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LUMIX GH7 -kamera DC-GH7L

Lisää toiveluetteloonPoista toiveluettelosta

EI TILAA LISÄTÄ ENEMPÄÄ TUOTTEITA

Toiveluettelossa on enimmäismäärä tuotteita

KATSO OMA toiveluettelosi

DC-GH7L

Kätevä kantaa mukana laadusta tinkimättä

LUMIXin huippuluokan hybridikamerassa on 25,2 megapikselin BSI CMOS -kenno, vaiheentunnistus-automaattitarkennus, sisäinen ProRes RAW HQ -tallennus sekä maailman ensimmäinen 32-bittinen liukulukuäänitys*, ja sen avulla tuotat korkealaatuista sisältöä tehokkaasti vähällä vaivannäöllä.
*Digitaalikamerat vaihdettavilla objektiiveilla, tilanne 5.6.2024. Panasonicin tutkimuksen mukaan. Käytettäessä XLR-mikrofonisovittimen DMW-XLR2 kanssa (myydään erikseen).
Lähennä
Loitonna
Sulje
Lisää toiveluetteloonPoista toiveluettelosta
DC-GH7L

Ominaisuudet

Huippuluokan hybridikamera ammattimaiseen sisällöntuotantoon

Parannettu sisällön laatu

LUMIX GH7:n vaihehybridi-automaattitarkennus seuraa kohteita tiiviisti ja ikuistaa ne nopeasti ja tarkasti. Dynaamisen alueen tehostus takaa laajan dynaamisen alueen kaikilla ISO-herkkyysalueilla.
Parannettu sisällön laatu

Tehokas työnkulku

Sisäinen ProRes RAW HQ -tallennus, 32-bittinen äänitys liukulukumuodossa* jne. voidaan tehdä suoraan kameraan, mikä mahdollistaa korkealaatuisen ja tehokkaan sisällön tuottamisen vaivattomasti ilman erityisiä asetuksia.
*Edellyttää lisävarustetta DMW-XLR2.
Tehokas työnkulku

Erinomainen luotettavuus

Laitteessa yhdistyvät kompakti runko sekä jäähdyttävä rakenne, mikä mahdollistaa pitkäkestoisen tallennuksen myös raskaalla kuormituksella kuvattaessa (4:2:2 10-bittinen C4K/4K 60p/50p, ProRes RAW HQ).
Erinomainen luotettavuus

Sisäinen ProRes RAW HQ -tallennus

5,7K 30p ProRes RAW HQ -materiaalia voidaan tallentaa suoraan kameraan, minkä ansiosta voit ikuistaa hetken yhdellä napinpainalluksella ilman erityisiä asetuksia tai lisälaitteita. Aiempaa parempi gimbaaliyhteensopivuus takaa myös entistä laajemman ilmaisuvalikoiman.
･Tallennus SD-kortille ei ole mahdollista. ･Apple ja ProRes ovat Apple Inc.:n tavaramerkkejä tai rekisteröityjä tavaramerkkejä Yhdysvalloissa ja/tai muissa maissa.
LUE LISÄÄ
Sisäinen ProRes RAW HQ -tallennus

Maailman ensimmäinen 32-bittinen liukulukuäänitys*

Yhdessä DMW-XLR2:n (myydään erikseen) kanssa LUMIX GH7 tarjoaa ensimmäisenä maailmassa 32-bittisen liukulukuäänityksen*, mikä parantaa koko työnkulun laatua ja tehokkuutta. Laajan dynaamisen alueensa ansiosta 32-bittinen liukulukumuoto tallentaa enemmän tietoa niin hiljaisista kuin kovistakin äänistä, joten äänityksen aikana ei ole tarvetta olla jatkuvasti säätämässä äänitasoa.
*Digitaalikamerat vaihdettavilla objektiiveilla, tilanne 5.6.2024. Panasonicin tutkimuksen mukaan. Käytettäessä XLR-mikrofonisovittimen DMW-XLR2 kanssa (myydään erikseen).
LUE LISÄÄ DMW-XLR2-SOVITTIMESTA
Maailman ensimmäinen 32-bittinen liukulukuäänitys*

Phase Hybrid AF

Automaattitarkennuksessa tärkeintä on luotettavuus. Kontrastiautomaattitarkennuksen lisäksi LUMIX GH7:ssä on vaiheentunnistus-AF-järjestelmä, joka parantaa merkittävästi kohteen seurantaa ja mittaustekniikoita. Kamera voi ikuistaa kohteen myös haastavissa useita kohteita sisältävissä kohtauksissa ja takaa tarkan tuloksen myös taustavalaistussa tai hämärässä ympäristössä.
Phase Hybrid AF

