LUMIX GX7 SPECIAL GALLERY
Exclusive collection of supreme images captured by creators around the world
By Koji Ueda
By Koji Ueda
By Thomas Dworzak
By Ian Berry
By Daisuke Ozaki
A Darkroom in the Palm of Your Hand
The world of photography is filled with the vivid expressions of people and the worlds they inhabit; so real that they look like you can almost reach out and touch them. Enjoy this world on a magnificent scale by creating masterpieces just like photographers used to do through sophisticated darkroom and printing skills.
LUMIX G VARIO 7-14mm / F4.0 ASPH. (1/1000 sec, F4.5, ISO 200)
LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S. (1/125 sec, F3.5, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/2000 sec, F4.0, ISO 200)
LEICA DG SUMMILUX 25mm / F1.4 ASPH. (1/200 sec, F2.0, ISO 200)
LUMIX G VARIO 7-14mm / F4.0 ASPH. (1/500 sec, F10.0, ISO 200)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/3200 sec, F4.0, ISO 200)
LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S (1/250 sec, F2.8, ISO 200)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/640 sec, F5.6, ISO 200)
LEICA DG SUMMILUX 25mm / F1.4 / ASPH. (1/60 sec, F1.4, ISO 1000)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/8000 sec, F2.8, ISO 200)
LEICA DG SUMMILUX 25mm / F1.4 ASPH. (1/4000 sec, F1.4, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/8000 sec, F4.0, ISO 200)
LEICA DG SUMMILUX 25mm / F1.4, ASPH. (1/60 sec, F1.6, ISO 500)
LEICA DG SUMMILUX 25mm / F1.4 ASPH. (1/100 sec, F1.8, ISO 200)
LUMIX G VARIO 7-14mm / F4.0 ASPH. (0.3 sec, F8.0, ISO 200)
LUMIX G VARIO 7-14mm / F4.0 ASPH. (0.3 sec, F7.1, ISO 200)
BEHIND THE SCENES
Panasonic LUMIX GX7 Shooting Impression by Koji Ueda
BIOGRAPHY - Koji Ueda
Attended a study program in San Francisco, USA, centering on photography and video. After returning to Japan, he worked as an assistant to photographer Shinichi Hanawa, then launched his career as a photographer. He specializes in shooting town scenes and landscapes, mainly for magazines and advertisements. He has also recently begun lecturing and writing.
Experiencing the Dreams of Oskar Barnack
The camera that Oskar Barnack dreamed of, with its carry-about convenience, compactness, and high performance, is still the ideal camera today. It has evolved even further with the innovation of the mirrorless design - as seen in the LUMIX DMC-GX7, the newest embodiment of that ideal camera.
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/800 sec, F2.8, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/640 sec, F3.5, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/4000 sec, F2.8, ISO 200)
LUMIX G 20mm / F1.7 II ASPH. (1/400 sec, F2.0, ISO 200)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/320 sec, F5.0, ISO 200)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (10/160 sec, F3.5, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/320 sec, F2.8, ISO 200)
LEICA DG SUMMILUX 25mm / F1.4, ASPH. (1/60 sec, F1.4, ISO 1000)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/3200 sec, F3.5, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/5000 sec, F2.8, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/640 sec, F2.8, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/800 sec, F2.8, ISO 200)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/200 sec, F2.8, ISO 320)
LEICA DG SUMMILUX 25mm / F1.4, ASPH. (1/60 sec, F1.4, ISO 1250)
LEICA DG SUMMILUX 25mm / F1.4, ASPH. (1/6400 sec, F2.8, ISO 200)
BIOGRAPHY - Koji Ueda
Attended a study program in San Francisco, USA, centering on photography and video. After returning to Japan, he worked as an assistant to photographer Shinichi Hanawa, then launched his career as a photographer. He specializes in shooting town scenes and landscapes, mainly for magazines and advertisements. He has also recently begun lecturing and writing.
Georgia: Past and Present
After having spent most of the 1990s photographing the wars and conflicts in the Caucasus, I returned to live in Tbilisi in 2008. The city I had known was recuperating from a civil war, with rampant crime and frequent power outages. In recent years, Tbilisi has turned into a laboratory for modern design and architecture and is fast becoming a new tourist destination. I am trying to take a look at this high-speed modernization, in a country with an ancient, often archaic culture at the edge of Europe.
