LUMIX S5IIX Full-Frame Mirrorless Camera DC-S5M2XN

DC-S5M2XN
(DC-S5M2X + S-R1840)

Master Your Creative Universe.

LUMIX DC-S5IIXN (Kit with S5IIX Body + LUMIX S 18-40mm / F4.5-6.3)
Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5IIX a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera.

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DC-S5M2XN
(DC-S5M2X + S-R1840)

Features

LUMIX Design philosophy: shaping emotions

The new all-black design of the LUMIX S5IIX is made to encourage the creator to become immersed in capturing the subject, oblivious to the tools in use. It’s designed to harmonise with the shooting environment and prevent reflections on the iris or recording media supporting artistic creativity.

Digital Camera World
“The best 4k cameras for video and even the best 6k and 8k cameras”
Read full review here

Pocket Lint
“The S5II and S5IIX are two of the best value propositions in the full-frame mirrorless market”
Read full review here

Sam Holland
Videographer
“A perfect hybrid camera for hybrid shooters”
Watch full review here

Firmware 2.0 enhances aggressive shooting styles

Ready for the most ambitious shoots

Phase Hybrid AF lets you shoot continuously with speed and precision, while the LUMIX S5IIX’s highly advanced AF pushes the envelope on sport, wildlife, and car/motorcycle photography.* In addition, the pre-burst shooting function allows you to go back in time.* Now you’re ready to capture that perfect moment.

*To use Animal Eye/Car/Motorcycle recognition and pre-burst shooting function, please update the firmware to version 2.0.

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Great for shooting on the move

The LUMIX S5IIX also makes it easy to shoot video on the move. Active I.S. determines the status of camera shake and optimises correction ratios to compensate even for significant motion, while advanced E.I.S.* suppresses peripheral distortion that occurs during video shooting. So now you can capture beautiful images, even if you need to move quickly while the camera is rolling.

*Please update the firmware to version 2.0.

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Firmware 2.0 introduces LUMIX's first features

Proxy video recording

This new feature records a low bit-rate proxy file when recording video. Simultaneously recording a proxy file that is linked with the original video recording enabling a faster delivery from production to post.

･Please update the firmware to version 2.0.

Native Camera to Cloud Integration with Adobe’s Frame.io

With Frame.io Camera to Cloud, creator’s images and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud.

･Please update the firmware to version 2.0.
･Not all features of Frame.io Camera to Cloud are guaranteed.
･Frame.io, the Frame.io logo, and Camera to Cloud are either registered trademarks or trademarks of Adobe in the United States and/or other countries.

Native Camera to Cloud Integration with Adobe’s Frame.io

A higher grade of visual expression

RAW video data output

The LUMIX S5IIX enables the output of RAW video data over HDMI to save it as ProRes RAW on ATOMOS NINJA V+, NINJA V and Shogun CONNECT HDR monitor-recorders.* The Blackmagic RAW can also be recorded on Video Assist 12G HDR.**

*[ProRes RAW] ･Please refer to the ATOMOS website for the information on the corresponding firmware version of ATOMOS Ninja V+, ATOMOS Ninja V or ATOMOS Shogun CONNECT. ･Software that supports ProRes RAW is required to edit RAW video recorded with ATOMOS ATOMOS Ninja V+, ATOMOS Ninja V or ATOMOS Shogun CONNECT. Apply the LUT (Look up table) available on the following customer supports site to make the same colour grading as V-Log/V-Gamut https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/ ･All functions may not be available depending on the situation. **[Blackmagic RAW] ･Please refer to the Blackmagic Design website for the information on the corresponding firmware version of the Blackmagic Video Assist 12G HDR. ･DaVinci Resolve or DaVinci Resolve Studio is required to play back and edit Blackmagic RAW data. DaVinci Resolve Studio is required to deliver projects using Blackmagic RAW data in resolutions over 3840x2160. ･All functions may not be available depending on the situation.

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External USB SSD recording

With the LUMIX S5IIX, recording and playback is supported using an external SSD via USB. In addition, the ability to record ProRes 422 HQ (maximum 1.9Gbps) and 4:2:2 10-bit All-Intra directly to SSDs, which combine portability and high capacity has improved efficiency in data backup and post-processing.

