LUMIX GH7 kamera DC-GH7L

DC-GH7L

Mobilitātes un meistarības apvienojums.

LUMIX vadošā hibrīda kamera ir aprīkota ar 25,2 MP BSI CMOS sensoru ar PDAF, ProRes RAW HQ iekšējo ierakstīšanu un pasaulē pirmo 32 bitu plūstošo ierakstīšanu*, kas ļauj jums radīt augstas kvalitātes un augstas efektivitātes saturu ar minimālu konfigurāciju.
*No 2024. gada 05. jūnija digitālajai kamerai ar maināmu objektīvu. Saskaņā ar Panasonic pētījumu. Izmantojot kopā ar XLR mikrofona adapteri DMW-XLR2 (iegādājams atsevišķi).
Tuvināt
Tālināt
Aizvērt
DC-GH7L

Iespējas

Vadošā hibrīda kamera profesionāla satura veidošanai

Uzlabota satura kvalitāte

Kameras LUMIX GH7 fāzu hibrīdā autofokusa sistēma pastāvīgi izseko objektus, ātri un precīzi tos iemūžinot. Tās dinamiskā diapazona pastiprināšanas funkcija nodrošina plašu dinamisko diapazonu visos ISO jutības diapazonos.
Uzlabota satura kvalitāte

Efektīva darbplūsma

ProRes RAW HQ iekšējo ierakstīšanu, 32 bitu plūstošā formāta ierakstīšanu* u. c. var veikt pašā kameras korpusā, tādējādi nodrošinot augstas kvalitātes un augstas efektivitātes satura veidošanu ar minimālu konfigurāciju.
*Nepieciešams papildu DMW-XLR2.
Efektīva darbplūsma

Izcila uzticamība

Kompakts korpuss apvienojumā ar siltumu izkliedējošu konstrukciju, kas ļauj pagarināt ierakstīšanu pat tad, ja filmēšana notiek ar lielu jaudu (4:2:2:2 10 bitu C4K/4K 60 p/50 p, ProRes RAW HQ).
Izcila uzticamība

ProRes RAW HQ iekšējā ierakstīšana

5,7K 30 p ProRes RAW HQ materiālu var ierakstīt pašā kameras korpusā, kas sniedz jums iespēju iemūžināt mirkli ar vienu pogas klikšķi, veicot minimālu konfigurēšanu un bez nepieciešamības izmantot ārējās ierīces. Uzlabota savietojamība ar stabilizācijas ierīci arī paplašina izteiksmes veidu klāstu.
･Ierakstīšana SD kartē nav iespējama. ･Apple un ProRes ir uzņēmuma Apple Inc. preču zīmes vai reģistrētas preču zīmes Amerikas Savienotajās Valstīs un/vai citās valstīs.
PAPILDINFORMĀCIJA
ProRes RAW HQ iekšējā ierakstīšana

Pasaulē pirmā 32 bitu plūstošā ierakstīšana*

Apvienojumā ar DMW-XLR2 (iegādājams atsevišķi) LUMIX GH7 nodrošina pasaulē pirmo 32 bitu plūstošo ierakstīšanu*, uzlabojot visas darbplūsmas kvalitāti un efektivitāti. Pateicoties plašajam dinamiskajam diapazonam, 32 bitu plūstošais formāts ieraksta vairāk informācijas, sākot no klusām un beidzot ar skaļām skaņām, tādējādi novēršot vajadzību audio ierakstīšanas laikā veikt nogurdinošu skaņas līmeņa regulēšanu.
*No 2024. gada 05. jūnija digitālajai kamerai ar maināmu objektīvu. Saskaņā ar Panasonic pētījumu. Izmantojot kopā ar XLR mikrofona adapteri DMW-XLR2 (iegādājams atsevišķi).
UZZINĀT VAIRĀK PAR DMW-XLR2
Pasaulē pirmā 32 bitu plūstošā ierakstīšana*

Fāzu hibrīdais autofokuss

Autofokusa vissvarīgākā īpašība ir uzticamība. Līdzās kontrasta autofokusa sistēmai LUMIX GH7 piedāvā arī fāzes noteikšanas autofokusa sistēmu, kas ievērojami uzlabo objekta izsekošanas sniegumu un mērīšanas tehnoloģijas. Kamera var fiksēt subjektu pat sarežģītās ainās, kurās iesaistīti vairāki subjekti, nodrošinot precizitāti pat apstākļos ar pretgaismu vai zemu apgaismojuma līmeni.
Fāzu hibrīdais autofokuss

ARRI LogC3 ierakstīšana

Izmantojot DMW-SFU3A programmatūras jaunināšanas atslēgu (iegādājama atsevišķi), lietotāji var izmantot ARRI LogC3*, kas nodrošina krāsu saskaņošanu ar ARRI digitālajām kino kamerām. Lai īstenotu šo funkciju, ARRI ir sertificējis ARRI LogC3 līknes attēlu apstrādi kamerā LUMIX GH7. Log ierakstīšanas iespējas, kas nodrošina bagātīgu krāsu informāciju un plašu dinamisko diapazonu, ir paplašinātas, līdzās parastajam V-Log režīmam ietverot arī ARRI LogC3, tādējādi vēl vairāk uzlabojot LUMIX darbplūsmas savietojamību.

