LUMIX GH7-kamera DC-GH7L

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DC-GH7L

Rörlighet möter överlägsenhet.

Utrustad med en 25,2 MP BSI CMOS-sensor med PDAF, ProRes RAW HQ intern inspelning och världens första 32-bitars float-inspelning* gör LUMIX flaggskeppshybridkamera att du kan producera högkvalitativt och högeffektivt innehåll med minimal installation.

*För en digitalkamera med utbytbara objektiv från och med 5 juni 2024. Enligt Panasonics forskning. När den används med XLR-mikrofonadaptern DMW-XLR2 (säljs separat).

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DC-GH7L

Funktioner

Flaggskeppshybridkamera för professionellt innehållsskapande

Förbättrad innehållskvalitet

LUMIX GH7s Phase Hybrid AF spårar motiv hela tiden och tar snabba och exaka bilder. Med dess Dynamic Range Boost uppnås ett brett dynamiskt omfång vid alla ISO-intervall.

Effektivt arbetsflöde

Intern ProRes RAW HQ-inspelning, 32-bitars float-formatinspelning* osv. kan utföras på själva kamerahuset. Det gör det möjligt att producera högkvalitativt och högeffektivt innehåll med minimal konfiguration.

*Tillvalet DMW-XLR2 krävs.

Enastående tillförlitlighet

Kombinerar ett kompakt hus med en värmeavledningsstruktur vilket möjliggör längre inspelning även när du fotograferar vid tunga belastningar (4:2:2 10-bitars C4K/4K 60p/50p, ProRes RAW HQ).

Intern ProRes RAW HQ-inspelning

5.7K 30p ProRes RAW HQ-filmer kan spelas in på själva kamerahuset. Det ger dig friheten att fånga rätt ögonblick med en knapptryckning med minimal konfigurering och utan att behöva använda externa enheter. Förbättrad gimbalkompatibilitet utökar också utbudet av uttryck.

･Inspelning är inte möjlig på SD-kortet. * Apple och ProRes är varumärken eller registrerade varumärken som tillhör Apple Inc. i USA och/eller i andra länder.

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Världens första 32-bitars float-inspelning*

I kombination med DMW-XLR2 (säljs separat) levererar LUMIX GH7 världens första 32-bitars float-nspelning* vilket förbättrar kvaliteten och effektiviteten i hela arbetsflödet. Med sitt breda dynamiska omfång registrerar 32-bitars float-formatet mer information, från tysta till höga ljud. Det eliminerar behovet av tröttsamma ljudnivåjusteringar under ljudinspelningar.

*För en digitalkamera med utbytbara objektiv från och med 5 juni 2024. Enligt Panasonics forskning. När den används med XLR-mikrofonadaptern DMW-XLR2 (säljs separat).

FÅ MER INFORMATION OM DMW-XLR2

Världens första 32-bitars float-inspelning*

Phase Hybrid AF

Det viktigaste med autofokus-funktionen är att den är pålitlig. Utöver kontrast-AF erbjuder LUMIX GH7 Phase Detection AF-systemet som dramatiskt förbättrar spårning av motiv och mätteknik. Kameran fångar motivet även i utmanande situationer med flera motiv och levererar med precision även i motljus eller miljöer med svag belysning.

ARRI LogC3-inspelning

Genom att använda en nyckel för mjukvaruuppgradering för DMW-SFU3A (säljs separat) kan användare använda ARRI LogC3* som gör det möjligt att färgmatcha med ARRIs digitala biokameror. Bildbehandlingen av ARRI LogC3-kurvan på LUMIX GH7 har certifierats av ARRI för implementering av den här funktionen. Alternativen för logginspelning, som ger rik färginformation och ett brett dynamiskt omfång, har utökats till att omfatta ARRI LogC3 utöver den konventionella V-Log. Det gör LUMIX ännu mer kompatibel med olika arbetsflöden.

*ARRI LogC3 är ett logg-gamma utvecklat av ARRI och används i ARRI digitala biokameror. Obs! I ALEXA 35 används ARRI LogC4. *På LUMIX GH7 kan ARRI LogC3 användas för 10-bitars inspelning i läget Creative Video. ･ARRI är registrerade varumärken som tillhör Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.

Rikare nyanser

Dynamic Range Boost-funktionen sparar två bildtyper med en enda exponering och kombinerar dem i realtid för att återskapa en kompositbild med rikare nyanser även i situationer med stora ljuskontraster. Det gör det möjligt att få rikare nyanser av skuggor på stillbilder med RAW-data. Det gör det möjligt att spela in video med 13+- steg V-Log/V-Gamut.* Den uppnår ett brett dynamiskt omfång i alla ISO-intervall.

*När du spelar in video över 60 fps (inklusive VFR) blir latituden 12+ stopp. ･Dynamic Range Boost aktiveras inte vid inspelning av HFR/VFR-video med 61 fps eller högre, eller vid SH-serietagning. Aktiveras inte heller vid slutartider som är längre än 1/15 under stillbildstagning, beroende på ISO-värde. ･Den här funktionen tillämpas automatiskt.

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4:2:2 C4K/4K 60p/50p 10-bitars videoinspelning utan tidsbegränsning

LUMIX GH7 erbjuder 4:2:2 10-bitars C4K/4K 60p/50p intern inspelning utan tidsbegränsning* vid rekommenderad driftstemperatur**. Idealisk för små produktionsteam och i krävande förhållanden där både mobilitet och hög kvalitet är avgörande. Den medger också simultan intern inspelning och extern inspelning via HDMI-utgång.