ARRI LogC3 -tallennus

DMW-SFU3A-ohjelmiston päivitysavaimen (myydään erikseen) avulla käyttäjät voivat käyttää ARRI LogC3*:a, joka mahdollistaa värien täsmäytyksen ARRIn digitaalisten elokuvakameroiden kanssa. ARRI on sertifioinut ARRI LogC3 -käyrän kuvankäsittelyn LUMIX GH7:ssä tämän toiminnon toteuttamiseksi. Runsaasti väritietoja ja laajan dynaamisen alueen sisältäviä Log-tallennusvaihtoehtoja on laajennettu siten, että ne sisältävät ARRI LogC3:n perinteisen V-Login lisäksi, mikä parantaa entisestään LUMIXin työnkulun yhteensopivuutta.
*ARRI LogC3 on ARRIn kehittämä Log-gamma, jota käytetään ARRIn digitaalisissa elokuvakameroissa. Huomaa: ALEXA 35 käyttää ARRI LogC4:ää. *LUMIX GH7:ssä ARRI LogC3:a voidaan käyttää 10-bittiseen tallennukseen Creative Video -tilassa. ･ARRI on Arnold & Richter Cine Technik GmbH & Co. Betriebs KG:n rekisteröity tavaramerkki.
ARRI LogC3 -tallennus

Entistä monimuotoisempi sävyjen ilmaisu

Dynaamisen alueen tehostustoiminto ottaa yhdellä valotuksella kaksi erityyppistä kuvaa ja syntetisoi ne reaaliajassa yhdistelmäkuvaksi, jonka sävyalue on täyteläinen myöa merkittäviä valoisuuseroja sisältävissä kohtauksissa. Pysäytyskuvissa se tuo varjosävyt esiin monimuotoisesti RAW-datassa. Videokuvauksessa se mahdollistaa 13+ aukon V-Log/V-Gamut-tallennuksen.* Se takaa laajan dynaamosen alueen kaikilla ISO-herkkyysalueilla.

*Kun kuvataan videota yli 60 kuvaa sekunnissa (mukaan lukien VFR), leveysaste on 12 pistettä. ･Dynaamisen alueen tehostus ei aktivoidu kuvattaessa HFR/VFR-videota, jonka nopeus on vähintään 61 kuvaa sekunnissa, eikä SH-sarjakuvauksessa. Se ei myöskään aktivoidu pysäytyskuvauksessa yli 1/15 sekunnin suljinajoilla ISO-arvosta riippuen. ･Tämä toiminto on käytössä automaattisesti.

LUE LISÄÄ
Entistä monimuotoisempi sävyjen ilmaisu

Rajoittamaton 4:2:2 10-bittinen C4K/4K 60p/50p videotallennusaika

LUMIX GH7:n 4:2:2 10-bittinen C4K/4K 60p/50p sisäinen tallennusaika on rajoittamaton*, kun kameraa käytetään suositellussa käyttölämpötilassa**. Ihanteellinen pienille tuotantotiimeille ja vaativiin olosuhteisiin, joissa liikkuvuus ja korkea laatu ovat välttämättömiä. Mahdollistaa myös samanaikaisen sisäisen ja ulkoisen tallennuksen HDMI-lähdön kautta.
*Takuun mukaisessa käyttöympäristössä. Akkua käytettäessä. Tallennusaika riippuu akun kapasiteetista ja tallennusvälineestä. **-10–40 ℃. ･Vastaa Digital Cinema Initiativesin (DCI) mukaista 4K-määritelmää (4 096 × 2 160) . ･Vaaditaan CFexpress-kortti tai SD-muistikortti, jonka videonopeusluokka on 90.
LUE LISÄÄ
Rajoittamaton 4:2:2 10-bittinen C4K/4K 60p/50p videotallennusaika

Tee yhteistyötä milloin tahansa, missä tahansa

Natiivi yhteys kamerasta pilvitallennukseen Adoben Frame.io:lla

Frame.io Camera to Cloud -palvelu lataa, varmuuskopioi ja jakaa sisällöntuottajien kuvat ja videot automaattisesti, ja niitä voidaan käsitellä yhteistoimin pilvipalvelussa.
･Kaikkia Frame.io Camera to Cloudin ominaisuuksia ei taata. ･Frame.io, Frame.io-logo ja Camera to Cloud ovat rekisteröityjä tavaramerkkejä tai Adoben tavaramerkkejä Yhdysvalloissa ja/tai muissa maissa.
LUE LISÄÄ
Natiivi yhteys kamerasta pilvitallennukseen Adoben Frame.io:lla