LUMIX G 20mm / F1.7 II ASPH. (1/640 sec, F4.0, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/640 sec, F4.5, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/200 sec, F2.2, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/125 sec, F1.7, ISO 3200)
LUMIX G 20mm / F1.7 II ASPH. (1/1000 sec, F5.0, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/1600 sec, F8.0, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/2000 sec, F6.3, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/400 sec, F3.5, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/500 sec, F3.5, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/125 sec, F1.8, ISO 1600)
LUMIX G 20mm / F1.7 II ASPH. (1/320 sec, F2.8, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/250 sec, F16.0, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/125 sec, F1.8, ISO 1600)
LUMIX G 20mm / F1.7 II ASPH. (1/640 sec, F4.0, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/640 sec, F4.0, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/1000 sec, F5.0, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/500 sec, F3.5, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/1200 sec, F5.6, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/200 sec, F5.6, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/500 sec, F4.0, ISO 400)
LUMIX G 20mm / F1.7 II ASPH. (1/640 sec, F4.5, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/160 sec, F2.2, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/125 sec, F1.8, ISO 800)
LUMIX G 20mm / F1.7 II ASPH. (1/160 sec, F2.0, ISO 400)
BEHIND THE SCENES
Panasonic LUMIX GX7 Shooting Impression by Thomas Dworzak
BIOGRAPHY - Thomas Dworzak
After studying in his native Germany, Thomas travelled Europe and the Middle East, capturing the war in the former Yugoslavia, before documenting the conflicts in Chechnya, Karabakh and Abkhazia. A Magnum member since 2004, the decade after 9/11 saw Thomas extensively covering the ensuing wars in Afghanistan and Iraq, and their impact on US politics. Now based back in Georgia, Thomas continues to cover some news stories, such as the Arab Spring in Libya and Egypt.
Roman Renaissance
I'm working towards an exhibition in London next year - The Greatest Cities In The World. Over 40 years as a professional photographer I have been discovering these places – watching them and their people change and evolve. I have visited Rome many times before but not had the opportunity to explore and capture it the way I have so many other cities. When considering the 'Great' cities of the world Rome would certainly feature, but perhaps more so due to its reputation in antiquity as apposed to the Rome of today. I want to explore if Rome is still a Great City or if it that mantle is now nothing more than the Emperor's New clothes.
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/20 sec, F2.8, ISO 800)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/4000 sec, F5.6, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/125 sec, F3.2, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/320 sec, F4.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/320 sec, F5.6, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/200 sec, F4.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/40 sec, F2.8, ISO 640)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/125 sec, F4.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/80 sec, F2.8, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/160 sec, F3.5, ISO 320)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/1000 sec, F4.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/80 sec, F3.2, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/250 sec, F3.5, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/160 sec, F4.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/2500 sec, F4.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/60 sec, F4.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/640 sec, F6.3, ISO 1600)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/100 sec, F2.8, ISO 320)
LUMIX G X VARIO 35-100mm / F2.8 / POWER O.I.S. (1/160 sec, F5.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/1250 sec, F5.6, ISO 320)
LEICA DG SUMMILUX 25mm / F1.4, ASPH. (1/50 sec, F1.8, ISO 640)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/100 sec, F5.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/50 sec, F2.8, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/160 sec, F4.0, ISO 320)
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S. (1/10 sec, F3.5, ISO 800)
BEHIND THE SCENES
Panasonic LUMIX GX7 Shooting Impression by Ian Berry
BIOGRAPHY - Ian Berry
British born Ian made his reputation in South Africa, where he was the only photographer to document the Sharpeville massacre of 1960. The first contract photographer for the Observer Magazine, his assignments have taken him around the world, documenting conflicts and political and social transformations, for the likes of National Geographic, Fortune and Life.
The LUMIX GX7 renders 1920 x 1080 60p (NTSC Area) / 50p (PAL Area) high quality full-HD video with distinctive expression that can be offered only by single-lens camera. This is where the GX7's "hybrid camera" name comes from.