*Under garanterade driftsförhållanden. När du använder ett batteri. Inspelningstiden beror på storlek på minneskort och batterikapacitet. **-10–40 ℃. ･Motsvarande 4K (4096×2160) enligt Digital Cinema Initiatives (DCI) definition. ･Kräver CFexpress-kort eller SD-minneskort med Video Speed Class 90.

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4:2:2 C4K/4K 60p/50p 10-bitars videoinspelning utan tidsbegränsning

Samarbeta när som helst, var som helst

Inbyggd Camera to Cloud-integration med Adobes Frame.io

Med Frame.io Camera to Cloud kan bilder och videor automatiskt laddas upp, säkerhetskopieras, delas och redigeras tillsammans med andra via molnet.

･Vi garanterar inte alla funktioner i Frame.io Camera to Cloud. ･Frame.io, Frame.io-logotypen och Camera to Cloud är antingen registrerade varumärken eller varumärken som tillhör Adobe i USA och/eller andra länder.

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Inbyggd Camera to Cloud-integration med Adobes Frame.io

Wireless Live Streaming

Kreativ livestreaming med digitala spegellösa DSLM-kameror, inomhus såväl som utomhus. Du kan enkelt konfigurera livestreaming (RTMPS-protokoll*) via appen LUMIX Lab**.

･Livestreaming till plattformar som har stöd för RTMPS är möjlig i de flesta fall (kompatibilitet med alla plattformar kan inte garanteras.) Det kan förekomma fall där livestreaming inte är möjlig på grund av att plattformens tjänster har ändrats. Se plattformens regler och villkor för mer information. ･Eftersom överföringshastigheten vid live-streaming varierar beroende på ditt internet, vilken prestanda du har på din smartphone etc. rekommenderar vi att du gör ett överföringstest i förväg. *RTMP stöds inte längre i firmwareversion 1.3 och senare. **Uppdatera till firmwareversion 1.3.

Färggradering direkt ur kameran

LUT I REALTID

LUT:er kan användas på foton och videor på själva kamerahuset, så att du kan skapa foton och videor direkt från kameran. Stöder filformaten .VLT och .CUBE. Genom att använda den här funktionen kan du spara tid på den komplicerade efterredigeringen. I kombination med LUMIX Lab-appen kan du enkelt skapa dina egna LUT:er och installera dem på kameran.

･Den här bilden har tagits med fotografens anpassade LUT.

LUMIX Lab-app

Para ihop kameran med din smartphone i tre steg och överför sömlöst innehåll med ultrasnabb Wi-Fi-anslutning. Du kan också beskära, justera ljusstyrkan, använda LUT:er, osv., vilket möjliggör enkel redigering för alla plattformar för sociala media, som kan göras på ett ögonblick.

LÄS MER OM LUMIX LAB

Bli inspirerad

Specifikationer

Storlek och vikt

Höjd: 100.3mm

Bredd: 138.4mm

Djup: 99.6mm

Vikt: 805g

Alla värden är ungefärliga. Objektiv ingår ej. Vikt med skoskydd, batteri och SD-kort. Endast kamerahus 721g. Mått exklusive utskjutande delar.

Micro 4/3 systemstandard
25,2 Mpixlar
Phase Hybrid AF
ProRes RAW HQ
C4K/4K 4:2:2 10-bit 60p/50p videoinspelning
32-bitars Float-ljud (tillval DMW-XLR2 krävs)
Active I.S.
1,84 Mpixlars skärm som går att vinkla och vrida fritt
OLED Live View-sökare med 3,68 Mpixlars upplösning
Damm-, stänk- och frysskyddad
LUMIX Lab-app

Intern ProRes RAW HQ-inspelning

32-bitars float-inspelning (tillval DMW-XLR2 krävs)

25,2 megapixel BSI CMOS-sensor

Phase Hybrid AF

4:2:2 C4K/4K 60p/50p 10-bitars videoinspelning utan tidsbegränsning

TYPE

Type
- Digital Single Lens Mirrorless camera
Lens mount
- Micro Four Thirds mount

IMAGE SENSOR

Type
- BSI CMOS sensor (17.3 x 13.0 mm)
Camera effective pixels / Total pixels
- Approx. 25.2 megapixels / Approx. 26.5 megapixels
AR (Anti Reflection) coating
- Yes
Aspect ratio / Color filter
- 4:3 / Primary color filter
Dust reduction system
- Image sensor shift type

LATITUDE

13+ stops (V-Log) (Sensor output is 60fps or less)
12+ stops (V-Log) (Sensor output is 61fps or higher)

STILL IMAGE

Recording file format
- JPEG (DCF, Exif 3.0), RAW
Aspect ratio
- 4:3 / 3:2 / 16:9 / 1:1
File size (Pixels)
- 4:3
  - 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.
- 3:2
  - 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.
- 16:9
  - 5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.
- 1:1
  - 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.
Image quality
- RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)
Color space
- sRGB, AdobeRGB

