Video) / Image Area of Video / Crop Zoom (Video) / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist (Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Colour Bars / Focus Ring Control / AF Micro Adjustment / Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Streaming / REAL TIME LUT / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default
-
-
PLAY
-
Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel (Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default
-
INTERFACE
-
USB
-
USB Type-C® (USB 10Gbps)
-
-
HDMI (*⁵)
-
HDMI
-
HDMI TypeA
Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
-
-
Monitor-through
-
4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
4K/120p / 4K/100p
Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF
-
-
Playback
-
59.94Hz: 8K/30p* / C4K/120p / C4K/60p / C4K/30p / 4K/120p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
50.00Hz: 8K/25p* / C4K/100p / C4K/50p / C4K/25p / 4K/100p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
24.00Hz: 8K/24p* / C4K/120p / C4K/24p / 4K/120p / 4K/24p / 1080/120p / 1080p
*Only for still image playback. **Only for playback.
-
-
-
Remote input
-
φ2.5mm
-
-
Audio
-
Build-in microphone
-
Stereo
Wind Noise Canceller: OFF / Standard / High
-
-
External microphone / External audio device input
-
φ3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE
Wind Cut: OFF / Low / Standard / High *When attaching Φ3.5mm microphone.
Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).
-
-
XLR microphone
-
Yes with DMW-XLR2 (sold separately)
-
-
4ch mic input
-
Yes with DMW-XLR2 (sold separately)
-
-
Speaker
-
Monaural
-
-
Headphone output
-
φ3.5mm
-
-
-
Card slot
-
Slot 1: CFexpress Card (CFexpress Type B)
Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.
-
TC IN/OUT
-
TC IN/OUT
-
Yes with BNC Converter Cable (bundled)
-
-
Count up
-
Rec Run / Free Run
-
-
Time code mode
-
Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)
-
-
HDMI time code output
-
ON / OFF
-
-
External TC setting
-
TC Synchronization / TC Output Reference
-
FAN
-
Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.
LAMP
-
Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light
WIRELESS
-
Wi-Fi
-
2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
5GHz bands (STA/AP) (IEEE 802.11a/n/ac)
Security: WPA/WPA2/WPA3
-
-
Bluetooth
-
Bluetooth® v5.0 (Bluetooth Low Energy (BLE))
-
DUST AND SPLASH RESISTANT*
-
Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
POWER
-
Battery
-
Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
USB power supply, USB power charging, USB power delivery
-
-
Battery life (CIPA standard)
-
When using CFexpress Card
-
Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
*Using a Nextorage CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
-
-
When using SD memory card
-
Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
*Using a Nextorage SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
-
-
When using external USB-SSD
-
Approx. 280 images with H-ES12060 / DMW-BLK22
Approx. 290 images with H-FS12060 / DMW-BLK22
*Using a Samsung external SSD (T9_2TB). Under the test conditions specified by Panasonic based on CIPA standard.
-
-
-
Continuous recordable time (Motion picture) (*¹)
-
When using CFexpress Card
-
MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
-
-
When using SD memory card
-
MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
-
-
When using external USB-SSD
-
MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060
-
-
-
Actual recordable time (Motion picture) (*¹)
-
When using CFexpress Card
-
MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
-
-
When using SD memory card
-
MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
-
-
When using external USB-SSD
-
MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060
-
-
DIMENSIONS / WEIGHT
-
Dimensions (W x H x D)
-
Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (Body only, excluding protrusions)
Approx. 138.4 x 100.3 x 142.0 mm / 5.45 x 3.95 x 5.59 inch (with H-FS12060, excluding protrusions)
Approx. 138.4 x 100.3 x 157.0 mm / 5.45 x 3.95 x 6.18 inch (with H-ES12060, excluding protrusions)
-
-
Weight
-
Approx. 805g / 1.77 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
Approx. 721g / 1.59 lb (Body, Hot Shoe Cover) (excluding body cap)
-
OPERATING ENVIRONMENT
-
Operating temperature
-
-10℃ to 40℃ (14℉ to 104℉)
-
-
Operating humidity
-
10%RH to 80％RH
-
STANDARD ACCESSORIES
-
Software
-
Recording
-
LUMIX Lab / LUMIX Sync
･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)
LUMIX Tether
･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
-
-
Playback / Editing
-
･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Adwaa's website using computer connected to the Internet.
http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)
-
-
-
Standard accessories
-
DC-GH7 Kit
Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap
DC-GH7L Kit / DC-GH7M Kit
Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap, Lens Cap, Lens Hood, Lens Rear Cap
･The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.
-
Note
-
(*1) About motion picture recording
- The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card
- A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
Motion pictures with less than 72Mbps: 30 minutes
Motion pictures with 72Mbps or more: 3 hours 4 minutes
- A new file will be created to continue recording if the file size exceeds the following conditions.
[MP4] in [FHD]: 4GB
[MP4] in [4K]: 96GB
[MOV] in 600Mbps or less: 192GB
[MOV] in 800Mbps: 640GB
[ProRes] in [5.7K]: 640GB
- If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.
(*2) Hybrid Log Gamma is selectable in [4:2:2 10bit] or [4:2:0 10bit].
(*3) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).
(*4) About AF
- Automatic Detection is not available for High Frame Rate video shooting above 60p.
- Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting above 60p.
(*5) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).
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XLR Microphone Adaptor / Microphone
DMW-MS2
Microphones
VW-VMS10
Microphones
Battery / Battery Charger
Others
DMW-MA2M
Mount Adaptor
DMW-TA1
Tripod Adaptor
DMW-SSTG9
Shoulder Strap
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