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Heat management for unlimited recording time

4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5IIX’s new optimised heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video).

*The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees).

Recording stops when the continuous recording time exceeds 30 minutes with the following settings; [MOV] in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] or [ProRes] in [5.8K/29.97p] [5.8K/25.00p] [C4K/59.94p] [C4K/50.00p] when Thermal Management mode is set to Standard.

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Heat management for unlimited recording time

LUMIX colour science technology

The LUMIX commitment to superior image quality

The new engine delivers more true-to-life colours, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas..

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The LUMIX commitment to superior image quality

Easy colour grading with REAL TIME LUT

LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialised editing skills, the camera helps you expand your range of expression as much as you want.

DOWNLOAD CREATOR'S LUTS

Related products

Lenses that enable high-quality photographic and video expression

The LUMIX S series delivers superior optical performance, mobility, and operability without compromise. Even when you change lenses, all your images show a consistent rendering, for high-quality works of art.

FIND OUT MORE ABOUT LUMIX S Lenses

Lenses that enable high-quality photographic and video expression

The LUMIX S5 Series Lineup

Now you can choose from the LUMIX S5IIX, which delivers even better visual quality, and the LUMIX S5II, made for a wider range of photo and video creators.

FIND OUT MORE ABOUT LUMIX S5II

Flow State — Shot by LUMIX S5IIX

A content creation project that challenges three content creators to push their creative boundaries with LUMIX S5IIX.

FIND OUT MORE

Get Inspired

Specs

Photo of LUMIX S5IIX Full-Frame Mirrorless Camera DC-S5M2XN

Size and Weight

Height: 102.3mm

Width: 134.3mm

Depth: 90.1mm

Weight: 740g

All values are approximate. Weight with SD card and battery. Lens is excluded. Body only 657g. Dimensions exclude protrusions.

L-Mount
24.2 Megapixels
Phase Hybrid AF
Active I.S. Technology
C4K/4K 4:2:2 10-bit 60p/50p video
HFR/VFR 10-bit Video
V-Log
RAW Video Data Output
Live Streaming
1840k-dot Free-angle Monitor
3680k-dot OLED Live View Finder
Splash and Dust-resistant

New 24.2MP sensor with Dual Native ISO technology and a new generation engine

Phase Detection AF and Active I.S. Technology

C4K/4K 60p/50p 4:2:2 10-bit unlimited recording

RAW video data output, ProRes video, All-Intra video, and external USB-SSD recording

TYPE

Type
- Digital Single Lens Mirrorless camera
Lens mount
- L-Mount

IMAGE SENSOR

Type
- 35mm full-frame (35.6mm x 23.8mm) CMOS sensor
Camera effective pixels / Total pixels
- 24.20 megapixels / 25.28 megapixels
AR (Anti Reflection) coating
- Yes
Aspect ratio / Colour filter
- 3:2 / Primary color filter
Dust reduction system
- Image sensor shift type

LATITUDE

14+ stops (V-Log)

STILL IMAGE

Recording file format
- JPEG (DCF, Exif 2.31), RAW
Aspect ratio
- 4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
File size (pixels) when using full-frame lenses
- 3:2
  - 6000x4000(L) / 4272x2848(M) / 3024x2016(S) / 12000x8000(XL)* / 8496x5664(LL)* *High Resolution mode.
- 4:3
  - 5328x4000(L) / 3792x2848(M) / 2688x2016(S) / 10656x8000(XL)* / 7552x5664(LL)* *High Resolution mode.
- 16:9
  - 6000x3368(L) / 4272x2400(M) / 3024x1704(S) / 12000x6736(XL)* / 8496x4784(LL)* *High Resolution mode.
- 1:1
  - 4000x4000(L) / 2848x2848(M) / 2016x2016(S) / 8000x8000(XL)* / 5664x5664(LL)* *High Resolution mode.
- 65:24
  - 6000x2208(L)
- 2:1
  - 6000x3000(L)
File size (pixels) when using APS-C/Super 35mm lenses
- 3:2
  - 3984x2656(L) / 2880x1920(M) / 2064x1376(S)
- 4:3
  - 3536x2656(L) / 2560x1920(M) / 1840x1376(S)
- 16:9
  - 3984x2240(L) / 2880x1624(M) / 1920x1080(S)
- 1:1
  - 2656x2656(L) / 1920x1920(M) / 1376x1376(S)
Image quality
- RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)
Colour space
- sRGB, AdobeRGB

MOTION PICTURE

Proxy (*⁶)
- ON / OFF
  Proxy Rec Quality: H / M / L
  Real Time LUT (Proxy): ON / OFF
  *When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output] and [Streaming].