*ARRI LogC3 ir Log gamma, ko izstrādājis ARRI un kuru izmanto ARRI digitālajās kino kamerās. Lūdzu, ņemiet vērā: ALEXA 35 izmanto ARRI LogC4. *LUMIX GH7 kamerā ARRI LogC3 var izmantot 10 bitu ierakstīšanai radošajā video režīmā. ･ARRI ir Arnold & Richter Cine Technik GmbH & Co. Betriebs KG reģistrētas preču zīmes.

UZZINĀT VAIRĀK PAR DMW-SFU3A
ARRI LogC3 ierakstīšana

Bagātīgāka tonālā atveide

Dinamiskā diapazona pastiprinājuma funkcija iegūst divu veidu attēlus ar vienu ekspozīciju un sintezē tos reāllaikā, lai izveidotu kompozītattēlus ar bagātīgu tonālo diapazonu pat ainās ar lielām apgaismojuma atšķirībām. Nekustīgos attēlos tas ļauj bagātīgāk atainot ēnu toņus RAW formāta datos. Video gadījumā tas nodrošina 13+ iestatījuma punktu V-Log/V-Gamut ierakstu.* Tas nodrošina plašu dinamisko diapazonu visos ISO jutības diapazonos.

*Uzņemot video ar ātrumu virs 60 kadriem sekundē (ieskaitot VFR), platums būs 12+ stop. ･Dinamiskā diapazona palielināšanas funkcija netiek aktivizēta, uzņemot HFR/VFR video ar ātrumu 61 kadrs/s vai lielāku, vai veicot SH sērijveida uzņemšanu. ･Dinamiskā diapazona palielināšana netiek aktivizēta, ja aizvara ātrums ir mazāks par 1/15 fotoattēlu uzņemšanas laikā atkarībā no ISO. ･Šī funkcija tiek lietota automātiski.

PAPILDINFORMĀCIJA
Bagātīgāka tonālā atveide

Neierobežots 4:2:2 10 bitu C4K/4K 60 p/50 p video ierakstīšanas ilgums

LUMIX GH7 nodrošina 4:2:2:2 10 bitu C4K/4K 60 p/50 p iekšējo ierakstīšanu un neierobežotu ierakstīšanas laiku*, ja to izmanto ieteicamajā darba temperatūrā**. Ideāli piemērota nelielām video producēšanas komandām apstākļos, kur nepieciešama mobilitāte un augsta kvalitāte. Turklāt kamerā vienlaicīgi var veikt gan iekšējo ierakstu, gan ārējo ierakstu caur HDMI izeju.
*Garantētas darbības apstākļos. Izmantojot akumulatoru. Ieraksta ilgums ir atkarīgs no akumulatora un datu nesēja ietilpības. **-10 – +40℃. ･Atbilst 4K (4096×2160) standartam saskaņā ar Digital Cinema Initiatives (DCI) definējumu. ･Nepieciešama CFexpress karte vai SD atmiņas karte ar 90. video ātruma klasi.
PAPILDINFORMĀCIJA
Neierobežots 4:2:2 10 bitu C4K/4K 60 p/50 p video ierakstīšanas ilgums

Sadarbojieties jebkurā laikā un vietā

Iebūvēta kameras un mākoņa integrācija ar Adobe Frame.io

Izmantojot rīku Frame.io Camera to Cloud, autora attēli un videoklipi tiek automātiski augšupielādēti, dublēti, koplietoti un kopīgi apstrādāti mākoņa režīmā.
･ Ne visas Frame.io Camera to Cloud funkcijas tiek garantētas. ･Frame.io, Frame.io logotips un Camera to Cloud ir reģistrētas Adobe preču zīmes vai preču zīmes Amerikas Savienotajās Valstīs un/vai citās valstīs.
PAPILDINFORMĀCIJA
Iebūvēta kameras un mākoņa integrācija ar Adobe Frame.io

Bezvadu/vadu straumēšana tiešraidē

Izvēlieties vēlamo straumēšanas pieeju, lai kopīgotu jaunāko saturu reāllaikā! Lietošanai ārā paredzētā bezvadu tiešraides straumēšanas (RTMP/RTMPS) ir vienkārša, izmantojot LUMIX Sync lietotni. Lietošanai telpās ir pieejama arī ļoti stabilā tiešraides straumēšana ar vadu (RTP/RTSP).
･Ir iespējama tiešraides straumēšana uz tādām platformām, kas atbilst RTMP/RTMPS (saderība ar visām platformām nav garantēta). Var būt gadījumi, kad tiešraides straumēšana nav iespējama, ja mainās platformas pakalpojums. Vairāk informācijas skatiet platformas noteikumos un nosacījumos. ･Tā kā tiešraides straumēšanas pārraides ātrums ir atkarīgs no interneta vides, viedtālruņa veiktspējas u. c., mēs iesakām jums iepriekš veikt pārraides pārbaudi. ･Tirdzniecībā pieejamais USB ethernet adapteris ir nepieciešams, lai pārvērstu DC-GH7 kameras USB C tipa termināli par LAN termināli. USB ethernet adaptera savienojamība: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html
Bezvadu/vadu straumēšana tiešraidē

