LUMIX GH7 fotoaparatas DC-GH7M

DC-GH7M

Mobilumas ir meistriškumas

Su 25,2 MP BSI CMOS jutikliu su PDAF, ProRes RAW HQ vidiniu įrašymu ir pirmuoju pasaulyje 32 bitų slankiuoju įrašymu* „LUMIX“ hibridinis fotoaparatas flagmanas leidžia sukurti aukštos kokybės ir didelio efektyvumo turinį su minimalia sąranka.
*Skaitmeniniam fotoaparatui su keičiamu objektyvu – nuo 2024 m. birželio 5 d. Remiantis „Panasonic“ tyrimais. Kai naudojamas su XLR mikrofono adapteriu „DMW-XLR2“ (parduodamas atskirai).
Artinti
Tolinti
Uždaryti
DC-GH7M

Funkcijos

Flagmanas hibridinis fotoaparatas profesionaliam turiniui kurti

Patobulinta turinio kokybė

„LUMIX GH7“ fazinis hibridinis AF atkakliai seka objektus, greitai ir tiksliai juos fiksuodamas. Dinaminio diapazono padidinimas suteikia platų dinaminį diapazoną visuose ISO jautrumo diapazonuose.
Patobulinta turinio kokybė

Efektyvi darbo eiga

ProRes RAW HQ vidinį įrašymą, 32 bitų Float Audio formato įrašymą* ir kt. galima atlikti pačiame fotoaparato korpuse, todėl galima sukurti aukštos kokybės ir didelio efektyvumo turinį su minimalia sąranka.
*Reikalingas pasirenkamas „DMW-XLR2“.
Efektyvi darbo eiga

Išskirtinis patikimumas

Kompaktiškas korpusas sujungiamas su šilumos išsklaidymo struktūra, leidžiančia ilgiau įrašyti net fotografuojant esant didelei apkrovai (4:2:2 10 bitų C4K/4K 60p/50p, ProRes RAW HQ).
Išskirtinis patikimumas

ProRes RAW HQ vidinis įrašymas

5.7K 30p ProRes RAW HQ filmuotą medžiagą galima įrašyti pačiame fotoaparato korpuse, todėl galite fiksuoti akimirką vienu mygtuko paspaudimu su minimalia sąranka ir nereikalaujant išorinių įrenginių. Patobulintas gimbalo suderinamumas taip pat išplečia išraiškų spektrą.

･Įrašyti į SD kortelę neįmanoma. „Apple“ ir „ProRes“yra „Apple“ prekių ženklai arba registruotieji prekių ženklai JAV ir (arba) kitose šalyse.

SUŽINOKITE DAUGIAU
ProRes RAW HQ vidinis įrašymas

Pirmasis pasaulyje 32 bitų slankusis įrašymas*

Kartu su „DMW-XLR2“ (parduodamas atskirai), „LUMIX GH7“ užtikrina pirmąjį pasaulyje 32 bitų slankųjį įrašymą*, pagerinantį visos darbo eigos kokybę ir efektyvumą. Dėl plataus dinaminio diapazono 32 bitų slankusis formatas įrašo daugiau informacijos – nuo tylių iki garsių garsų, todėl garso įrašymo metu nereikia varginančiai reguliuoti garso lygio.
*Skaitmeniniam fotoaparatui su keičiamu objektyvu – nuo 2024 m. birželio 5 d. Remiantis „Panasonic“ tyrimais. Kai naudojamas su XLR mikrofono adapteriu „DMW-XLR2“ (parduodamas atskirai).
SUŽINOKITE DAUGIAU APIE „DMW-XLR2“
Pirmasis pasaulyje 32 bitų slankusis įrašymas*

Fazės hibridinis AF

Svarbiausias dalykas naudojant automatinį fokusavimą – būti priklausomu. Palyinus su „AF“, „LUMIX GH7“ turi fazės aptikimo AF sistemą, kuri žymiai pagerina objekto sekimo ir matavimo technologijas. Fotoaparatas objektą užfiksuoja net ir daugiausiai iššūkių keliančiose scenose su keletu objektų, todėl tikslumas išlaikomas net ir apšviestose arba prastai apšviestose vietose.
Fazės hibridinis AF