MOTION PICTURE

Recording file format
- MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW
  MP4: H.264/MPEG-4 AVC, H.265/HEVC
  MP4(Lite): H.265/HEVC (*⁶)
Audio format
- 4ch Audio Recording: OFF
  - MOV
    Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
    Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
    *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
    MP4
    Linear format: AAC (2ch stereo 48kHz/16-bit)
    MP4(Lite): AAC (2ch 48kHz/16-bit) (*⁶)
- 4ch Audio Recording: XLR*
  - MOV
    Linear format: LPCM (4ch monaural 48kHz/24-bit)
    Float format: LPCM (4ch monaural 48kHz/32-bit)
    *When attaching DMW-XLR2 (sold separately).
- 4ch Audio Recording: XLR*+Camera
  - MOV
    Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
    *When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).
System frequency
- 59.94Hz / 50.00Hz / 24.00Hz
Image area of video
- FULL / PIXEL/PIXEL
Log recording
- V-Log
Proxy
- ON / OFF
  Proxy Rec Quality: H / M / L
  Real Time LUT (Proxy): ON / OFF
  *When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming].
MOV (*¹) (*²) (*³) / 59.94Hz
- [5.8K] 5760x4320 (4:3)
  - 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [5.7K] 5728x3024 (17:9)
  - 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [4.4K] 4352x3264 (4:3)
  - 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
    59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
- [FHD] 1920x1080
  - 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
    239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
    239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
    119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
    119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
    119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
    59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
    29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to FULL during this recording mode.
    ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
MOV (*¹) (*²) (*³) / 50.00Hz
- [5.8K] 5760x4320 (4:3)
  - 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [5.7K] 5728x3024 (17:9)
  - 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [4.4K] 4352x3264 (4:3)
  - 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
    50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
- [FHD] 1920x1080
  - 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
    200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
    200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
    100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
    100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
    100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
    50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to FULL during this recording mode.
    ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
MOV (*¹) (*²) (*³) / 24.00Hz
- [5.8K] 5760x4320 (4:3)
  - 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [5.7K] 5728x3024 (17:9)
  - 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [4.4K] 4352x3264 (4:3)
  - 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
    24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
- [FHD] 1920x1080
  - 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
    120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**
    120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
    24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
    *Proxy video recording is available.
    **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
MP4 (*¹) (*²) / 59.94Hz
- [4K] 3840x2160
  - 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- [FHD] 1920x1080
  - 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
MP4 (*¹) (*²) / 50.00Hz
- [4K] 3840x2160
  - 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
    25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
- [FHD] 1920x1080
  - 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
MP4 (*¹) (*²) / 24.00Hz
- -
MP4(Lite) (*⁶) / 59.94Hz
- [3.8K] 3840x2880 (4:3)
  - 29.97p, 50Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
MP4(Lite) (*⁶) / 50.00Hz
- [3.8K] 3840x2880 (4:3)
  - 25.00p, 50Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
MP4(Lite) (*⁶) / 24.00Hz
- -
ProRes (*¹) (*³) / 59.94Hz
- [5.7K] 5728x3024 (17:9)
  - 29.97p, 4.2Gbps (ProRes RAW HQ) ( LPCM)*/**
    29.97p, 2.8Gbps (ProRes RAW) (LPCM)*/**
    29.97p, 1.9Gbps (ProRes 422 HQ) (LPCM)*
    29.97p, 1.3Gbps (ProRes 422) (LPCM)*
    23.98p, 3.3Gbps (ProRes RAW HQ) (LPCM)*/**
    23.98p, 2.2Gbps (ProRes RAW) (LPCM)*/**
    23.98p, 1.5Gbps (ProRes 422 HQ) LPCM)*
    23.98p, 1.0Gbps (ProRes 422) (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
    **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
- [C4K] 4096x2160
  - 59.94p, 4.2Gbps (ProRes RAW HQ) (LPCM)*/**/***
    59.94p, 2.8Gbps (ProRes RAW) (LPCM)*/**/***
    59.94p, 1.9Gbps (ProRes 422 HQ) (LPCM)*
    59.94p, 1.3Gbps (ProRes 422) (LPCM)*
    29.97p, 2.1Gbps (ProRes RAW HQ) (LPCM)*/**/***
    29.97p, 1.4Gbps (ProRes RAW) (LPCM)*/**/***
    29.97p, 972Mbps (ProRes 422 HQ) (LPCM)*
    29.97p, 648Mbps (ProRes 422) (LPCM)*
    23.98p, 1.7Gbps (ProRes RAW HQ) (LPCM)*/**/***
    23.98p, 1.1Gbps (ProRes RAW) (LPCM)*/**/***
    23.98p, 778Mbps (ProRes 422 HQ) (LPCM)*
    23.98p, 519Mbps (ProRes 422) (LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
- [FHD] 1920x1080
  - 59.94p, 454Mbps (ProRes 422 HQ) (LPCM)*
    59.94p, 302Mbps (ProRes 422) (LPCM)*
    29.97p, 227Mbps (ProRes 422 HQ) (LPCM)*
    29.97p, 151Mbps (ProRes 422) (LPCM)*
    23.98p, 181Mbps (ProRes 422 HQ) (LPCM)*
    23.98p, 121Mbps (ProRes 422) (LPCM)*
    *Proxy video recording is available.
ProRes (*¹) (*³) / 50.00Hz
- [5.7K] 5728x3024 (17:9)
  - 25.00p, 3.5Gbps (ProRes RAW HQ) (LPCM)*/**
    25.00p, 2.3Gbps (ProRes RAW) (LPCM)*/**
    25.00p, 1.6Gbps (ProRes 422 HQ) LPCM)*
    25.00p, 1.1Gbps (ProRes 422) (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
    **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
- [C4K] 4096x2160
  - 50.00p, 3.5Gbps (ProRes RAW HQ) (LPCM)*/**/***
    50.00p, 2.4Gbps (ProRes RAW) (LPCM)*/**/***
    50.00p, 1.6Gbps (ProRes 422 HQ) (LPCM)*
    50.00p, 1.1Gbps (ProRes 422) (LPCM)*
    25.00p, 1.8Gbps (ProRes RAW HQ) (LPCM)*/**/***
    25.00p, 1.2Gbps (ProRes RAW) (LPCM)*/**/***
    25.00p, 811Mbps (ProRes 422 HQ) (LPCM)*
    25.00p, 541Mbps (ProRes 422) (LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
- [FHD] 1920x1080
  - 50.00p, 378Mbps (ProRes 422 HQ) (LPCM)*
    50.00p, 252Mbps (ProRes 422) (LPCM)*
    25.00p, 189Mbps (ProRes 422 HQ) (LPCM)*
    25.00p, 126Mbps (ProRes 422) (LPCM)*
    *Proxy video recording is available.
ProRes (*¹) (*³) / 24.00Hz
- [5.7K] 5728x3024 (17:9)
  - 24.00p, 3.3Gbps (ProRes RAW HQ) (LPCM)*/**
    24.00p, 2.2Gbps (ProRes RAW) (LPCM)*/**
    24.00p, 1.5Gbps (ProRes 422 HQ) (LPCM)*
    24.00p, 1.0Gbps (ProRes 422) (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
    **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
- [C4K] 4096x2160
  - 24.00p, 1.7Gbps (ProRes RAW HQ) (LPCM)*/**/***
    24.00p, 1.1Gbps (ProRes RAW) (LPCM)*/**/***
    24.00p, 779Mbps (ProRes 422 HQ) (LPCM)*
    24.00p, 519Mbps (ProRes 422) (LPCM)*
    *Proxy video recording is available.
    **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
    ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
    https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
- [FHD] 1920x1080
  - 24.00p, 182Mbps (ProRes 422 HQ) (LPCM)*
    24.00p, 121Mbps (ProRes 422) (LPCM)*
    *Proxy video recording is available.