Krāsu korekcija tieši kamerā

REĀLLAIKA LUT

LUT var piemērot fotoattēliem un videoklipiem pašā kameras korpusā, ļaujot jums veidot fotoattēlus un videoklipus tieši kamerā. Atbalsta ".VLT" un ".CUBE" failu formātus. Izmantojot šo funkciju, varat ietaupīt laiku, kas būtu nepieciešams sarežģītajam pēcrediģēšanas procesam. Apvienojumā ar lietotni LUMIX Lab varat viegli izveidot savus LUT un instalēt tos kamerā.
REĀLLAIKA LUT

Lietotne LUMIX Lab

Savienojiet kameru ar viedtālruni ar trīs darbību palīdzību, un varēsiet bez problēmām pārsūtīt saturu, izmantojot īpaši ātru Wi-Fi savienojumu. Varat arī apgriezt, pielāgot spilgtumu, piemērot LUT un ne tikai, ātri veicot vienkāršu rediģēšanu jebkurai sociālo mediju platformai.
Lietotne LUMIX Lab

Iedvesmai

Specifikācijas

Fotoattēla LUMIX GH7 kamera DC-GH7L

Izmērs un svars

Augstums
100.3mm
Platums
138.4mm
Dziļums
99.6mm
Svars
805g

Visas vērtības ir aptuvenas. Objektīvs nav iekļauts. Svars ar stiprinājuma pārsegu, akumulatoru un SD karti. Korpuss tikai 721 g. Izmēri bez izvirzījumiem.

  • Micro Four Thirds System StandardMicro Four Thirds System Standard
  • 25.2 Megapixels25.2 Megapixels
  • Phase Hybrid AFPhase Hybrid AF
  • ProRes RAW HQProRes RAW HQ
  • C4K/4K 4:2:2 10-bit 60p/50p videoC4K/4K 4:2:2 10-bit 60p/50p video
  • 32-bit Float Audio (Optional DMW-XLR2 is required)32-bit Float Audio (Optional DMW-XLR2 is required)
  • Active I.S.Active I.S.
  • 1840k-dot Tilt and Free-angle Monitor1840k-dot Tilt and Free-angle Monitor
  • 3680k-dot OLED Live View Finder3680k-dot OLED Live View Finder
  • Splash, Dust and Freeze-resistantSplash, Dust and Freeze-resistant
  • LUMIX Lab appLUMIX Lab app

ProRes RAW HQ iekšējā ierakstīšana

32 bitu plūstošā ierakstīšana (nepieciešams atsevišķi iegādājamais DMW-XLR2)

25,2 megapikseļu BSI CMOS sensors

Fāzu hibrīdais autofokuss

Neierobežots 4:2:2 10 bitu C4K/4K 60 p/50 p video ierakstīšanas ilgums

TYPE

  • Type

    • Digital Single Lens Mirrorless camera

  • Lens mount

    • Micro Four Thirds mount

IMAGE SENSOR

  • Type

    • BSI CMOS sensor (17.3 x 13.0 mm)

  • Camera effective pixels / Total pixels

    • Approx. 25.2 megapixels / Approx. 26.5 megapixels

  • AR (Anti Reflection) coating

    • Yes

  • Aspect ratio / Color filter

    • 4:3 / Primary color filter

  • Dust reduction system

    • Image sensor shift type

LATITUDE

  • 13+ stops (V-Log) (Sensor output is 60fps or less)
    12+ stops (V-Log) (Sensor output is 61fps or higher)

STILL IMAGE

  • Recording file format

    • JPEG (DCF, Exif 3.0), RAW

  • Aspect ratio

    • 4:3 / 3:2 / 16:9 / 1:1

  • File size (Pixels)

    • 4:3
      • 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.
    • 3:2
      • 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.
    • 16:9
      • 5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.
    • 1:1
      • 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.