SLOW & QUICK

MOV / 59.94Hz / FULL (*¹)
- [FHD] 1920x1080
  - 59.94p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    29.97p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    23.98p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *Angle of view narrows if you select a frame rate with a number of frames 151 or more.
    **External USB-SSD recording.
MOV / 59.94Hz / APS-C (*¹)
- [C4K] 4096x2160
  - 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *External USB-SSD recording.
- [4K] 3840x2160
  - 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *External USB-SSD recording.
- [FHD] 1920x1080
  - 59.94p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    59.94p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    29.97p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    29.97p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    23.98p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    23.98p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *Angle of view narrows if you select a frame rate with a number of frames 151 or more.
    **External USB-SSD recording.
MOV / 50.00Hz / FULL (*¹)
- [FHD] 1920x1080
  - 50.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    25.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *Angle of view narrows if you select a frame rate with a number of frames 151 or more.
    **External USB-SSD recording.
MOV / 50.00Hz / APS-C (*¹)
- [C4K] 4096x2160
  - 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *External USB-SSD recording.
- [4K] 3840x2160
  - 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *External USB-SSD recording.
- [FHD] 1920x1080
  - 50.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    50.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    25.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    25.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *Angle of view narrows if you select a frame rate with a number of frames 151 or more.
    **External USB-SSD recording.
MOV / 24.00Hz / FULL (*¹)
- [FHD] 1920x1080
  - 24.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *Angle of view narrows if you select a frame rate with a number of frames 151 or more.
    **External USB-SSD recording.
MOV / 24.00Hz / APS-C (*¹)
- [C4K] 4096x2160
  - 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *External USB-SSD recording.
- [4K] 3840x2160
  - 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p (Maximum output of sensor is 60fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *External USB-SSD recording.
- [FHD] 1920x1080
  - 24.00p (Maximum output of sensor is 180fps)*, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    24.00p (Maximum output of sensor is 180fps)*, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    *Angle of view narrows if you select a frame rate with a number of frames 151 or more.
    **External USB-SSD recording.

EXTERNAL USB-SSD RECORDING

Yes (ON / OFF)

HDMI RAW DATA OUTPUT

Compatible external devices
- ATOMOS HDMI field monitor/recorder "Ninja V+" / "Ninja V" / "Shogun CONNECT"
  *Please refer to the ATOMOS website for the information on the corresponding firmware version of ATOMOS Ninja V+, ATOMOS Ninja V or ATOMOS Shogun CONNECT.
  *Software that supports ProRes RAW is required to edit RAW video recorded with ATOMOS Ninja V+ or ATOMOS Ninja V. Apply the LUT (Look up table) available on the following customer supports site to make the same color grading as V-Log/V-Gamut
  https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
  *All functions may not be available depending on the situation.
  
  Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR
  *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of the Blackmagic Video Assist 12G HDR.
  *DaVinci Resolve or DaVinci Resolve Studio is required to play back and edit Blackmagic RAW data. DaVinci Resolve Studio is required to deliver projects using Blackmagic RAW data in resolutions over 3840x2160.
  *All functions may not be available depending on the situation.
Rec quality / 59.94Hz / FULL
- [5.9K] 5888x3312 (16:9)
  - 29.97p, 12-bit (LPCM)
    23.98p, 12-bit (LPCM)
Rec quality / 59.94Hz / APS-C
- [4.1K] 4128x2176 (17:9)
  - 59.94p, 12-bit (LPCM)
    29.97p, 12-bit (LPCM)
    23.98p, 12-bit (LPCM)
- [3.5K] 3536x2656 (4:3)
  - 29.97p, 12-bit (LPCM)
    23.98p, 12-bit (LPCM)
Rec quality / 50.00Hz / FULL
- [5.9K] 5888x3312 (16:9)
  - 25.00p, 12-bit (LPCM)
Rec quality / 50.00Hz / APS-C
- [4.1K] 4128x2176 (17:9)
  - 50.00p, 12-bit (LPCM)
    25.00p, 12-bit (LPCM)
- [3.5K] 3536x2656 (4:3)
  - 50.00p, 12-bit (LPCM)
    25.00p, 12-bit (LPCM)
Audio format
- LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
  *When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately).