VARIABLE FRAME RATE

MOV (*¹) (*²) / 59.94Hz
- [5.7K] 5728x3024 (17:9)
  - 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
- [FHD] 1920x1080
  - 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
MOV (*¹) (*²) / 50.00Hz
- [5.7K] 5728x3024 (17:9)
  - 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
    25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
- [FHD] 1920x1080
  - 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
MOV (*¹) (*²) / 24.00Hz
- [5.7K] 5728x3024 (17:9)
  - 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [C4K] 4096x2160 / [4K] 3840x2160
  - 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**　
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    **External USB-SSD recording.
- [FHD] 1920x1080
  - 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
    24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
    *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
    *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

HDMI RAW DATA OUTPUT

Compatible external devices
- Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR
  *DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data.
  *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR.
  *All functions may not be available depending on the situation.
  *When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording.
  
  ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect"
  *All functions may not be available depending on the situation.
  *Please check here for compatible firmware versions of external recorders.
  https://panasonic.jp/support/global/cs/dsc/connect/index.html
  *"Ninja V" "Ninja" "Shogun" does not support some RAW video data.
  *Software that supports Apple ProRes RAW is required to edit RAW video recorded.
  *A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
  https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
Rec quality / NTSC (59.94Hz)
- [5.8K] 5760x4320 (4:3)
  - 29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [5.7K] 5728x3024 (17:9)
  - 59.94p, 12-bit (LPCM)*
    29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [4.4K] 4352x3264 (4:3)
  - 59.94p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
- [C4K] 4096x2160 (17:9)
  - 119.88p, 12-bit (LPCM)*
    59.94p, 12-bit (LPCM)*
    29.97p, 12-bit (LPCM)*
    23.98p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
Rec quality / PAL (50.00Hz)
- [5.8K] 5760x4320 (4:3)
  - 25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [5.7K] 5728x3024 (17:9)
  - 50.00p, 12-bit (LPCM)*
    25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to FULL during this recording mode.
- [4.4K] 4352x3264 (4:3)
  - 50.00p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
- [C4K] 4096x2160 (17:9)
  - 100.00p, 12-bit (LPCM)*
    50.00p, 12-bit (LPCM)*
    25.00p, 12-bit (LPCM)*
    *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
Audio format
- 4ch Audio Recording: OFF
  - Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
    Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
    *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
- 4ch Audio Recording: XLR*
  - Linear format: LPCM (4ch monaural 48kHz/24-bit)
    Float format: LPCM (4ch monaural 48kHz/32-bit)
    *When attaching DMW-XLR2 (sold separately).
- 4ch Audio Recording: XLR*+Camera
  - Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
    *When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

EXTERNAL USB-SSD RECORDING

Yes (ON / OFF)

STREAMING

Wi-Fi
- Protocol
  - RTMPS *RTMP is no longer supported in firmware version 1.3 and above.
- 59.94Hz / [FHD] 1920x1080
  - 59.94p, 8Mbps (H.264)
    29.97p, 6Mbps / 3Mbps (H.264)
- 59.94Hz / [HD] 1280x720
  - 59.94p, 6Mbps (H.264)
    29.97p, 4Mbps (H.264)
- 50.00Hz / [FHD] 1920x1080
  - 50.00p, 8Mbps (H.264)
    25.00p, 6Mbps / 3Mbps (H.264)
- 50.00Hz / [HD] 1280x720
  - 50.00p, 6Mbps (H.264)
    25.00p, 4Mbps (H.264)
USB Tethering
- Protocol
  - RTMPS *RTMP is no longer supported in firmware version 1.3 and above.
- 59.94Hz / [4K] 3840x2160
  - 29.97p, 12.5Mbps (H.264)
- 59.94Hz / [FHD] 1920x1080
  - 59.94p, 16Mbps / 8Mbps (H.264)
    29.97p, 6Mbps / 3Mbps (H.264)
- 59.94Hz / [HD] 1280x720
  - 59.94p, 6Mbps (H.264)
    29.97p, 4Mbps (H.264)
- 50.00Hz / [4K] 3840x2160
  - 25.00, 12.5Mbps (H.264)
- 50.00Hz / [FHD] 1920x1080
  - 50.00p, 16Mbps / 8Mbps (H.264)
    25.00p, 6Mbps / 3Mbps (H.264)
- 50.00Hz / [HD] 1280x720
  - 50.00p, 6Mbps (H.264)
    25.00p, 4Mbps (H.264)
Wired LAN
- -