Langaton/langallinen suoratoisto

Valitse mieluisin lähetystapa, kun haluat jakaa tuoreimmat uutisesi reaaliajassa! Ulkokäytössä langaton suora lähetys (RTMP/RTMPS) on helppo määrittää LUMIX Sync -sovelluksella. Sisätiloissa voi käyttää myös erittäin vakaata suoraa lähetystä kiinteällä yhteydellä (RTP/RTSP).
･Suora lähetys RTMP/RTMPS:n mukaisille alustoille on periaatteessa mahdollista (yhteensopivuutta kaikkien alustojen kanssa ei taata). Kun alustan palvelua muutetaan, suora lähetys saattaa muuttua mahdottomaksi. Lisätietoja saa alustan ehdoista ja edellytyksistä. ･Koska suoran lähetyksen lähetysnopeus vaihtelee Internet-ympäristön, älypuhelimen suorituskyvyn yms. mukaan, suosittelemme, että testaat lähetystä etukäteen. ･DC-GH7:n USB Type C -liitännän muuntamiseen lähiverkkoliitännäksi tarvitaan yleisesti saatavilla oleva USB Ethernet -sovitin. USB Ethernet -sovittimen yhteensopivuus: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html
Langaton/langallinen suoratoisto

Värimäärittely suoraan kamerasta

REAALIAIKAINEN LUT

LUT-taulukoita voidaan käyttää valokuviin ja videoihin kamerassa itsessään. Voit siis luoda valokuvia ja videoita suoraan kamerasta. Tukee .VLT- ja .CUBE-tiedostomuotoja. Käyttämällä tätä ominaisuutta voit säästää aikaa monimutkaisessa jälkimuokkausprosessissa. Yhdessä LUMIX Lab -sovelluksen kanssa voit helposti luoda omia LUT:ita ja asentaa ne kameraan.
REAALIAIKAINEN LUT

LUMIX Lab -sovellus

Yhdistä kamera älypuhelimeen kolmella vaiheella ja siirrä sisältöä saumattomasti huippunopealla Wi-Fi-yhteydellä. Voit myös rajata kuvaa, säätää kirkkautta, käyttää LUT-taulukoita jne., mikä mahdollistaa yksinkertaisen muokkauksen mille tahansa sosiaalisen median alustalle hetkessä.
LUMIX Lab -sovellus

Inspiroidu

Tiedot

Valokuva LUMIX GH7 -kamera DC-GH7L kamerasta

Koko ja paino

Korkeus
100.3mm
Leveys
138.4mm
Syvyys
99.6mm
Paino
805g

Kaikki arvot ovat likimääräisiä. Objektiivi ei sisälly. Paino kengän suojuksen, akun ja SD-kortin kanssa. Runko vain 721 g. Mitat eivät sisällä ulkonemia.

  • Micro Four Thirds -järjestelmästandardiMicro Four Thirds -järjestelmästandardi
  • 25,2 megapikseliä25,2 megapikseliä
  • Phase Hybrid AFPhase Hybrid AF
  • ProRes RAW HQProRes RAW HQ
  • C4K/4K 4:2:2 10-bittinen 60p/50p-videoC4K/4K 4:2:2 10-bittinen 60p/50p-video
  • 32-bittinen liukulukuäänimuoto (tarvitaan lisävaruste DMW-XLR2)32-bittinen liukulukuäänimuoto (tarvitaan lisävaruste DMW-XLR2)
  • Aktiivinen kuvanvakainAktiivinen kuvanvakain
  • 1,840 miljoonan pisteen kallistuva ja vapaasti käännettävä näyttö1,840 miljoonan pisteen kallistuva ja vapaasti käännettävä näyttö
  • 3 680 000 pisteen OLED Live View -etsin3 680 000 pisteen OLED Live View -etsin
  • Roiske-, pöly- ja huurresuojattuRoiske-, pöly- ja huurresuojattu
  • LUMIX Lab -sovellusLUMIX Lab -sovellus

Sisäinen ProRes RAW HQ -tallennus

32-bittinen liukulukuäänitys (tarvitaan lisävaruste DMW-XLR2)

25,2 megapikselin BSI CMOS -kenno

Phase Hybrid AF

Rajoittamaton 4:2:2 10-bittinen C4K/4K 60p/50p videotallennusaika

TYPE

  • Type

    • Digital Single Lens Mirrorless camera

  • Lens mount

    • Micro Four Thirds mount

IMAGE SENSOR

  • Type

    • BSI CMOS sensor (17.3 x 13.0 mm)

  • Camera effective pixels / Total pixels

    • Approx. 25.2 megapixels / Approx. 26.5 megapixels

  • AR (Anti Reflection) coating

    • Yes

  • Aspect ratio / Color filter

    • 4:3 / Primary color filter

  • Dust reduction system

    • Image sensor shift type

LATITUDE

  • 13+ stops (V-Log) (Sensor output is 60fps or less)
    12+ stops (V-Log) (Sensor output is 61fps or higher)

STILL IMAGE

  • Recording file format

    • JPEG (DCF, Exif 3.0), RAW

  • Aspect ratio

    • 4:3 / 3:2 / 16:9 / 1:1

  • File size (Pixels)

    • 4:3
      • 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.
    • 3:2
      • 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.
    • 16:9
      • 5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.
    • 1:1
      • 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.