  • Image quality

    • RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)

  • Color space

    • sRGB, AdobeRGB

MOTION PICTURE

  • Recording file format

    • MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW
      MP4: H.264/MPEG-4 AVC, H.265/HEVC

  • Audio format

    • 4ch Audio Recording: OFF
      • MOV
        Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
        Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
        *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
        MP4
        Linear format: AAC (2ch stereo 48kHz/16-bit)
    • 4ch Audio Recording: XLR*
      • MOV
        Linear format: LPCM (4ch monaural 48kHz/24-bit)
        Float format: LPCM (4ch monaural 48kHz/32-bit)
        *When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*+Camera
      • MOV
        Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
        *When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

  • System frequency

    • 59.94Hz / 50.00Hz / 24.00Hz

  • Image area of video

    • FULL / PIXEL/PIXEL

  • Log recording

    • V-Log

  • Proxy

    • ON / OFF
      Proxy Rec Quality: H / M / L
      Real Time LUT (Proxy): ON / OFF
      *When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming].

  • MOV (*¹) (*²) (*³) / 59.94Hz

    • [5.8K] 5760x4320 (4:3)
      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
        239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
        239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
        119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
        119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
        119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
        59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to FULL during this recording mode.
        ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MOV (*¹) (*²) (*³) / 50.00Hz

    • [5.8K] 5760x4320 (4:3)
      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
        200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
        200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
        100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
        100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
        100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
        50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to FULL during this recording mode.
        ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MOV (*¹) (*²) (*³) / 24.00Hz

    • [5.8K] 5760x4320 (4:3)
      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
        120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**
        120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MP4 (*¹) (*²) / 59.94Hz

    • [4K] 3840x2160
      • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920x1080
      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

  • MP4 (*¹) (*²) / 50.00Hz

    • [4K] 3840x2160
      • 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920x1080
      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

  • MP4 (*¹) (*²) / 24.00Hz

    • -

  • ProRes (*¹) (*³) / 59.94Hz

    • [5.7K] 5728x3024 (17:9)
      • 29.97p, 4.2Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        29.97p, 2.8Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        29.97p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 3.3Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        23.98p, 2.2Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        23.98p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 59.94p, 4.2Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        59.94p, 2.8Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        59.94p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 2.1Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        29.97p, 1.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        29.97p, 972Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 648Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        23.98p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        23.98p, 778Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 59.94p, 454Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 302Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 227Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 151Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 181Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

  • ProRes (*¹) (*³) / 50.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 25.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        25.00p, 2.3Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        25.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 50.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        50.00p, 2.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        50.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 1.8Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        25.00p, 1.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        25.00p, 811Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 541Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 50.00p, 378Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 252Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 189Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 126Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

  • ProRes (*¹) (*³) / 24.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 24.00p, 3.3Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        24.00p, 2.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        24.00p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 24.00p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        24.00p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        24.00p, 779Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 24.00p, 182Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

VARIABLE FRAME RATE

  • MOV (*¹) (*²) / 59.94Hz

    • [5.7K] 5728x3024 (17:9)
      • 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    • [FHD] 1920x1080
      • 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

  • MOV (*¹) (*²) / 50.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    • [FHD] 1920x1080
      • 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

  • MOV (*¹) (*²) / 24.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**　
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
        **External USB-SSD recording.
    • [FHD] 1920x1080
      • 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

HDMI RAW DATA OUTPUT

  • Compatible external devices

    • Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR
      *DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data.
      *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR.
      *All functions may not be available depending on the situation.
      *When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording.

      ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect"
      *All functions may not be available depending on the situation.
      *Please check here for compatible firmware versions of external recorders.
      https://panasonic.jp/support/global/cs/dsc/connect/index.html
      *"Ninja V" "Ninja" "Shogun" does not support some RAW video data.
      *Software that supports Apple ProRes RAW is required to edit RAW video recorded.
      *A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
      https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

  • Rec quality / NTSC (59.94Hz)

    • [5.8K] 5760x4320 (4:3)
      • 29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 59.94p, 12-bit (LPCM)*
        29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 59.94p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 (17:9)
      • 119.88p, 12-bit (LPCM)*
        59.94p, 12-bit (LPCM)*
        29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

  • Rec quality / PAL (50.00Hz)

    • [5.8K] 5760x4320 (4:3)
      • 25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 50.00p, 12-bit (LPCM)*
        25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 50.00p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 (17:9)
      • 100.00p, 12-bit (LPCM)*
        50.00p, 12-bit (LPCM)*
        25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

  • Audio format

    • 4ch Audio Recording: OFF
      • Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
        Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
        *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*
      • Linear format: LPCM (4ch monaural 48kHz/24-bit)
        Float format: LPCM (4ch monaural 48kHz/32-bit)
        *When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*+Camera
      • Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
        *When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

EXTERNAL USB-SSD RECORDING

  • Yes (ON / OFF)

STREAMING

  • Wi-Fi

    • Protocol
      • RTMP / RTMPS
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

  • USB Tethering

    • Protocol
      • RTMP / RTMPS
    • 59.94Hz / [4K] 3840x2160
      • 29.97p, 12.5Mbps (H.264)
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 16Mbps / 8Mbps (H.264)
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [4K] 3840x2160
      • 25.00, 12.5Mbps (H.264)
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 16Mbps / 8Mbps (H.264)
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