„ARRI LogC3“ įrašymas

Naudodami „DMW-SFU3A“ programinės įrangos atnaujinimo raktą (parduodamas atskirai), naudotojai gali naudoti „ARRI LogC3“*, kuris leidžia suderinti spalvas su „ARRI“ skaitmeninėmis kino kameromis. „ARRI LogC3“ kreivės vaizdo apdorojimą fotoaparate „LUMIX GH7“ sertifikavo „ARRI“, kad būtų galima įgyvendinti šią funkciją. Žurnalo įrašymo parinktys, kuriose pateikiama išsami spalvų informacija ir platus dinaminis diapazonas, buvo išplėstos ir įtrauktos „ARRI LogC3“, be įprasto „V-Log“, taip dar labiau pagerinant „LUMIX“ darbo eigos suderinamumą.

*„ARRI LogC3“ yra „Log Gamma“, sukurta „ARRI“ ir naudojama „ARRI“ skaitmeninėse kino kamerose. Atkreipkite dėmesį: „ALEXA 35“ naudoja „ARRI LogC4“. *„LUMIX GH7“ fotoaparate „ARRI LogC3“ galima naudoti 10 bitų įrašymui kūrybinio vaizdo režimu. ･„ARRI yra registruotieji „Arnold & Richter Cine Technik GmbH & Co.“ prekių ženklai.

SUŽINOKITE DAUGIAU APIE „DMW-SFU3A“
„ARRI LogC3“ įrašymas

Turtingesnė tonų išraiška

Dinaminio diapazono didinimo režime gaunami dviejų tipų vaizdai su vienkartine ekspozicija ir sujungiami realiuoju laiku, taip sukuriant įvairių sodrių atspalvių sudėtinius vaizdus, net jei jų skaisčiai labai skiriasi. Naudojant nejudančius vaizdus, RAW duomenys leidžia geriau išreikšti šešėlių tonus. Taip galima atlikti daugiau nei 13 pakopų vaizdo įrašymą „V-Log“ / „V-Gamut“ formatu*. Jis pasiekia platų dinaminį diapazoną visuose ISO jautrumo diapazonuose.

*Kai filmuojama greičiau nei 60 kadrų per sekundę (įskaitant kintamą kadrų dažnį), diapazonas bus daugiau nei 12 pakopų. ･Dinaminio diapazono padidinimas neaktyvinamas, kai filmuojate HFR/VFR vaizdo įrašą, kurio greitis yra 61 kadras per sekundę arba didesnis, arba fotografuojant SH serijomis. Taip pat neaktyvinamas, kai užrakto greitis yra mažesnis nei 1/15 fotografuojant, priklausomai nuo ISO. ･Ši funkcija taikoma automatiškai.

SUŽINOKITE DAUGIAU
Turtingesnė tonų išraiška

Neribotas 4:2:2 10 bitų C4K/4K 60p/50p vaizdo įrašymo laikas

„LUMIX GH7“ fotoaparatas turi įdiegtą 4:2:2 10 bitų C4K/4K 60p/50p vaizdo įrašymo į vidinę atmintį funkcija, todėl įrašymo laikas yra neribotas*, jei atliekamas rekomenduojamoje darbinėje temperatūroje**. Puikiai tinka nedidelėms įrašus kuriančioms komandoms, veikiančioms sudėtingomis sąlygomis, kuriose itin svarbus mobilumas ir aukšta kokybė. Taip pat suteikia galimybę vienu metu įrašyti į vidinę ir išorinę atmintį naudojant HDMI išvestį.
*Aplinkoje, kurioje veikimas yra garantuotas. Kai naudojama baterija. Įrašymo laikas priklauso nuo baterijos talpos ir įrašymo laikmenos. **–10–40 ℃. Atitinka 4K (4096×2160) pagal „Digital Cinema Initiatives“ (DCI). ･Būtina naudoti 90 vaizdo įrašų spartos klasės „CFexpress“ arba SD atminties kortelę.
SUŽINOKITE DAUGIAU
Neribotas 4:2:2 10 bitų C4K/4K 60p/50p vaizdo įrašymo laikas