  • Image quality

    • RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)

  • Color space

    • sRGB, AdobeRGB

MOTION PICTURE

  • Recording file format

    • MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW
      MP4: H.264/MPEG-4 AVC, H.265/HEVC

  • Audio format

    • 4ch Audio Recording: OFF
      • MOV
        Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
        Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
        *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
        MP4
        Linear format: AAC (2ch stereo 48kHz/16-bit)
    • 4ch Audio Recording: XLR*
      • MOV
        Linear format: LPCM (4ch monaural 48kHz/24-bit)
        Float format: LPCM (4ch monaural 48kHz/32-bit)
        *When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*+Camera
      • MOV
        Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
        *When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

  • System frequency

    • 59.94Hz / 50.00Hz / 24.00Hz

  • Image area of video

    • FULL / PIXEL/PIXEL

  • Log recording

    • V-Log

  • Proxy

    • ON / OFF
      Proxy Rec Quality: H / M / L
      Real Time LUT (Proxy): ON / OFF
      *When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming].

  • MOV (*¹) (*²) (*³) / 59.94Hz

    • [5.8K] 5760x4320 (4:3)
      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
        239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
        239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
        119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
        119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
        119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
        59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to FULL during this recording mode.
        ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MOV (*¹) (*²) (*³) / 50.00Hz

    • [5.8K] 5760x4320 (4:3)
      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
        200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
        200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
        100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
        100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
        100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
        50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to FULL during this recording mode.
        ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MOV (*¹) (*²) (*³) / 24.00Hz

    • [5.8K] 5760x4320 (4:3)
      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
        120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**
        120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MP4 (*¹) (*²) / 59.94Hz

    • [4K] 3840x2160
      • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920x1080
      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

  • MP4 (*¹) (*²) / 50.00Hz

    • [4K] 3840x2160
      • 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920x1080
      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

  • MP4 (*¹) (*²) / 24.00Hz

    • -

  • ProRes (*¹) (*³) / 59.94Hz

    • [5.7K] 5728x3024 (17:9)
      • 29.97p, 4.2Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        29.97p, 2.8Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        29.97p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 3.3Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        23.98p, 2.2Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        23.98p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 59.94p, 4.2Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        59.94p, 2.8Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        59.94p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 2.1Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        29.97p, 1.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        29.97p, 972Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 648Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        23.98p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        23.98p, 778Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 59.94p, 454Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 302Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 227Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 151Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 181Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

  • ProRes (*¹) (*³) / 50.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 25.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        25.00p, 2.3Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        25.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 50.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        50.00p, 2.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        50.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 1.8Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        25.00p, 1.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        25.00p, 811Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 541Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 50.00p, 378Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 252Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 189Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 126Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

  • ProRes (*¹) (*³) / 24.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 24.00p, 3.3Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        24.00p, 2.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        24.00p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 24.00p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        24.00p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        24.00p, 779Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 24.00p, 182Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

VARIABLE FRAME RATE

  • MOV (*¹) (*²) / 59.94Hz

    • [5.7K] 5728x3024 (17:9)
      • 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    • [FHD] 1920x1080
      • 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

  • MOV (*¹) (*²) / 50.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    • [FHD] 1920x1080
      • 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

  • MOV (*¹) (*²) / 24.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**　
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
        **External USB-SSD recording.
    • [FHD] 1920x1080
      • 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

HDMI RAW DATA OUTPUT

  • Compatible external devices

    • Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR
      *DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data.
      *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR.
      *All functions may not be available depending on the situation.
      *When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording.

      ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect"
      *All functions may not be available depending on the situation.
      *Please check here for compatible firmware versions of external recorders.
      https://panasonic.jp/support/global/cs/dsc/connect/index.html
      *"Ninja V" "Ninja" "Shogun" does not support some RAW video data.
      *Software that supports Apple ProRes RAW is required to edit RAW video recorded.
      *A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
      https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

  • Rec quality / NTSC (59.94Hz)

    • [5.8K] 5760x4320 (4:3)
      • 29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 59.94p, 12-bit (LPCM)*
        29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 59.94p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 (17:9)
      • 119.88p, 12-bit (LPCM)*
        59.94p, 12-bit (LPCM)*
        29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

  • Rec quality / PAL (50.00Hz)

    • [5.8K] 5760x4320 (4:3)
      • 25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 50.00p, 12-bit (LPCM)*
        25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 50.00p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 (17:9)
      • 100.00p, 12-bit (LPCM)*
        50.00p, 12-bit (LPCM)*
        25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

  • Audio format

    • 4ch Audio Recording: OFF
      • Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
        Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
        *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*
      • Linear format: LPCM (4ch monaural 48kHz/24-bit)
        Float format: LPCM (4ch monaural 48kHz/32-bit)
        *When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*+Camera
      • Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
        *When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

EXTERNAL USB-SSD RECORDING

  • Yes (ON / OFF)

STREAMING

  • Wi-Fi

    • Protocol
      • RTMP / RTMPS
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