  • Wired LAN

    • Protocol
      • RTP / RTSP
    • 59.94Hz / [4K] 3840x2160
      • 59.94p, 50Mbps / 25Mbps (H.265)*
        59.94p, 50Mbps / 25Mbps (H.264)*
        29.97p, 25Mbps / 12.5Mbps (H.265)
        29.97p, 25Mbps / 12.5Mbps (H.264)
        *When Image Area of Video is set to PIXEL/PIXEL.
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 20Mbps / 16Mbps (H.265)
        59.94p, 16Mbps / 8Mbps (H.264)
        29.97p, 12Mbps / 6Mbps (H.265)
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [4K] 3840x2160
      • 50.00p, 50Mbps / 25Mbps (H.265)*
        50.00p, 50Mbps / 25Mbps (H.264)*
        25.00p, 25Mbps / 12.5Mbps (H.265)
        25.00p, 25Mbps / 12.5Mbps (H.264)
        *When Image Area of Video is set to PIXEL/PIXEL.
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 20Mbps / 16Mbps (H.265)
        50.00p, 16Mbps / 8Mbps (H.264)
        25.00p, 12Mbps / 6Mbps (H.265)
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

VIEWFINDER

  • Type

    • OLED Live View Finder

  • Pixels

    • Approx. 3.68 million dots

  • Field of view / Magnification

    • Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3

  • Eye point / Diopter adjustment

    • Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)

  • Eye sensor

    • Yes

  • Display speed

    • 120fps / 60fps

REAR MONITOR

  • Type

    • TFT LCD monitor with static touch control

  • Monitor size

    • Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect

  • Pixels

    • Approx. 1.84 million dots

  • Field of view

    • Approx. 100%

FOCUS (*⁴)

  • Type

    • Phase Detection AF system / Contrast AF system

  • DFD technology

    • Yes

  • Focus mode

    • AFS (Single) / AFC (Continuous) / MF

  • AF mode

    • Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
      *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set.

  • AF detective range

    • EV -4 - 18 (F2.0, ISO100 equivalent, AFS)

  • AF custom setting

    • AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction

  • AF assist light

    • Yes

  • AF lock

    • Set the Fn button in custom menu to AF lock

  • Focus ring control

    • Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached.

  • Others

    • AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

EXPOSURE CONTROL

  • Light metering system

    • 1,728-zone multi-pattern sensing system

  • Light metering mode

    • Multiple / Center Weighted / Spot / Highlight Weighted

  • Metering range

    • EV0-18 (F2.0 lens, ISO100 equivalent)

  • Mode dial

    • Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto
      *The same exposure operations as P/A/S/M mode is available.

  • Exposure compensation

    • 1/3 EV step ±5EV (±3EV for motion picture)

  • ISO sensitivity (Standard output sensitivity)

    • Still image
      • [Normal]
        Auto / 50 (Extended ISO) / 100-25600

        [V-Log]
        Auto / 125 (Extended ISO) / 500-12800

        *Switchable between 1/3 or 1 EV step.
    • Motion picture
      • [Normal]
        Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800
        Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) / 100-3200 / 4000-12800 (Extended ISO)

        [V-Log]
        Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800
        Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) / 250-3200 / 4000-12800 (Extended ISO)

        [Hybrid Log Gamma]
        Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800
        Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO)

        *Switchable between 1/3 or 1 EV step.

  • ISO Auto

    • Still image
      • [Normal]
        Minimum: 100-12800
        Max: Auto / 200-25600

        [V-Log]
        Minimum: 500-6400
        Max: Auto / 800-12800
    • Motion picture
      • [Normal]
        Minimum:
        Sensor output is 60fps or less: 100-6400
        Sensor output is 61fps or higher: 100-1600
        Max:
        Sensor output is 60fps or less: Auto / 200-12800
        Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO)

        [V-Log]
        Minimum:
        Sensor output is 60fps or less: 500-6400
        Sensor output is 61fps or higher: 250-1600
        Max:
        Sensor output is 60fps or less: Auto / 800-12800
        Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)

        [Hybrid Log Gamma]
        Minimum:
        Sensor output is 60fps or less: 250-6400
        Sensor output is 61fps or higher: 250-1600
        Max:
        Sensor output is 60fps or less: Auto / 400-12800
        Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)

  • Synchro scan

    • Still image / Motion picture

  • AE lock

    • Set the Fn button in custom menu to AE lock

IMAGE STABILIZATION SYSTEM

  • B.I.S. (5-axis / 7.5-stop*)
    *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.]

    Dual I.S. 2 (7.5-stop**)
    **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.]