VIEWFINDER

Type
- OLED Live View Finder
Pixels
- Approx. 3.68 million dots
Field of view / Magnification
- Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m^-1, when the aspect ratio is set to 4:3
Eye point / Diopter adjustment
- Approx. 21 mm at infinity; -1.0 m^-1 / -4.0 - +2.0 (dpt)
Eye sensor
- Yes
Display speed
- 120fps / 60fps

REAR MONITOR

Type
- TFT LCD monitor with static touch control
Monitor size
- Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect
Pixels
- Approx. 1.84 million dots
Field of view
- Approx. 100%

FOCUS (*⁴)

Type
- Phase Detection AF system / Contrast AF system
DFD technology
- Yes
Focus mode
- AFS (Single) / AFC (Continuous) / MF
AF mode
- Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
  *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set.
AF detective range
- EV -4 - 18 (F2.0, ISO100 equivalent, AFS)
AF custom setting
- AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF assist light
- Yes
AF lock
- Set the Fn button in custom menu to AF lock
Focus ring control
- Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached.
Others
- AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

EXPOSURE CONTROL

Light metering system
- 1,728-zone multi-pattern sensing system
Light metering mode
- Multiple / Center Weighted / Spot / Highlight Weighted
Metering range
- EV0-18 (F2.0 lens, ISO100 equivalent)
Mode dial
- Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto
  *The same exposure operations as P/A/S/M mode is available.
Exposure compensation
- 1/3 EV step ±5EV (±3EV for motion picture)
ISO sensitivity (Standard output sensitivity)
- Still image
  - [Normal]
    Auto / 50 (Extended ISO) / 100-25600
    
    [V-Log]
    Auto / 125 (Extended ISO) / 500-12800
    
    *Switchable between 1/3 or 1 EV step.
- Motion picture
  - [Normal]
    Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800
    Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) / 100-3200 / 4000-12800 (Extended ISO)
    
    [V-Log]
    Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800
    Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) / 250-3200 / 4000-12800 (Extended ISO)
    
    [Hybrid Log Gamma]
    Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800
    Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO)
    
    *Switchable between 1/3 or 1 EV step.
ISO Auto
- Still image
  - [Normal]
    Minimum: 100-12800
    Max: Auto / 200-25600
    
    [V-Log]
    Minimum: 500-6400
    Max: Auto / 800-12800
- Motion picture
  - [Normal]
    Minimum:
    Sensor output is 60fps or less: 100-6400
    Sensor output is 61fps or higher: 100-1600
    Max:
    Sensor output is 60fps or less: Auto / 200-12800
    Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO)
    
    [V-Log]
    Minimum:
    Sensor output is 60fps or less: 500-6400
    Sensor output is 61fps or higher: 250-1600
    Max:
    Sensor output is 60fps or less: Auto / 800-12800
    Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)
    
    [Hybrid Log Gamma]
    Minimum:
    Sensor output is 60fps or less: 250-6400
    Sensor output is 61fps or higher: 250-1600
    Max:
    Sensor output is 60fps or less: Auto / 400-12800
    Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)
Synchro scan
- Still image / Motion picture
AE lock
- Set the Fn button in custom menu to AE lock

IMAGE STABILIZATION SYSTEM

B.I.S. (5-axis / 7.5-stop*)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.]

Dual I.S. 2 (7.5-stop**)
**Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.]

WHITE BALANCE

White balance
- AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
White balance adjustment
- Blue/Amber bias, Magenta/Green bias
Color temperature setting
- 2500-10000K in 100K

SHUTTER

Type
- Focal-plane shutter
Shutter speed
- Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
  Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
  Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60
  Motion picture: 1/25,000 - 1/25
  Creative Video M mode / MF mode: 1/25,000 - 1/8
Self timer
- 10sec, 3 images / 2sec / 10sec / Custom Time
Remote control
- Remote control by DMW-RS2 (sold separately)
Silent mode / Shutter type
- Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

BRACKET

AE bracket
- 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket
- 3, 5 or all positions
Focus bracket
- Yes
White balance bracket
- 3 images in blue/amber axis or in magenta/green axis, color temperature setting

BURST SHOOTING

Burst speed
- Mechanical shutter
  - H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)
- Electronic front curtain shutter
  - H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)
- Electronic shutter
  - SH75: 75 frames/sec (AFS/MF)
    SH60: 60 frames/sec (AFS/AFC/MF)
    SH20: 20 frames/sec (AFS/AFC/MF)
    SH75 PRE: 75 frames/sec (AFS/MF)
    SH60 PRE: 60 frames/sec (AFS/AFC/MF)
    SH20 PRE: 20 frames/sec (AFS/AFC/MF)
    H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
    M: 6 frames/sec (AFS/AFC/MF) (with Live View)
    L: 2 frames/sec (AFS/AFC/MF) (with Live View)
Number of recordable images
- H/M/L*
  RAW+JPEG: More than 170 images**, More than 165 images***
  RAW: More than 215 images**, More than 200 images***
  JPEG: More than 260 images**, More than 250 images***
  
  SH
  RAW / RAW+JPEG : 190 images
  JPEG: 190 images***
  
  *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
  **When using a card with CFexpress Type B
  ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".