  • USB Tethering

    • Protocol
      • RTMP / RTMPS
    • 59.94Hz / [4K] 3840x2160
      • 29.97p, 12.5Mbps (H.264)
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 16Mbps / 8Mbps (H.264)
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [4K] 3840x2160
      • 25.00, 12.5Mbps (H.264)
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 16Mbps / 8Mbps (H.264)
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

  • Wired LAN

    • Protocol
      • RTP / RTSP
    • 59.94Hz / [4K] 3840x2160
      • 59.94p, 50Mbps / 25Mbps (H.265)*
        59.94p, 50Mbps / 25Mbps (H.264)*
        29.97p, 25Mbps / 12.5Mbps (H.265)
        29.97p, 25Mbps / 12.5Mbps (H.264)
        *When Image Area of Video is set to PIXEL/PIXEL.
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 20Mbps / 16Mbps (H.265)
        59.94p, 16Mbps / 8Mbps (H.264)
        29.97p, 12Mbps / 6Mbps (H.265)
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [4K] 3840x2160
      • 50.00p, 50Mbps / 25Mbps (H.265)*
        50.00p, 50Mbps / 25Mbps (H.264)*
        25.00p, 25Mbps / 12.5Mbps (H.265)
        25.00p, 25Mbps / 12.5Mbps (H.264)
        *When Image Area of Video is set to PIXEL/PIXEL.
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 20Mbps / 16Mbps (H.265)
        50.00p, 16Mbps / 8Mbps (H.264)
        25.00p, 12Mbps / 6Mbps (H.265)
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

VIEWFINDER

  • Type

    • OLED Live View Finder

  • Pixels

    • Approx. 3.68 million dots

  • Field of view / Magnification

    • Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3

  • Eye point / Diopter adjustment

    • Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)

  • Eye sensor

    • Yes

  • Display speed

    • 120fps / 60fps

REAR MONITOR

  • Type

    • TFT LCD monitor with static touch control

  • Monitor size

    • Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect

  • Pixels

    • Approx. 1.84 million dots

  • Field of view

    • Approx. 100%

FOCUS (*⁴)

  • Type

    • Phase Detection AF system / Contrast AF system

  • DFD technology

    • Yes

  • Focus mode

    • AFS (Single) / AFC (Continuous) / MF

  • AF mode

    • Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
      *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set.

  • AF detective range

    • EV -4 - 18 (F2.0, ISO100 equivalent, AFS)

  • AF custom setting

    • AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction

  • AF assist light

    • Yes

  • AF lock

    • Set the Fn button in custom menu to AF lock

  • Focus ring control

    • Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached.

  • Others

    • AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

EXPOSURE CONTROL

  • Light metering system

    • 1,728-zone multi-pattern sensing system

  • Light metering mode

    • Multiple / Center Weighted / Spot / Highlight Weighted

  • Metering range

    • EV0-18 (F2.0 lens, ISO100 equivalent)

  • Mode dial

    • Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto
      *The same exposure operations as P/A/S/M mode is available.

  • Exposure compensation

    • 1/3 EV step ±5EV (±3EV for motion picture)

  • ISO sensitivity (Standard output sensitivity)

    • Still image
      • [Normal]
        Auto / 50 (Extended ISO) / 100-25600

        [V-Log]
        Auto / 125 (Extended ISO) / 500-12800

        *Switchable between 1/3 or 1 EV step.
    • Motion picture
      • [Normal]
        Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800
        Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) / 100-3200 / 4000-12800 (Extended ISO)

        [V-Log]
        Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800
        Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) / 250-3200 / 4000-12800 (Extended ISO)

        [Hybrid Log Gamma]
        Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800
        Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO)

        *Switchable between 1/3 or 1 EV step.

  • ISO Auto

    • Still image
      • [Normal]
        Minimum: 100-12800
        Max: Auto / 200-25600

        [V-Log]
        Minimum: 500-6400
        Max: Auto / 800-12800
    • Motion picture
      • [Normal]
        Minimum:
        Sensor output is 60fps or less: 100-6400
        Sensor output is 61fps or higher: 100-1600
        Max:
        Sensor output is 60fps or less: Auto / 200-12800
        Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO)

        [V-Log]
        Minimum:
        Sensor output is 60fps or less: 500-6400
        Sensor output is 61fps or higher: 250-1600
        Max:
        Sensor output is 60fps or less: Auto / 800-12800
        Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)

        [Hybrid Log Gamma]
        Minimum:
        Sensor output is 60fps or less: 250-6400
        Sensor output is 61fps or higher: 250-1600
        Max:
        Sensor output is 60fps or less: Auto / 400-12800
        Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)

  • Synchro scan

    • Still image / Motion picture

  • AE lock

    • Set the Fn button in custom menu to AE lock

IMAGE STABILIZATION SYSTEM

  • B.I.S. (5-axis / 7.5-stop*)
    *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.]

    Dual I.S. 2 (7.5-stop**)
    **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.]