STREAMING

Wi-Fi / Protocol
- RTMP / RTMPS
Wi-Fi / 59.94Hz
- [FHD] 1920x1080
  - 59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
    29.97p, 6Mbps / 3Mbps (H.264)
- [HD] 1280x720
  - 59.94p, 6Mbps (H.264)
    29.97p, 4Mbps (H.264)
Wi-Fi / 50.00Hz
- [FHD] 1920x1080
  - 50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
    25.00p, 6Mbps / 3Mbps (H.264)
- [HD] 1280x720
  - 50.00p, 6Mbps (H.264)
    25.00p, 4Mbps (H.264)
USB Tethering / Protocol
- RTMP / RTMPS
USB Tethering / 59.94Hz
- [4K] 3840x2160
  - 29.97p, 12.5Mbps (H.264)
- [FHD] 1920x1080
  - 59.94p, 16Mbps / 8Mbps (H.264)
    29.97p, 6Mbps / 3Mbps (H.264)
- [HD] 1280x720
  - 59.94p, 6Mbps (H.264)
    29.97p, 4Mbps (H.264)
USB Tethering / 50.00Hz
- [4K] 3840x2160
  - 25.00, 12.5Mbps (H.264)
- [FHD] 1920x1080
  - 50.00p, 16Mbps / 8Mbps (H.264)
    25.00p, 6Mbps / 3Mbps (H.264)
- [HD] 1280x720
  - 50.00p, 6Mbps (H.264)
    25.00p, 4Mbps (H.264)
Wired LAN / Protocol
- RTP / RTSP
Wired LAN / 59.94Hz
- [4K] 3840x2160
  - 59.94p, 50Mbps / 25Mbps (H.265)*
    59.94p, 50Mbps / 25Mbps (H.264)*
    29.97p, 25Mbps / 12.5Mbps (H.265)
    29.97p, 25Mbps / 12.5Mbps (H.264)
    *When Image Area of Video is set to APS-C or PIXEL/PIXEL.
- [FHD] 1920x1080
  - 59.94p, 20Mbps / 16Mbps (H.265)
    59.94p, 16Mbps / 8Mbps (H.264)
    29.97p, 12Mbps / 6Mbps (H.265)
    29.97p, 6Mbps / 3Mbps (H.264)
- [HD] 1280x720
  - 59.94p, 6Mbps (H.264)
    29.97p, 4Mbps (H.264)
Wired LAN / 50.00Hz
- [4K] 3840x2160
  - 50.00p, 50Mbps / 25Mbps (H.265)*
    50.00p, 50Mbps / 25Mbps (H.264)*
    25.00p, 25Mbps / 12.5Mbps (H.265)
    25.00p, 25Mbps / 12.5Mbps (H.264)
    *When Image Area of Video is set to APS-C or PIXEL/PIXEL.
- [FHD] 1920x1080
  - 50.00p, 20Mbps / 16Mbps (H.265)
    50.00p, 16Mbps / 8Mbps (H.264)
    25.00p, 12Mbps / 6Mbps (H.265)
    25.00p, 6Mbps / 3Mbps (H.264)
- [HD] 1280x720
  - 50.00p, 6Mbps (H.264)
    25.00p, 4Mbps (H.264)

VIEWFINDER

Type
- OLED Live View Finder
Pixels
- Approx. 3.68 million dots
Field of view / Magnification
- Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m^-1, when the aspect ratio is set to 3:2
Eye point / Diopter adjustment
- Approx. 21 mm at infinity; -1.0 m^-1 / -4.0 - +2.0 (dpt)
Eye sensor
- Yes
Display speed
- 120fps / 60fps