WHITE BALANCE

  • White balance

    • AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4

  • White balance adjustment

    • Blue/Amber bias, Magenta/Green bias

  • Color temperature setting

    • 2500-10000K in 100K

SHUTTER

  • Type

    • Focal-plane shutter

  • Shutter speed

    • Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
      Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
      Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60
      Motion picture: 1/25,000 - 1/25
      Creative Video M mode / MF mode: 1/25,000 - 1/8

  • Self timer

    • 10sec, 3 images / 2sec / 10sec / Custom Time

  • Remote control

    • Remote control by DMW-RS2 (sold separately)

  • Silent mode / Shutter type

    • Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

BRACKET

  • AE bracket

    • 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst

  • Aperture bracket

    • 3, 5 or all positions

  • Focus bracket

    • Yes

  • White balance bracket

    • 3 images in blue/amber axis or in magenta/green axis, color temperature setting

BURST SHOOTING

  • Burst speed

    • Mechanical shutter
      • H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)
    • Electronic front curtain shutter
      • H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)
    • Electronic shutter
      • SH75: 75 frames/sec (AFS/MF)
        SH60: 60 frames/sec (AFS/AFC/MF)
        SH20: 20 frames/sec (AFS/AFC/MF)
        SH75 PRE: 75 frames/sec (AFS/MF)
        SH60 PRE: 60 frames/sec (AFS/AFC/MF)
        SH20 PRE: 20 frames/sec (AFS/AFC/MF)
        H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)

  • Number of recordable images

    • H/M/L*
      RAW+JPEG: More than 170 images**, More than 165 images***
      RAW: More than 215 images**, More than 200 images***
      JPEG: More than 260 images**, More than 250 images***

      SH
      RAW / RAW+JPEG : 190 images
      JPEG: 190 images***

      *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
      **When using a card with CFexpress Type B
      ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".

FLASH

  • Flash type

    • TTL External Flash (sold separately)

  • Flash mode

    • Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.

  • Flash synchronization

    • 1st Curtain Sync, 2nd Curtain Sync.

  • Flash output adjustment

    • 1/3EV step ±3EV

  • Synchronization speed

    • Less than 1/250 second

  • Wireless control

    • Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch

  • Flash sync socket

    • Yes

CROP ZOOM

  • Still image / Motion picture

COLOR SETTINGS

  • Photo Style

    • Photo Style
      • Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)*
        *Set to ON from Show/Hide Photo Style to select.
    • Picture adjustment
      • Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
        *Adjustable settings vary depending on the Photo Style mode.

  • Filter

    • Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass

  • LUT Library

    • Supported file types: .vlt, .cube
      Vlog_709 / Set 1-39 (Set 1-3: Sample LUT)
      *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings.

MOTION PICTURE FUNCTION

  • Time lapse shot

    • Yes

  • Stop motion animation

    • Yes

  • SS/Gain operation

    • Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB

  • Luminance level

    • 8-bit: 0-255 / 16-235 / 16-255
      10-bit: 0‒1023 / 64‒940 / 64‒1023

  • Master pedestal level

    • 31 steps

  • Color bars / Test tone

    • Yes (SMPTE / EBU / ARIB) / Yes

  • LUT view assist

    • Monitor / HDMI

  • HLG view assist

    • Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)

  • Anamorphic desqueeze display

    • 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF

  • Wave form monitor / Vectorscope

    • Selectable

  • Knee control

    • Yes (in Like709 mode)

  • Other functions

    • Red REC Frame Indicator, Streaming Blue Frame Indicator

VERTICAL POSITION INFORMATION

  • Still image / Motion picture (ON/OFF)

LEVEL GAUGE

  • Yes

FUNCTION BUTTON

  • REC

    • Exposure Comp. / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Video) / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Crop Zoom (Photo) / Live View Composite / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Proxy Recording / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Audio Recording / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Crop Zoom (Video) / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist (Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Streaming / REAL TIME LUT / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default

  • PLAY

    • Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel (Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default

INTERFACE

  • USB

    • USB Type-C® (USB 10Gbps)

  • HDMI (*⁵)

    • HDMI
      • HDMI TypeA
        Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
    • Monitor-through
      • 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
        4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
        4K/120p / 4K/100p
        Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF
    • Playback
      • 59.94Hz: 8K/30p* / C4K/120p / C4K/60p / C4K/30p / 4K/120p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
        50.00Hz: 8K/25p* / C4K/100p / C4K/50p / C4K/25p / 4K/100p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
        24.00Hz: 8K/24p* / C4K/120p / C4K/24p / 4K/120p / 4K/24p / 1080/120p / 1080p
        *Only for still image playback. **Only for playback.

  • Remote input

    • φ2.5mm

  • Audio

    • Build-in microphone
      • Stereo
        Wind Noise Canceller: OFF / Standard / High
    • External microphone / External audio device input
      • φ3.5mm for external microphone / external audio device
        MIC (Plug-in Power) / MIC / LINE
        Wind Cut: OFF / Low / Standard / High *When attaching Φ3.5mm microphone.
        Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).
    • XLR microphone
      • Yes with DMW-XLR2 (sold separately)
    • 4ch mic input
      • Yes with DMW-XLR2 (sold separately)
    • Speaker
      • Monaural
    • Headphone output
      • φ3.5mm

  • Card slot

    • Slot 1: CFexpress Card (CFexpress Type B)
      Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
      *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

TC IN/OUT

  • TC IN/OUT

    • Yes with BNC Converter Cable (bundled)

  • Count up

    • Rec Run / Free Run

  • Time code mode

    • Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)

  • HDMI time code output

    • ON / OFF

  • External TC setting

    • TC Synchronization / TC Output Reference

FAN

  • Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.