WHITE BALANCE

  • White balance

    • AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4

  • White balance adjustment

    • Blue/Amber bias, Magenta/Green bias

  • Color temperature setting

    • 2500-10000K in 100K

SHUTTER

  • Type

    • Focal-plane shutter

  • Shutter speed

    • Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
      Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
      Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60
      Motion picture: 1/25,000 - 1/25
      Creative Video M mode / MF mode: 1/25,000 - 1/8

  • Self timer

    • 10sec, 3 images / 2sec / 10sec / Custom Time

  • Remote control

    • Remote control by DMW-RS2 (sold separately)

  • Silent mode / Shutter type

    • Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

BRACKET

  • AE bracket

    • 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst

  • Aperture bracket

    • 3, 5 or all positions

  • Focus bracket

    • Yes

  • White balance bracket

    • 3 images in blue/amber axis or in magenta/green axis, color temperature setting

BURST SHOOTING

  • Burst speed

    • Mechanical shutter
      • H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)
    • Electronic front curtain shutter
      • H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)
    • Electronic shutter
      • SH75: 75 frames/sec (AFS/MF)
        SH60: 60 frames/sec (AFS/AFC/MF)
        SH20: 20 frames/sec (AFS/AFC/MF)
        SH75 PRE: 75 frames/sec (AFS/MF)
        SH60 PRE: 60 frames/sec (AFS/AFC/MF)
        SH20 PRE: 20 frames/sec (AFS/AFC/MF)
        H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)

  • Number of recordable images

    • H/M/L*
      RAW+JPEG: More than 170 images**, More than 165 images***
      RAW: More than 215 images**, More than 200 images***
      JPEG: More than 260 images**, More than 250 images***

      SH
      RAW / RAW+JPEG : 190 images
      JPEG: 190 images***

      *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
      **When using a card with CFexpress Type B
      ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".

FLASH

  • Flash type

    • TTL External Flash (sold separately)

  • Flash mode

    • Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.

  • Flash synchronization

    • 1st Curtain Sync, 2nd Curtain Sync.

  • Flash output adjustment

    • 1/3EV step ±3EV

  • Synchronization speed

    • Less than 1/250 second

  • Wireless control

    • Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch

  • Flash sync socket

    • Yes

CROP ZOOM

  • Still image / Motion picture

COLOR SETTINGS

  • Photo Style

    • Photo Style
      • Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)*
        *Set to ON from Show/Hide Photo Style to select.
    • Picture adjustment
      • Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
        *Adjustable settings vary depending on the Photo Style mode.

  • Filter

    • Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass

  • LUT Library

    • Supported file types: .vlt, .cube
      Vlog_709 / Set 1-39 (Set 1-3: Sample LUT)
      *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings.

MOTION PICTURE FUNCTION

  • Time lapse shot

    • Yes

  • Stop motion animation

    • Yes

  • SS/Gain operation

    • Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB

  • Luminance level

    • 8-bit: 0-255 / 16-235 / 16-255
      10-bit: 0‒1023 / 64‒940 / 64‒1023

  • Master pedestal level

    • 31 steps

  • Color bars / Test tone

    • Yes (SMPTE / EBU / ARIB) / Yes

  • LUT view assist

    • Monitor / HDMI

  • HLG view assist

    • Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)

  • Anamorphic desqueeze display

    • 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF

  • Wave form monitor / Vectorscope

    • Selectable

  • Knee control

    • Yes (in Like709 mode)

  • Other functions

    • Red REC Frame Indicator, Streaming Blue Frame Indicator

VERTICAL POSITION INFORMATION

  • Still image / Motion picture (ON/OFF)

LEVEL GAUGE

  • Yes

FUNCTION BUTTON

  • REC

    • Exposure Comp. / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Video) / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Crop Zoom (Photo) / Live View Composite / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Proxy Recording / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Audio Recording / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Crop Zoom (Video) / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist (Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Streaming / REAL TIME LUT / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default

  • PLAY

    • Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel (Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default

INTERFACE

  • USB

    • USB Type-C® (USB 10Gbps)

  • HDMI (*⁵)

    • HDMI
      • HDMI TypeA
        Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
    • Monitor-through
      • 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
        4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
        4K/120p / 4K/100p
        Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF
    • Playback
      • 59.94Hz: 8K/30p* / C4K/120p / C4K/60p / C4K/30p / 4K/120p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
        50.00Hz: 8K/25p* / C4K/100p / C4K/50p / C4K/25p / 4K/100p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
        24.00Hz: 8K/24p* / C4K/120p / C4K/24p / 4K/120p / 4K/24p / 1080/120p / 1080p
        *Only for still image playback. **Only for playback.