REAR MONITOR

Type
- TFT LCD monitor with static touch control
Monitor size
- Free-angle, 3.0-inch (7.6cm), 3:2 aspect
Pixels
- Approx. 1.84 million dots
Field of view
- Approx. 100%

STATUS LCD

FOCUS (*³)

Type
- Phase Detection AF system / Contrast AF system
DFD technology
- Yes
Focus mode
- AFS (Single) / AFC (Continuous) / MF
AF mode
- Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
  *Automatic Detection can be turned ON to switch between Human / Animal / Car (*⁶) / Motorcycle (*⁶). Except when Pinpoint is set.
AF detective range
- EV -6 - 18 (F1.4, ISO100 equivalent, AFS)
AF custom setting
- AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF assist light
- Yes
AF lock
- Set the Fn button in custom menu to AF lock
Focus ring control
- Nonlinear / Linear (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum)
Others
- AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope (*⁵), Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

EXPOSURE CONTROL

Light metering system
- 1,728-zone multi-pattern sensing system
Light metering mode
- Multiple / Center Weighted / Spot / Highlight Weighted
Metering range
- EV0-18 (F2.0 lens, ISO100 equivalent)
Mode dial
- Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Slow&Quick / Custom 1, 2, 3 / Intelligent Auto
  *The same exposure operations as P/A/S/M mode is available.
Exposure compensation
- 1/3 EV step ±5EV (±3EV for motion picture)
ISO sensitivity (Standard output sensitivity)
- [Normal]
  Auto / 50* / 100-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO
  
  [V-Log]
  Auto / 320* / 640-51200 (1/3 or 1 EV step) *Extended ISO
  
  [HLG]
  Auto / 400-51200 / 102400* / 204800* (1/3 or 1 EV step) *Extended ISO
Dual Native ISO
- [Normal]
  Native ISO: 100, 640
  Auto: Auto / 50* / 100-51200 / 102400* / 204800* *Extended ISO
  Low: Auto / 50* / 100-800 *Extended ISO
  High: Auto / 320* / 640-51200 / 102400* / 204800* *Extended ISO
  
  [V-Log]
  Native ISO: 640, 4000
  Auto: Auto / 320* / 640-51200 *Extended ISO
  Low: Auto / 320* / 640-5000 *Extended ISO
  High: Auto / 2000* / 4000-51200 *Extended ISO
  
  [HLG]
  Native ISO: 400, 2500
  Auto: Auto / 400-51200 / 102400* / 204800* *Extended ISO
  Low: Auto / 400-3200
  High: Auto / 2500-51200 / 102400* / 204800* *Extended ISO
  
  [Cinelike D2 / Cinelike V2]
  Native ISO: 200, 1250
  Auto: Auto / 100* / 200-51200 / 102400* / 204800* *Extended ISO
  Low: Auto /100* / 200-1600 *Extended ISO
  High: Auto / 640* / 1250-51200 / 102400* / 204800* *Extended ISO
AE lock
- Set the Fn button in custom menu to AE lock

IMAGE STABILISATION SYSTEM

B.I.S. (5-axis / 5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.]
Dual I.S. 2 (6.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used.]

WHITE BALANCE

White balance
- AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
White balance adjustment
- Blue/Amber bias, Magenta/Green bias
Colour temperature setting
- 2500-10000K in 100K

SHUTTER

Type
- Focal-plane shutter
Shutter speed
- Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
  Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
  Electronic shutter: Bulb (Max. 60 sec), 1/8,000 - 60
  Motion picture: 1/16,000 - 1/25
  Creative Video M mode / MF mode: 1/16,000 - 1/2
Self timer
- 10sec, 3 images / 2sec / 10sec / Custom Time
Remote control
- Remote control by DMW-RS2 (sold separately)
Silent mode / Shutter type
- Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

BRACKET

AE bracket
- 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket
- 3, 5 or all positions
Focus bracket
- 1 to 999 images, focus steps can be set in 10 levels
White balance bracket
- 3 images in blue/amber axis or in magenta/green axis, color temperature setting

BURST SHOOTING

Burst speed
- Mechanical shutter / Electronic front curtain shutter
  - H: 9 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View)
    M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)
- Electronic shutter
  - SH30: 30 frames/sec (AFS/AFC/MF)
    SH30 PRE: 30 frames/sec (AFS/AFC/MF) (*⁶)
    H: 9 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View)
    M: 5 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)
Number of recordable images
- H/M/L*
  RAW+JPEG: More than 200 images
  RAW: More than 200 images
  JPEG: More than 300 images
  *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
  *When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".
  