Bendradarbiaukite bet kada ir bet kur

Vietinė „Camera to Cloud“ integracija su „Adobe Frame.io“

Su „Frame.io Camera to Cloud“ kūrėjo vaizdai ir vaizdo įrašai automatiškai įkeliami, sukuriant jų atsargines kopijas, bendrinami ir gali būti apdorojami bendradarbiaujant debesyje.
･ Ne visos „Frame.io Camera to Cloud“ funkcijos garantuojamos. ･„Frame.io“, „Frame.io“ logotipas ir „Camera to Cloud“ yra registruotieji „Adobe“ prekių ženklai arba prekių ženklai JAV ir (arba) kitose šalyse.
SUŽINOKITE DAUGIAU
Vietinė „Camera to Cloud“ integracija su „Adobe Frame.io“

Belaidė / laidinė tiesioginė transliacija

Pasirinkite savo mėgiamą transliavimo metodą, kad galėtumėte dalytis naujausia informacija realiuoju laiku! Jei naudojate lauke, tiesioginę transliaciją belaidžiu ryšiu (RTMP/RTMPS) lengvai nustatysite „LUMIX Sync“ programa. Naudojimui patalpose taip pat prieinama labai stabili laidinė tiesioginė transliacija (RTP/RTSP).
･Iš esmės įmanomas tiesioginis transliavimas į platformas pagal RTMP/RTMPS (suderinamumas su visomis platformomis negarantuojamas.) Gali būti atvejų, kai tiesiogiai transliuoti nebus galima, kai pasikeičia platformos paslauga. Daugiau informacijos rasite platformos naudojimo sąlygose. ･Kadangi tiesioginės transliacijos perdavimo greitis priklauso nuo interneto aplinkos, išmaniojo telefono veikimo ir t. t., rekomenduojame iš anksto atlikti perdavimo bandymą. konvertuoti DC-GH7 C tipo USB jungtį į LAN jungtį, parduotuvėje reikia įsigyti USB eterneto adapterį. USB eterneto adapterio suderinamumai: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html
Belaidė / laidinė tiesioginė transliacija

Spalvų klasifikavimas tiesiai iš fotoaparato

REAL TIME LUT

LUT galima pritaikyti nuotraukoms ir vaizdo įrašams pačiame fotoaparato korpuse, todėl galite kurti nuotraukas ir vaizdo įrašus tiesiai iš fotoaparato. Palaiko „.VLT“ ir „.CUBE“ failų formatus. Naudodami šią funkciją galite sutaupyti laiko išvengiant sudėtingo redagavimo proceso. Naudodami kartu su „LUMIX Lab“ programėle galite lengvai susikurti LUT ir įdiegti juos fotoaparate.
REAL TIME LUT

„LUMIX Lab“ programėlė

Trimis veiksmais susiekite fotoaparatą su išmaniuoju telefonu ir sklandžiai perkelkite turinį į išmanųjį telefoną naudodami itin spartų „Wi-Fi“ ryšį. Taip pat galite apkarpyti, reguliuoti ryškumą, pritaikyti LUT ir t. t., kad galėtumėte akimirksniu lengvai redaguoti turinį bet kurioje socialinių tinklų platformoje.
„LUMIX Lab“ programėlė

Gaukite idėjų

Specifikacijos

Nuotrauka LUMIX GH7 fotoaparatas DC-GH7M

Dydis ir svoris

Aukštis
100.3mm
Plotis
138.4mm
Gylis
99.6mm
Svoris
805g

Visos reikšmės apytikslės. Objektyvas skaičiuojant svorį neįtrauktas. Svoris su prijungimo laikiklio dangteliu, baterija ir SD kortele. Korpusas sveria tik 721 g. Į matmenis neįtraukti išsikišimai.

  • „Micro Four Thirds“ sistemos standartas„Micro Four Thirds“ sistemos standartas
  • 25,2 megapikselio25,2 megapikselio
  • Fazės hibridinis AFFazės hibridinis AF
  • ProRes RAW HQProRes RAW HQ
  • C4K / 4K 4:2:2 10 bitų 60p / 50p vaizdo įrašasC4K / 4K 4:2:2 10 bitų 60p / 50p vaizdo įrašas
  • 32 bitų „Float Audio“ (reikalingas pasirenkamas „DMW-XLR2“)32 bitų „Float Audio“ (reikalingas pasirenkamas „DMW-XLR2“)
  • Aktyvusis I.S.Aktyvusis I.S.
  • 1840 tūkst. taškų laisvai pasukamas ekranas1840 tūkst. taškų laisvai pasukamas ekranas
  • 3680 tūkst. taškų OLED „Live View Finder“ vaizdo ieškiklis3680 tūkst. taškų OLED „Live View Finder“ vaizdo ieškiklis
  • Atsparumas vandens purslams, dulkėms ir šalčiuiAtsparumas vandens purslams, dulkėms ir šalčiui
  • „LUMIX Lab“ programa„LUMIX Lab“ programa