LAMP

  • Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light

WIRELESS

  • Wi-Fi

    • 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
      5GHz bands (STA/AP) (IEEE 802.11a/n/ac)
      Security: WPA/WPA2/WPA3

  • Bluetooth

    • Bluetooth® v5.0 (Bluetooth Low Energy (BLE))

DUST AND SPLASH RESISTANT*

  • Yes.
    *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

POWER

  • Battery

    • Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
      USB power supply, USB power charging, USB power delivery

  • Battery life (CIPA standard)

    • When using CFexpress Card
      • Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Using a Nextorage CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
    • When using SD memory card
      • Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Using a Nextorage SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
    • When using external USB-SSD
      • Approx. 280 images with H-ES12060 / DMW-BLK22
        Approx. 290 images with H-FS12060 / DMW-BLK22
        *Using a Samsung external SSD (T9_2TB). Under the test conditions specified by Panasonic based on CIPA standard.

  • Continuous recordable time (Motion picture) (*¹)

    • When using CFexpress Card
      • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
    • When using SD memory card
      • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
    • When using external USB-SSD
      • MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060

  • Actual recordable time (Motion picture) (*¹)

    • When using CFexpress Card
      • MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
    • When using SD memory card
      • MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
    • When using external USB-SSD
      • MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060

DIMENSIONS / WEIGHT

  • Dimensions (W x H x D)

    • Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (Body only, excluding protrusions)
      Approx. 138.4 x 100.3 x 142.0 mm / 5.45 x 3.95 x 5.59 inch (with H-FS12060, excluding protrusions)
      Approx. 138.4 x 100.3 x 157.0 mm / 5.45 x 3.95 x 6.18 inch (with H-ES12060, excluding protrusions)

  • Weight

    • Approx. 805g / 1.77 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
      Approx. 721g / 1.59 lb (Body, Hot Shoe Cover) (excluding body cap)

OPERATING ENVIRONMENT

  • Operating temperature

    • -10℃ to 40℃ (14℉ to 104℉)

  • Operating humidity

    • 10%RH to 80％RH

STANDARD ACCESSORIES

  • Software

    • Recording
      • LUMIX Lab / LUMIX Sync
        ･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
        https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)

        LUMIX Tether
        ･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
        http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
    • Playback / Editing
      • ･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Adwaa's website using computer connected to the Internet.
        http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)　

  • Standard accessories

    • DC-GH7 Kit
      Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap

      DC-GH7L Kit / DC-GH7M Kit
      Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap, Lens Cap, Lens Hood, Lens Rear Cap

      ･The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.

Note

  • (*1) About motion picture recording

    - The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
    Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
    Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
    Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
    Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
    Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card

    - A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
    Motion pictures with less than 72Mbps: 30 minutes
    Motion pictures with 72Mbps or more: 3 hours 4 minutes

    - A new file will be created to continue recording if the file size exceeds the following conditions.
    [MP4] in [FHD]: 4GB
    [MP4] in [4K]: 96GB
    [MOV] in 600Mbps or less: 192GB
    [MOV] in 800Mbps: 640GB
    [ProRes] in [5.7K]: 640GB

    - If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.

    (*2) Hybrid Log Gamma is selectable in [4:2:2 10bit] or [4:2:0 10bit].

    (*3) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

    (*4) About AF
    - Automatic Detection is not available for High Frame Rate video shooting above 60p.
    - Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting above 60p.

    (*5) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).
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Piederumi

Objektīvi

H-E08018

LEICA DG VARIO-ELMARIT 8-18 mm / F2,8-4,0 ASPH.

H-X1025

Micro Four Thirds 10-25mm standarta tālummaiņas objektīvs / 20-50mm (35 mm kameras ekviv.)

H-ES12035

Micro Four Thirds 12–35 mm standarta tālummaiņas objektīvs / 24–70 mm (35 mm kameras ekviv.)

H-ES12060

LEICA DG VARIO-ELMARIT 12–60 mm / F2,8-4,0 ASPH. / POWER O.I.S.

H-X2550

Micro Four Thirds 25–50 mm telefoto tālummaiņas objektīvs/50–100 mm (35 mm kameras ekviv.)

H-ES35100

Micro Four Thirds 35–100 mm telefoto tālummaiņas objektīvs/70–200 mm (35 mm kameras ekviv.)

H-ES50200

LEICA DG VARIO-ELMARIT 50-200 mm / F2,8-4,0 ASPH. / POWER O.I.S.

H-RSA100400

Micro Four Thirds 100–400 mm telefoto tālummaiņas objektīvs/200–800 mm (35 mm kameras ekviv.)