  SH
  RAW / RAW+JPEG / JPEG: 200 images

FLASH

Flash type
- TTL External Flash (sold separately)
Synchronization speed
- Less than 1/250 second *The guide number decreases at 1/250 second. Only when set to M mode or S mode.
Flash mode
- Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization
- 1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment
- 1/3EV step ±3EV
Wireless control
- Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch

EXTRA TELE CONVERSION

2.0x (EX S) (When using full-frame lenses), 1.9x (EX S) (When using APS-C / Super 35mm lenses), 1.4x (EX M) *Only for still image recording.

COLOUR SETTINGS

Photo Style
- Photo Style
  - Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome (*⁷) / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Like2100 (HLG) / Like2100 (HLG) Full Range* / My Photo Style 1-4 (5-10)*
    *Set to ON from Show/Hide Photo Style to select.
- Picture adjustment
  - Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
    *Adjustable settings vary depending on the Photo Style mode.
Filter
- Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass
LUT Library
- Vlog_709 / Set 1-10
  *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in V-Log View Assist, LUT can be applied from these settings.

MOTION PICTURE FUNCTION

Time lapse shot
- Yes
Stop motion animation
- Yes
Live cropping
- Yes (Supports cropping from 5.9K (FULL) 30p/25p/24p video to 4K/FHD sizes)
SS/Gain operation
- Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Luminance level
- 8-bit: 0-255 / 16-235 / 16-255
  10-bit: 0-1023 / 64-940 / 64-1023
Synchro scan
- Yes
Master pedestal level
- 31 steps
Colour bars / 1kHz test tone
- Yes (SMPTE / EBU / ARIB) / Yes
LUT view assist
- Supported file types: .vlt, .cube
  Monitor / HDMI
HLG view assist
- Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
Anamorphic desqueeze display
- 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Wave form monitor / Vectorscope
- Selectable
Knee control
- Yes (in Like709 mode)
Red REC frame indicator
- ON / OFF

VERTICAL POSITION INFORMATION

Still image / Motion picture (ON/OFF)

LEVEL GAUGE

FUNCTION BUTTON

REC
- Exposure Comp. / Dual Native ISO / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Color Shading Compensation / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Rec. File Format / Rec Quality / Rec Quality (My List) / Slow & Quick Setting / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Focus Transition / Live Cropping / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Operation Lock / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / AF-Point Scope (*⁵) / Proxy Recording (*⁶) / REAL TIME LUT (*⁷) / Restore to Default
PLAY
- Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Send Images to Frame.io (*⁶) / Restore to Default

INTERFACE

USB
- USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))
HDMI (*⁴)
- HDMI
  - HDMI TypeA
    Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
- Monitor-through
  - 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
    4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
- Playback
  - 59.94Hz: C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p* / 480p*
    50.00Hz: C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p* / 576p*
    24.00Hz: C4K/24p / 4K/24p / 1080p
    *Only for playback.
Remote input
- φ2.5mm
Audio
- Build-in microphone
  - Stereo
    Wind Noise Canceller: OFF / Standard / High
- External microphone / External audio device input
  - φ3.5mm for external microphone / external audio device
    MIC (Plug-in Power) / MIC / LINE
    Wind Cut: OFF / Low / Standard / High *When attaching 3.5mm microphone (sold separately).
    Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).
- XLR microphone
  - Yes with DMW-XLR1 (sold separately)
- 4ch mic input
  - Yes with DMW-XLR1 (sold separately)
- Speaker
  - Monaural
- Headphone output
  - φ3.5mm
SD card slot
- Slot 1, Slot 2
  SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
  *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

TC IN/OUT

Count up
- Rec Run / Free Run
Time code mode
- Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)
HDMI time code output
- ON / OFF

FAN

Auto1 / Auto2 / Fast / Normal / Slow* / OFF**
*Not selectable when the resolution is higher than C4K, or the frame rate is higher than 60p.
**OFF can be set when in iA/P/A/S/M mode.