  • Remote input

    • φ2.5mm

  • Audio

    • Build-in microphone
      • Stereo
        Wind Noise Canceller: OFF / Standard / High
    • External microphone / External audio device input
      • φ3.5mm for external microphone / external audio device
        MIC (Plug-in Power) / MIC / LINE
        Wind Cut: OFF / Low / Standard / High *When attaching Φ3.5mm microphone.
        Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).
    • XLR microphone
      • Yes with DMW-XLR2 (sold separately)
    • 4ch mic input
      • Yes with DMW-XLR2 (sold separately)
    • Speaker
      • Monaural
    • Headphone output
      • φ3.5mm

  • Card slot

    • Slot 1: CFexpress Card (CFexpress Type B)
      Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
      *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

TC IN/OUT

  • TC IN/OUT

    • Yes with BNC Converter Cable (bundled)

  • Count up

    • Rec Run / Free Run

  • Time code mode

    • Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)

  • HDMI time code output

    • ON / OFF

  • External TC setting

    • TC Synchronization / TC Output Reference

FAN

  • Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.

LAMP

  • Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light

WIRELESS

  • Wi-Fi

    • 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
      5GHz bands (STA/AP) (IEEE 802.11a/n/ac)
      Security: WPA/WPA2/WPA3

  • Bluetooth

    • Bluetooth® v5.0 (Bluetooth Low Energy (BLE))

DUST AND SPLASH RESISTANT*

  • Yes.
    *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

POWER

  • Battery

    • Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
      USB power supply, USB power charging, USB power delivery

  • Battery life (CIPA standard)

    • When using CFexpress Card
      • Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Using a Nextorage CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
    • When using SD memory card
      • Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Using a Nextorage SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
    • When using external USB-SSD
      • Approx. 280 images with H-ES12060 / DMW-BLK22
        Approx. 290 images with H-FS12060 / DMW-BLK22
        *Using a Samsung external SSD (T9_2TB). Under the test conditions specified by Panasonic based on CIPA standard.

  • Continuous recordable time (Motion picture) (*¹)

    • When using CFexpress Card
      • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
    • When using SD memory card
      • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
    • When using external USB-SSD
      • MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060

  • Actual recordable time (Motion picture) (*¹)

    • When using CFexpress Card
      • MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
    • When using SD memory card
      • MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
    • When using external USB-SSD
      • MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060

DIMENSIONS / WEIGHT

  • Dimensions (W x H x D)

    • Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (Body only, excluding protrusions)
      Approx. 138.4 x 100.3 x 142.0 mm / 5.45 x 3.95 x 5.59 inch (with H-FS12060, excluding protrusions)
      Approx. 138.4 x 100.3 x 157.0 mm / 5.45 x 3.95 x 6.18 inch (with H-ES12060, excluding protrusions)

  • Weight

    • Approx. 805g / 1.77 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
      Approx. 721g / 1.59 lb (Body, Hot Shoe Cover) (excluding body cap)

OPERATING ENVIRONMENT

  • Operating temperature

    • -10℃ to 40℃ (14℉ to 104℉)

  • Operating humidity

    • 10%RH to 80％RH

STANDARD ACCESSORIES

  • Software

    • Recording
      • LUMIX Lab / LUMIX Sync
        ･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
        https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)

        LUMIX Tether
        ･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
        http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
    • Playback / Editing
      • ･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Adwaa's website using computer connected to the Internet.
        http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)　

  • Standard accessories

    • DC-GH7 Kit
      Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap

      DC-GH7L Kit / DC-GH7M Kit
      Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap, Lens Cap, Lens Hood, Lens Rear Cap

      ･The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.

Note

  • (*1) About motion picture recording

    - The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
    Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
    Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
    Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
    Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
    Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card

    - A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
    Motion pictures with less than 72Mbps: 30 minutes
    Motion pictures with 72Mbps or more: 3 hours 4 minutes

    - A new file will be created to continue recording if the file size exceeds the following conditions.
    [MP4] in [FHD]: 4GB
    [MP4] in [4K]: 96GB
    [MOV] in 600Mbps or less: 192GB
    [MOV] in 800Mbps: 640GB
    [ProRes] in [5.7K]: 640GB

    - If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.

    (*2) Hybrid Log Gamma is selectable in [4:2:2 10bit] or [4:2:0 10bit].

    (*3) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

    (*4) About AF
    - Automatic Detection is not available for High Frame Rate video shooting above 60p.
    - Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting above 60p.

    (*5) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).
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Varusteet

Objektiivit

H-E08018

LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH.

H-X1025

10–25 mm:n Micro Four Thirds -vakiozoomobjektiivi / 20–50 mm (35 mm:n kinovastaavuus)

H-ES12035

12-35mm:n Micro Four Thirds -vakiozoomobjektiivi / 24-70mm (35 mm:n kinovastaavuus)

H-ES12060

LEICA DG VARIO-ELMARIT 12-60mm / F2.8-4.0 ASPH. / POWER O.I.S.

H-X2550

25–50 mm:n Micro Four Thirds -teleobjektiivi zoomilla / 50–100 mm (35 mm:n kinovastaavuus)

H-ES35100

35–100 mm:n Micro Four Thirds -teleobjektiivi zoomilla / 70–200 mm (35 mm:n kinovastaavuus)

H-ES50200

LEICA DG VARIO-ELMARIT 50-200mm / F2.8-4.0 ASPH. / POWER O.I.S.