H-X09

Micro Four Thirds 9mm fiksēta fokusa attāluma objektīvs / 18mm (35 mm kameras ekviv.)

H-X012

LEICA DG SUMMILUX 12 mm/F1,4 ASPH.

H-X015

LEICA DG SUMMILUX 15 mm/F1,7 ASPH.

H-XA025

Micro Four Thirds 25mm fiksēta fokusa attāluma objektīvs / 50mm (35 mm kameras ekviv.)

H-NS043

LEICA DG NOCTICRON 42,5 mm/F1,2 ASPH. /POWER O.I.S.

H-ES045

LEICA DG MACRO-ELMARIT 45 mm/F2,8 ASPH. /MEGA O.I.S.

H-ES200

LEICA DG ELMARIT 200 mm / F2,8 / POWER O.I.S.

H-HSA12035

LUMIX G X VARIO 12–35 mm/F2,8 II ASPH. /POWER O.I.S.

H-HSA35100

LUMIX G X VARIO 35–100 mm/F2,8 II/POWER O.I.S.

H-F007014

LUMIX G VARIO 7–14 mm/F4,0 ASPH.

H-FS12032

LUMIX G VARIO 12–32 mm/F3,5–F5,6 ASPH. /MEGA O.I.S.

Fotoattēla H-FS12032

H-FS12060

LUMIX G VARIO 12–60 mm/F3,5–5,6 ASPH. / POWER O.I.S.

H-PS14042

LUMIX G X VARIO PZ 14–42 mm/F3,5–5,6 ASPH. /POWER O.I.S.

Fotoattēla H-PS14042

H-FS1442A

LUMIX G VARIO 14–42 mm / F3,5–5,6 II ASPH. /MEGA O.I.S.

H-FSA14140

Micro Four Thirds 14-140mm standarta tālummaiņas objektīvs / 28-280mm (35 mm kameras ekviv.)

H-FS35100

LUMIX G VARIO 35–100 mm/F4,0–5,6 ASPH. /MEGA O.I.S.

Fotoattēla H-FS35100

H-FS45150

LUMIX G VARIO 45–150 mm/F4,0–5,6 ASPH. /MEGA O.I.S.

Fotoattēla H-FS45150

H-PS45175

LUMIX G X VARIO PZ 45–175 mm/F4,0–5,6 ASPH. /POWER O.I.S.

H-FSA45200

LUMIX G VARIO 45–200 mm/F4,0–5,6 II/POWER O.I.S.

H-FSA100300

LUMIX G VARIO 100–300 mm/F4,0–5,6/MEGA O.I.S.

H-F008

LUMIX G FISHEYE 8 mm/F3,5

H-H014A

LUMIX G 14 mm/F2,5 II ASPH.

H-H020A

LUMIX G 20 mm/F1,7 Ⅱ ASPH.

H-HS030

LUMIX G MACRO 30 mm/F2,8 ASPH. /MEGA O.I.S.

Fotoattēla H-HS030

H-HS043

LUMIX G 42,5 mm/F1,7 ASPH. /POWER O.I.S.

XLR mikrofona adapteris / mikrofoni

DMW-XLR2

XLR mikrofona adapteris 4 kanālu audio ierakstīšanai, augstas izšķirtspējas skaņas ierakstīšanai un 32 bitu plūstošas ierakstīšanas nodrošināšanai. Savietojams ar LUMIX GH7 (DC-GH7).

DMW-MS2

Mikrofoni

VW-VMS10

Mikrofoni

Fotoattēla VW-VMS10

Akumulators / Akumulatora lādētājs

DMW-BLK22

Akumulatora bloks kamerai LUMIX S5

DMW-BTC15

Akumulatora lādētājs modelim DMW-BLF19 vai DMW-BLK22

DMW-DCC18

DC savienotājs kamerām, kas saderīgs ar akumulatoru DMW-BLK22

Fotoattēla DMW-DCC18

DMW-AC11

AC adapteris lietošanai ar DC savienotāju DMW-DCC18

Fotoattēla DMW-AC11

Citas iespējas

DMW-RS2

Aizslēga tālvadības pults

DMW-SHGR2

Kompakts un viegls rokturis / mini statīvs ar USB C tipa savienojumu, kas ļauj sākt un apturēt video ierakstu un atbrīvot aizslēgu.

VW-LED1

LED video apgaismojums

Fotoattēla VW-LED1

DMW-FL200L

Ārējā zibspuldze

Fotoattēla DMW-FL200L

DMW-FL580L

Ārējā zibspuldze

DMW-BDC1

Korpusa vāciņš

Fotoattēla DMW-BDC1

DMW-MA2M

Piestiprināšanas adapteris

Fotoattēla DMW-MA2M

DMW-TA1

Trijkāja adapteris

Fotoattēla DMW-TA1

DMW-SSTG9

Pleca siksna

Fotoattēla DMW-SSTG9
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Saņemt atbalstu

LUMIX GH7 kamera DC-GH7L

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