FLASH

Flash type
- TTL External Flash (sold separately)
Flash mode
- Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization
- 1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment
- 1/3EV step ±3EV
Synchronization speed
- Less than 1/250 second
Wireless control
- Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
Flash sync socket
- Yes

CROP ZOOM

Still image / Motion picture

COLOR SETTINGS

Photo Style
- Photo Style
  - Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)*
    *Set to ON from Show/Hide Photo Style to select.
- Picture adjustment
  - Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
    *Adjustable settings vary depending on the Photo Style mode.
Filter
- Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass
LUT Library
- Supported file types: .vlt, .cube
  Vlog_709 / Set 1-39 (Set 1-3: Sample LUT)
  *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings.

MOTION PICTURE FUNCTION

Time lapse shot
- Yes
Stop motion animation
- Yes
SS/Gain operation
- Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Luminance level
- 8-bit: 0-255 / 16-235 / 16-255
  10-bit: 0‒1023 / 64‒940 / 64‒1023
Master pedestal level
- 31 steps
Color bars / Test tone
- Yes (SMPTE / EBU / ARIB) / Yes
LUT view assist
- Monitor / HDMI
HLG view assist
- Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
Anamorphic desqueeze display
- 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Wave form monitor / Vectorscope
- Selectable
Knee control
- Yes (in Like709 mode)
Other functions
- Red REC Frame Indicator, Streaming Blue Frame Indicator

VERTICAL POSITION INFORMATION

Still image / Motion picture (ON/OFF)

LEVEL GAUGE

FUNCTION BUTTON

REC
- Exposure Comp. / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Video) / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Crop Zoom (Photo) / Live View Composite / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Proxy Recording / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Audio Recording / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Crop Zoom (Video) / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist (Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Streaming / REAL TIME LUT / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default
PLAY
- Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel (Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default

INTERFACE

USB
- USB Type-C^® (USB 10Gbps)
HDMI (*⁵)
- HDMI
  - HDMI TypeA
    Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
- Monitor-through
  - 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
    4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
    4K/120p / 4K/100p
    Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF
- Playback
  - 59.94Hz: 8K/30p* / C4K/120p / C4K/60p / C4K/30p / 4K/120p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
    50.00Hz: 8K/25p* / C4K/100p / C4K/50p / C4K/25p / 4K/100p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
    24.00Hz: 8K/24p* / C4K/120p / C4K/24p / 4K/120p / 4K/24p / 1080/120p / 1080p
    *Only for still image playback. **Only for playback.
Remote input
- φ2.5mm
Audio
- Build-in microphone
  - Stereo
    Wind Noise Canceller: OFF / Standard / High
- External microphone / External audio device input
  - φ3.5mm for external microphone / external audio device
    MIC (Plug-in Power) / MIC / LINE
    Wind Cut: OFF / Low / Standard / High *When attaching Φ3.5mm microphone.
    Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).
- XLR microphone
  - Yes with DMW-XLR2 (sold separately)
- 4ch mic input
  - Yes with DMW-XLR2 (sold separately)
- Speaker
  - Monaural
- Headphone output
  - φ3.5mm
Card slot
- Slot 1: CFexpress Card (CFexpress Type B)
  Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
  *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

TC IN/OUT

TC IN/OUT
- Yes with BNC Converter Cable (bundled)
Count up
- Rec Run / Free Run
Time code mode
- Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)
HDMI time code output
- ON / OFF
External TC setting
- TC Synchronization / TC Output Reference

FAN

Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.

LAMP

Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light

WIRELESS

Wi-Fi
- 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
  5GHz bands (STA/AP) (IEEE 802.11a/n/ac)
  Security: WPA/WPA2/WPA3
Bluetooth
- Bluetooth^® v5.0 (Bluetooth Low Energy (BLE))

DUST AND SPLASH RESISTANT*

Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

POWER

Battery
- Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
  USB power supply, USB power charging, USB power delivery
Battery life (CIPA standard)
- When using CFexpress Card
  - Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
    Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
    *Using a Nextorage CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
- When using SD memory card
  - Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
    Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
    *Using a Nextorage SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
- When using external USB-SSD
  - Approx. 280 images with H-ES12060 / DMW-BLK22
    Approx. 290 images with H-FS12060 / DMW-BLK22
    *Using a Samsung external SSD (T9_2TB). Under the test conditions specified by Panasonic based on CIPA standard.
Continuous recordable time (Motion picture) (*¹)
- When using CFexpress Card
  - MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
- When using SD memory card
  - MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
- When using external USB-SSD
  - MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060
Actual recordable time (Motion picture) (*¹)
- When using CFexpress Card
  - MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
- When using SD memory card
  - MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
- When using external USB-SSD
  - MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
    MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060

DIMENSIONS / WEIGHT

Dimensions (W x H x D)
- Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (Body only, excluding protrusions)
  Approx. 138.4 x 100.3 x 142.0 mm / 5.45 x 3.95 x 5.59 inch (with H-FS12060, excluding protrusions)
  Approx. 138.4 x 100.3 x 157.0 mm / 5.45 x 3.95 x 6.18 inch (with H-ES12060, excluding protrusions)
Weight
- Approx. 805g / 1.77 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
  Approx. 721g / 1.59 lb (Body, Hot Shoe Cover) (excluding body cap)

OPERATING ENVIRONMENT

Operating temperature
- -10℃ to 40℃ (14℉ to 104℉)
Operating humidity
- 10%RH to 80％RH

STANDARD ACCESSORIES

Software
- Recording
  - LUMIX Lab / LUMIX Sync
    ･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
    https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)
    
    LUMIX Tether
    ･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
    http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
- Playback / Editing
  - ･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Adwaa's website using computer connected to the Internet.
    http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)　
Standard accessories
- DC-GH7 Kit
  Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap
  
  DC-GH7L Kit / DC-GH7M Kit
  Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap, Lens Cap, Lens Hood, Lens Rear Cap
  
  ･The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.