WIRELESS

Wi-Fi
- 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
  5GHz bands (STA) (IEEE 802.11a/n/ac)
  Security: WPA/WPA2/WPA3
Bluetooth
- Bluetooth® v5.0 (Bluetooth Low Energy (BLE))

DUST AND SPLASH RESISTANT*

Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

POWER

Battery
- Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
  USB power supply, USB power charging, USB power delivery
Battery life (CIPA standard)
- When using SD memory card
  - Approx. 370 images, 1,250 images (Power Save LVF mode*) with S-R2060
    Approx. 370 images, 1,200 images (Power Save LVF mode*) with S-S50
    *Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
- When using external USB-SSD
  - Approx. 300 images with S-R2060
    Approx. 300 images with S-S50
Continuous recordable time (Motion picture) (*¹)
- MP4 [4K/60p]: Approx. 90 min (APS-C), MP4 [FHD/60p]: Approx. 130 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged.
Actual recordable time (Motion picture) (*¹)
- MP4 [4K/60p]: Approx. 45 min (APS-C), MP4 [FHD/60p]: Approx. 65 min (FULL) *When using S-R2060 / S-S50. When the battery is fully charged.
Battery grip
- DMW-BGS5 (sold separately)

DIMENSIONS / WEIGHT

Dimensions (W x H x D)
- Approx. 134.3 x 102.3 x 90.1 mm / 5.29 x 4.03 x 3.55 inch (Body only, excluding protrusions)
  Approx. 134.3 x 102.3 x 157.0 mm / 5.29 x 4.03 x 6.19 inch (with S-R2060, excluding protrusions)
  Approx. 134.3 x 102.3 x 151.8 mm / 5.29 x 4.03 x 5.98 inch (with S-S50, excluding protrusions)
Weight
- Approx. 740g / 1.64 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
  Approx. 657g / 1.45 lb (Body, Hot Shoe Cover) (excluding body cap)

OPERATING ENVIRONMENT

Operating temperature
- 0℃ to 40℃ (32℉ to 104℉)
Operating humidity
- 10%RH to 80％RH

STANDARD ACCESSORIES

Software
- LUMIX Tether
  ･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
  http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
  
  LUMIX Sync / LUMIX Lab (*⁷)
  ･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
  https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)
  
  ･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet.
  http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)

Note

(*1) About motion picture recording

- The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
Motion pictures with 72Mbps or less: External USB-SSD, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
Motion pictures with 200Mbps or less: External USB-SSD, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
Motion pictures with 400Mbps or less: External USB-SSD, SD memory card with Video Speed Class 60 or higher
Motion pictures with 600Mbps or less: External USB-SSD, SD memory card with Video Speed Class 90
Motion pictures with 800Mbps or more or ProRes: External USB-SSD

- A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
Motion pictures with less than 72Mbps: 30 minutes
Motion pictures with 72Mbps or more: 3 hours 4 minutes

- A new file will be created to continue recording if the file size exceeds the following conditions.
[MP4] in [FHD]: 4GB
[MP4] in [4K]: 96GB
[MOV] in 600Mbps or less: 192GB
[MOV] in 800Mbps: 640GB
[ProRes] in [5.8K]: 640GB

- If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.
- Recording stops when the continuous recording time exceeds 30 minutes with the following settings.
[MOV] in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard.
[ProRes] in [5.8K/29.97p] [5.8K/25.00p] [C4K/59.94p] [C4K/50.00p] when Thermal Management mode is set to Standard.

(*2) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR1 (sold separately).

(*3) About AF
- Automatic Detection is not available for High Frame Rate video shooting above 60p (100p or 120p).
- Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting (100p or 120p) above 60p.

(*4) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).

(*5) Firmware must be updated to version 1.3.

(*6) Firmware must be updated to version 2.0.

(*7) Firmware must be updated to version 2.1.