ProRes RAW HQ vidinis įrašymas

32 bitų slankusis įrašymas (reikalingas pasirenkamas „DMW-XLR2“)

25,2 megapikselių BSI CMOS jutiklis

Fazės hibridinis AF

Neribotas 4:2:2 10 bitų C4K/4K 60p/50p vaizdo įrašymo laikas

TYPE

  • Type

    • Digital Single Lens Mirrorless camera

  • Lens mount

    • Micro Four Thirds mount

IMAGE SENSOR

  • Type

    • BSI CMOS sensor (17.3 x 13.0 mm)

  • Camera effective pixels / Total pixels

    • Approx. 25.2 megapixels / Approx. 26.5 megapixels

  • AR (Anti Reflection) coating

    • Yes

  • Aspect ratio / Color filter

    • 4:3 / Primary color filter

  • Dust reduction system

    • Image sensor shift type

LATITUDE

  • 13+ stops (V-Log) (Sensor output is 60fps or less)
    12+ stops (V-Log) (Sensor output is 61fps or higher)

STILL IMAGE

  • Recording file format

    • JPEG (DCF, Exif 3.0), RAW

  • Aspect ratio

    • 4:3 / 3:2 / 16:9 / 1:1

  • File size (Pixels)

    • 4:3
      • 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.
    • 3:2
      • 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.
    • 16:9
      • 5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.
    • 1:1
      • 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.

  • Image quality

    • RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)

  • Color space

    • sRGB, AdobeRGB

MOTION PICTURE

  • Recording file format

    • MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW
      MP4: H.264/MPEG-4 AVC, H.265/HEVC

  • Audio format

    • 4ch Audio Recording: OFF
      • MOV
        Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
        Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
        *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
        MP4
        Linear format: AAC (2ch stereo 48kHz/16-bit)
    • 4ch Audio Recording: XLR*
      • MOV
        Linear format: LPCM (4ch monaural 48kHz/24-bit)
        Float format: LPCM (4ch monaural 48kHz/32-bit)
        *When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*+Camera
      • MOV
        Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
        *When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

  • System frequency

    • 59.94Hz / 50.00Hz / 24.00Hz

  • Image area of video

    • FULL / PIXEL/PIXEL

  • Log recording

    • V-Log

  • Proxy

    • ON / OFF
      Proxy Rec Quality: H / M / L
      Real Time LUT (Proxy): ON / OFF
      *When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming].

  • MOV (*¹) (*²) (*³) / 59.94Hz

    • [5.8K] 5760x4320 (4:3)
      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
        239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
        239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
        119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
        119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
        119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
        59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to FULL during this recording mode.
        ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MOV (*¹) (*²) (*³) / 50.00Hz

    • [5.8K] 5760x4320 (4:3)
      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
        200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
        200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
        100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
        100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
        100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
        50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to FULL during this recording mode.
        ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MOV (*¹) (*²) (*³) / 24.00Hz

    • [5.8K] 5760x4320 (4:3)
      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920x1080
      • 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
        120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**
        120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MP4 (*¹) (*²) / 59.94Hz

    • [4K] 3840x2160
      • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920x1080
      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

  • MP4 (*¹) (*²) / 50.00Hz

    • [4K] 3840x2160
      • 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920x1080
      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

  • MP4 (*¹) (*²) / 24.00Hz

    • -

  • ProRes (*¹) (*³) / 59.94Hz

    • [5.7K] 5728x3024 (17:9)
      • 29.97p, 4.2Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        29.97p, 2.8Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        29.97p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 3.3Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        23.98p, 2.2Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        23.98p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 59.94p, 4.2Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        59.94p, 2.8Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        59.94p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 2.1Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        29.97p, 1.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        29.97p, 972Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 648Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        23.98p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        23.98p, 778Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 59.94p, 454Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 302Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 227Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 151Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 181Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

  • ProRes (*¹) (*³) / 50.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 25.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        25.00p, 2.3Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        25.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 50.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        50.00p, 2.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        50.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 1.8Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        25.00p, 1.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        25.00p, 811Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 541Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 50.00p, 378Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 252Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 189Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 126Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

  • ProRes (*¹) (*³) / 24.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 24.00p, 3.3Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        24.00p, 2.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        24.00p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096x2160
      • 24.00p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        24.00p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        24.00p, 779Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [FHD] 1920x1080
      • 24.00p, 182Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.