Note

(*1) About motion picture recording

- The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card

- A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
Motion pictures with less than 72Mbps: 30 minutes
Motion pictures with 72Mbps or more: 3 hours 4 minutes

- A new file will be created to continue recording if the file size exceeds the following conditions.
[MP4] in [FHD]: 4GB
[MP4] in [4K]: 96GB
[MOV] in 600Mbps or less: 192GB
[MOV] in 800Mbps: 640GB
[ProRes] in [5.7K]: 640GB

- If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.

(*2) Hybrid Log Gamma is selectable in [4:2:2 10bit] or [4:2:0 10bit].

(*3) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

(*4) About AF
- Automatic Detection is not available for High Frame Rate video shooting above 60p.
- Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting above 60p.

(*5) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).

(*6) Firmware must be updated to version 1.3.

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Tillbehör

Objektiv

H-E08018

LEICA DG VARIO-ELMARIT 8-18mm/2,8-4,0 ASPH.

H-X1025

Micro Four Thirds 10-25mm normalzoom/20-50mm (motsv. 35mm kamera)

H-ES12035

Micro Four Thirds 12-35mm normalzoom/24-70mm (motsv. 35mm kamera)

H-ES12060

LEICA DG VARIO-ELMARIT 12–60 mm/F2.8–4.0 ASPH. / POWER O.I.S.

H-X2550

Micro Four Thirds 25-50mm telezoom-objektiv/50-100mm (motsv. 35mm kamera)

H-ES35100

Micro Four Thirds 35-100mm telezoom-objektiv/70-200mm (motsv. 35mm kamera)

H-ES50200

LEICA DG VARIO-ELMARIT 50-200mm/F2,8-4,0 ASPH. / POWER O.I.S.

H-RSA100400

Micro Four Thirds 100-400mm telezoom-objektiv/200-800mm (motsv. 35mm kamera)

H-X09

Micro Four Thirds 9mm fast brännvidd/18 mm (motsv. 35 mm kamera)

H-X012

LEICA DG SUMMILUX 12mm/1,4 ASPH.

H-X015

LEICA DG SUMMILUX 15mm/1,7 ASPH.

H-XA025

Micro Four Thirds 25mm fast brännvidd/50mm (motsv. 35 mm kamera)

H-NS043

LEICA DG NOCTICRON 42,5mm /1,2 ASPH. /POWER O.I.S.

H-ES045

LEICA DG MACRO-ELMARIT 45mm/2,8 ASPH. /MEGA O.I.S.

H-ES200

LEICA DG ELMARIT 200mm/2,8/POWER O.I.S.

H-HSA12035

LUMIX G X VARIO 12-35mm/F2,8 II ASPH. / POWER O.I.S.

H-HSA35100

LUMIX G X VARIO 35-100mm/2,8 II / POWER O.I.S.

H-F007014

LUMIX G VARIO 7-14mm/4,0 ASPH.

H-FS12032

LUMIX G VARIO 12-32mm/3,5-5,6 ASPH. /MEGA O.I.S.

H-FS12060

LUMIX G VARIO 12-60mm/F3.5–5.6 ASPH. / POWER O.I.S.

H-PS14042

LUMIX G X VARIO PZ 14-42mm/3,5-5,6 ASPH. /POWER O.I.S.

H-FS1442A

LUMIX G VARIO 14–42 mm/F3.5–5.6 II ASPH. /MEGA O.I.S.

H-FSA14140

Micro Four Thirds 14-140mm Standard Zoom Lens / 28-280mm (35mm camera equiv.)

H-FS35100

LUMIX G VARIO 35–100 mm/F4.0–5.6 ASPH. /MEGA O.I.S.

H-FS45150

LUMIX G VARIO 45-150mm/4,0-5,6 ASPH. /MEGA O.I.S.

H-PS45175

LUMIX G X VARIO PZ 45-175mm/4,0-5,6 ASPH. /POWER O.I.S.

H-FSA45200

LUMIX G VARIO 45-200mm/4,0-5,6 II / POWER O.I.S.

H-FSA100300

LUMIX G VARIO 100-300mm/4,0-5,6 II / MEGA O.I.S.

H-F008

LUMIX G FISHEYE 8mm/3,5

H-H014A

LUMIX G 14mm/2,5 II ASPH.

H-H020A

LUMIX G 20mm/1,7 II ASPH.

H-HS030

LUMIX G MACRO 30mm/2,8 ASPH. /MEGA O.I.S.

H-E08018

LEICA DG VARIO-ELMARIT 8-18mm/2,8-4,0 ASPH.

H-X1025

Micro Four Thirds 10-25mm normalzoom/20-50mm (motsv. 35mm kamera)

H-ES12035

Micro Four Thirds 12-35mm normalzoom/24-70mm (motsv. 35mm kamera)

H-ES12060

LEICA DG VARIO-ELMARIT 12–60 mm/F2.8–4.0 ASPH. / POWER O.I.S.

H-X2550

Micro Four Thirds 25-50mm telezoom-objektiv/50-100mm (motsv. 35mm kamera)

H-ES35100

Micro Four Thirds 35-100mm telezoom-objektiv/70-200mm (motsv. 35mm kamera)

H-ES50200

LEICA DG VARIO-ELMARIT 50-200mm/F2,8-4,0 ASPH. / POWER O.I.S.