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Kit Variations

DC-S5M2H
(DC-S5M2 + S-R28200)

LUMIX DC-S5IIH (Kit with S5II Body + LUMIX S 28-200mm / F4-7.1 Zoom Lens) Full-Frame Mirrorless Camera featuring Phase Hybrid AF, Active I.S., C4K/4K 60p/50p 4:2:2 10-bit Unlimited Recording and More.

DC-S5M2N
(DC-S5M2 + S-R1840)

Full-Frame Mirrorless Camera featuring Phase Hybrid AF, Active I.S., High Grade Video Mode, C4K/4K 60p/50p 4:2:2 10-bit Unlimited Recording and More. (Kit with S5II Body + LUMIX S 18-40mm / F4.5-6.3)

DC-S5DW
(DC-S5D + S-R1840 + S-S50)

LUMIX DC-S5DW (Kit with S5D Body and LUMIX S 18-40mm / F4.5-6.3 Zoom Lens and LUMIX S 50mm / F1.8 L-Mount Lens) Full-Frame Mirrorless Camera featuring 24.2MP MOS Sensor, 4K 60p/50p 10-bit Video, an...

DC-S5DN
(DC-S5D + S-R1840)

LUMIX DC-S5DN (Kit with S5D Body and LUMIX S 18-40mm / F4.5-6.3 Zoom Lens) Full-Frame Mirrorless Camera featuring 24.2MP MOS Sensor, 4K 60p/50p 10-bit Video, and More — All in a Compact, Lightweigh...

DC-S5DH
(DC-S5D + S-R28200)

LUMIX DC-S5DH (Kit with S5D Body and LUMIX S 28-200mm / F4-7.1 Zoom Lens) Full-Frame Mirrorless Camera featuring 24.2MP MOS Sensor, 4K 60p/50p 10-bit Video, and More — All in a Compact, Lightweight...

DC-S9N
(DC-S9 + S-R1840)

LUMIX DC-S9N (Kit with S9 Body + LUMIX S 18-40mm / F4.5-6.3 Zoom Lens) Create captivating content straight from the new LUMIX S9 Full-Frame camera, packed with professional features but with no edi...

DC-S9

Create captivating content straight from the new LUMIX S9 Full-Frame camera, packed with professional features but with no editing skills needed – from shooting to posting in 30 seconds.

DC-S9H
(DC-S9 + S-R28200)

LUMIX DC-S9H (Kit with S9 Body + LUMIX S 28-200mm / F4-7.1 Zoom Lens) Create captivating content straight from the new LUMIX S9 Full-Frame camera, packed with professional features but with no edit...

DC-S9K
(DC-S9 + S-R2060)

LUMIX DC-S9K (Kit with S9 Body + LUMIX S 20-60mm / F3.5-5.6 Lens) Create captivating content straight from the new LUMIX S9 Full-Frame camera, packed with professional features but with no editing ...

DC-S5M2

Full-Frame Mirrorless Camera featuring Phase Hybrid AF, Active I.S., C4K/4K 60p/50p 4:2:2 10-bit Unlimited Recording and More.

DC-S5M2X

Full-Frame Mirrorless Camera featuring Phase Hybrid AF, Active I.S., High Grade Video Mode, C4K/4K 60p/50p 4:2:2 10-bit Unlimited Recording and More.

DC-S5

Full-Frame Mirrorless Camera featuring 24.2MP MOS Sensor, 4K 60p/50p 10-bit Video, and More - All in a Compact, Lightweight Body. Body Only

DC-S5K

Full-Frame Mirrorless Camera featuring 24.2MP MOS Sensor, 4K 60p/50p 10-bit Video, and More - All in a Compact, Lightweight Body. L-mount 20-60mm Lens

DC-S1H

Full-Frame Mirrorless Camera featuring V-Log/V-Gamut with 14+ stops of dynamic range, 6K full-frame capture, and 10-bit Cinema 4K/4K 60p/50p recording. Body Only

DC-S1RM

Full-frame DSLM (Digital Single Lens Mirrorless) Camera featuring 47.3MP MOS Sensor and 187MP High Resolution mode. 24-105mm Lens Kit

DC-S1M

Full-frame DSLM (Digital Single Lens Mirrorless) Camera featuring 24.2MP MOS Sensor, C4/4K 60p/50p Video and Various Features for Professionals. 24-105mm Lens Kit