H-RSA100400

100–400 mm:n Micro Four Thirds -teleobjektiivi zoomilla / 200–800 mm (35 mm:n kinovastaavuus)

H-X09

9mm:n Micro Four Thirds -objektiivi, jossa kiinteä polttoväli / 18mm (35 mm:n kinovastaavuus).

H-X012

LEICA DG SUMMILUX 12mm / F1.4 ASPH.

H-X015

LEICA DG SUMMILUX 15mm / F1.7 ASPH.

H-XA025

25 mm:n Micro Four Thirds -objektiivi, jossa kiinteä polttoväli / 50 mm (35 mm:n kinovastaavuus)

H-NS043

LEICA DG NOCTICRON 42,5mm / F1.2 ASPH. / POWER O.I.S.

H-ES045

LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S.

H-ES200

LEICA DG ELMARIT 200mm / F2.8 / POWER O.I.S.

H-HSA12035

LUMIX G X VARIO 12-35mm / F2.8 II ASPH. / POWER O.I.S.

H-HSA35100

LUMIX G X VARIO 35-100mm / F2.8 II / POWER O.I.S.

H-F007014

LUMIX G VARIO 7-14mm / F4.0 ASPH.

H-FS12032

LUMIX G VARIO 12-32mm / F3.5-F5.6 ASPH. / MEGA O.I.S.

H-FS12060

LUMIX G VARIO 12-60mm / F3,5-5.6 ASPH. / POWER O.I.S.

H-PS14042

LUMIX G X VARIO PZ 14-42mm / F3.5-5.6 ASPH. / POWER O.I.S.

H-FS1442A

LUMIX G VARIO 14-42mm / F3.5-5.6 II ASPH. / MEGA O.I.S.

Valokuva H-FS1442A kamerasta

H-FSA14140

Micro Four Thirds 14-140mm Standard Zoom Lens / 28-280mm (35mm camera equiv.)

H-FS35100

LUMIX G VARIO 35-100mm / F4.0-5.6 ASPH. / MEGA O.I.S.

H-FS45150

LUMIX G VARIO 45-150mm / F4.0-5.6 ASPH. / MEGA O.I.S.

H-PS45175

LUMIX G X VARIO PZ 45-175mm / F4.0-5.6 ASPH. / POWER O.I.S.

H-FSA45200

LUMIX G VARIO 45-200mm / F4.0-5.6 II / POWER O.I.S.

H-FSA100300

LUMIX G VARIO 100-300mm / F4.0-5.6 II / MEGA O.I.S.

H-F008

LUMIX G FISHEYE 8mm / F3.5

H-H014A

LUMIX G 14mm / F2.5 II ASPH.

H-H020A

LUMIX G 20mm / F1.7 Ⅱ ASPH.

H-HS030

LUMIX G MACRO 30mm / F2.8 ASPH. / MEGA O.I.S.

H-HS043

LUMIX G 42,5mm / F1.7 ASPH. / POWER O.I.S.

Valokuva H-HS043 kamerasta

XLR-mikrofonisovitin/mikrofonit

DMW-XLR2

XLR-mikrofonisovitin 4-kanavaiseen äänitykseen, korkean resoluution äänitykseen ja 32-bittiseen liukulukuäänitykseen. Yhteensopiva LUMIX GH7 (DC-GH7) -kameran kanssa.

DMW-MS2

Mikrofonit

VW-VMS10

Mikrofonit

Akku/akkulaturi

DMW-BLK22

Akku LUMIX S5 -kameraan

DMW-BTC15

Akkulaturi mallille DMW-BLF19 tai DMW-BLK22

DMW-DCC18

DC-liitin kameroille, jotka ovat yhteensopivia DMW-BLK22-akun kanssa

DMW-AC11

AC-sovitin käytettäväksi DC-liittimen DMW-DCC18 kanssa

Muut

DMW-RS2

Sulkimen kaukolaukaisin

DMW-SHGR2

Kompakti, kevyt kädensija / minijalusta USB Type-C -liitännällä mahdollistaa videon tallennuksen aloittamisen/pysäyttämisen ja sulkimen vapauttamisen.

VW-LED1

LED-kuvausvalo

DMW-FL200L

Ulkoinen salama

Valokuva DMW-FL200L kamerasta

DMW-FL580L

Ulkoinen salama

DMW-BDC1

Rungon suojus

Valokuva DMW-BDC1 kamerasta

DMW-MA2M

Kiinnityssovitin

DMW-TA1

Jalustasovitin

Valokuva DMW-TA1 kamerasta

DMW-SSTG9

Olkahihna

Valokuva DMW-SSTG9 kamerasta
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Tukipyyntö

LUMIX GH7 -kamera DC-GH7L

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