H-RSA100400

Micro Four Thirds 100-400mm telezoom-objektiv/200-800mm (motsv. 35mm kamera)

H-X09

Micro Four Thirds 9mm fast brännvidd/18 mm (motsv. 35 mm kamera)

H-X012

LEICA DG SUMMILUX 12mm/1,4 ASPH.

H-X015

LEICA DG SUMMILUX 15mm/1,7 ASPH.

H-XA025

Micro Four Thirds 25mm fast brännvidd/50mm (motsv. 35 mm kamera)

H-NS043

LEICA DG NOCTICRON 42,5mm /1,2 ASPH. /POWER O.I.S.

H-ES045

LEICA DG MACRO-ELMARIT 45mm/2,8 ASPH. /MEGA O.I.S.

H-ES200

LEICA DG ELMARIT 200mm/2,8/POWER O.I.S.

H-HSA12035

LUMIX G X VARIO 12-35mm/F2,8 II ASPH. / POWER O.I.S.

H-HSA35100

LUMIX G X VARIO 35-100mm/2,8 II / POWER O.I.S.

H-F007014

LUMIX G VARIO 7-14mm/4,0 ASPH.

H-FS12032

LUMIX G VARIO 12-32mm/3,5-5,6 ASPH. /MEGA O.I.S.

H-FS12060

LUMIX G VARIO 12-60mm/F3.5–5.6 ASPH. / POWER O.I.S.

H-PS14042

LUMIX G X VARIO PZ 14-42mm/3,5-5,6 ASPH. /POWER O.I.S.

H-FS1442A

LUMIX G VARIO 14–42 mm/F3.5–5.6 II ASPH. /MEGA O.I.S.

H-FSA14140

Micro Four Thirds 14-140mm Standard Zoom Lens / 28-280mm (35mm camera equiv.)

H-FS35100

LUMIX G VARIO 35–100 mm/F4.0–5.6 ASPH. /MEGA O.I.S.

H-FS45150

LUMIX G VARIO 45-150mm/4,0-5,6 ASPH. /MEGA O.I.S.

H-PS45175

LUMIX G X VARIO PZ 45-175mm/4,0-5,6 ASPH. /POWER O.I.S.

H-FSA45200

LUMIX G VARIO 45-200mm/4,0-5,6 II / POWER O.I.S.

H-FSA100300

LUMIX G VARIO 100-300mm/4,0-5,6 II / MEGA O.I.S.

H-F008

LUMIX G FISHEYE 8mm/3,5

H-H014A

LUMIX G 14mm/2,5 II ASPH.

H-H020A

LUMIX G 20mm/1,7 II ASPH.

H-HS030

LUMIX G MACRO 30mm/2,8 ASPH. /MEGA O.I.S.

XLR-mikrofonadapter / Mikrofon

DMW-XLR2

Kompatibel med LUMIX S5II (DC-S5M2)*, LUMIX S5IIX (DC-S5M2X)*, LUMIX GH7 (DC-GH7), LUMIX GH6 (DC-GH6)* och LUMIX G9II (DC-G9M2)*

DMW-MS2

Mikrofoner

VW-VMS10

Mikrofoner

Batteri/batteriladdare

DMW-BLK22

Batteri till LUMIX S5

DMW-BTC15

Batteriladdare till DMW-BLF19 eller DMW-BLK22

DMW-DCC18

Batteriadapter för kameror kompatibla med batteri DMW-BLK22

DMW-AC11

AC Adapter for use with DC Coupler

Övrigt

DMW-RS2

Fjärrutlösare

DMW-SHGR2

Ett kompakt och lätt handgrepp/ministativ med USB Type-C-anslutning som gör det möjligt att starta/stoppa videoinspelning och utlösa slutaren.

VW-LED1

LED-videolampa

DMW-FL200L

Extern blixt

DMW-FL580L

Extern blixt

DMW-BDC1

Kamerahuslock

DMW-MA2M

Adapterfäste

DMW-TA1

Stativadapter

DMW-RS2

Fjärrutlösare

DMW-SHGR2

Ett kompakt och lätt handgrepp/ministativ med USB Type-C-anslutning som gör det möjligt att starta/stoppa videoinspelning och utlösa slutaren.

VW-LED1

LED-videolampa

DMW-FL200L

Extern blixt

DMW-FL580L

Extern blixt

DMW-BDC1

Kamerahuslock

DMW-MA2M

Adapterfäste

DMW-TA1

Stativadapter

Se alla tillbehör

Läs mer om hela kategorin

LUMIX G systemkamera

Få support

LUMIX GH6-kamera DC-GH7L

Besök supportsidan för denna produkt

LUMIX GH7-kamera DC-GH7L

DU KAN INTE LÄGGA TILL FLER PRODUKTER

Rörlighet möter överlägsenhet.

Funktioner

Flaggskeppshybridkamera för professionellt innehållsskapande

Förbättrad innehållskvalitet

Effektivt arbetsflöde

Enastående tillförlitlighet

Intern ProRes RAW HQ-inspelning

Världens första 32-bitars float-inspelning*

Phase Hybrid AF

ARRI LogC3-inspelning

Rikare nyanser

4:2:2 C4K/4K 60p/50p 10-bitars videoinspelning utan tidsbegränsning

Samarbeta när som helst, var som helst

Inbyggd Camera to Cloud-integration med Adobes Frame.io

Wireless Live Streaming

Färggradering direkt ur kameran

LUT I REALTID

LUMIX Lab-app

Bli inspirerad

Specifikationer

Storlek och vikt