VARIABLE FRAME RATE

  • MOV (*¹) (*²) / 59.94Hz

    • [5.7K] 5728x3024 (17:9)
      • 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    • [FHD] 1920x1080
      • 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

  • MOV (*¹) (*²) / 50.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
    • [FHD] 1920x1080
      • 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

  • MOV (*¹) (*²) / 24.00Hz

    • [5.7K] 5728x3024 (17:9)
      • 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [C4K] 4096x2160 / [4K] 3840x2160
      • 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**　
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.
        **External USB-SSD recording.
    • [FHD] 1920x1080
      • 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
        *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD.

HDMI RAW DATA OUTPUT

  • Compatible external devices

    • Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR
      *DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data.
      *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR.
      *All functions may not be available depending on the situation.
      *When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording.

      ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect"
      *All functions may not be available depending on the situation.
      *Please check here for compatible firmware versions of external recorders.
      https://panasonic.jp/support/global/cs/dsc/connect/index.html
      *"Ninja V" "Ninja" "Shogun" does not support some RAW video data.
      *Software that supports Apple ProRes RAW is required to edit RAW video recorded.
      *A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut.
      https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

  • Rec quality / NTSC (59.94Hz)

    • [5.8K] 5760x4320 (4:3)
      • 29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 59.94p, 12-bit (LPCM)*
        29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 59.94p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 (17:9)
      • 119.88p, 12-bit (LPCM)*
        59.94p, 12-bit (LPCM)*
        29.97p, 12-bit (LPCM)*
        23.98p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

  • Rec quality / PAL (50.00Hz)

    • [5.8K] 5760x4320 (4:3)
      • 25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728x3024 (17:9)
      • 50.00p, 12-bit (LPCM)*
        25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352x3264 (4:3)
      • 50.00p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096x2160 (17:9)
      • 100.00p, 12-bit (LPCM)*
        50.00p, 12-bit (LPCM)*
        25.00p, 12-bit (LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.

  • Audio format

    • 4ch Audio Recording: OFF
      • Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
        Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
        *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*
      • Linear format: LPCM (4ch monaural 48kHz/24-bit)
        Float format: LPCM (4ch monaural 48kHz/32-bit)
        *When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*+Camera
      • Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
        *When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

EXTERNAL USB-SSD RECORDING

  • Yes (ON / OFF)

STREAMING

  • Wi-Fi

    • Protocol
      • RTMP / RTMPS
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set.
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

  • USB Tethering

    • Protocol
      • RTMP / RTMPS
    • 59.94Hz / [4K] 3840x2160
      • 29.97p, 12.5Mbps (H.264)
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 16Mbps / 8Mbps (H.264)
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [4K] 3840x2160
      • 25.00, 12.5Mbps (H.264)
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 16Mbps / 8Mbps (H.264)
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

  • Wired LAN

    • Protocol
      • RTP / RTSP
    • 59.94Hz / [4K] 3840x2160
      • 59.94p, 50Mbps / 25Mbps (H.265)*
        59.94p, 50Mbps / 25Mbps (H.264)*
        29.97p, 25Mbps / 12.5Mbps (H.265)
        29.97p, 25Mbps / 12.5Mbps (H.264)
        *When Image Area of Video is set to PIXEL/PIXEL.
    • 59.94Hz / [FHD] 1920x1080
      • 59.94p, 20Mbps / 16Mbps (H.265)
        59.94p, 16Mbps / 8Mbps (H.264)
        29.97p, 12Mbps / 6Mbps (H.265)
        29.97p, 6Mbps / 3Mbps (H.264)
    • 59.94Hz / [HD] 1280x720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • 50.00Hz / [4K] 3840x2160
      • 50.00p, 50Mbps / 25Mbps (H.265)*
        50.00p, 50Mbps / 25Mbps (H.264)*
        25.00p, 25Mbps / 12.5Mbps (H.265)
        25.00p, 25Mbps / 12.5Mbps (H.264)
        *When Image Area of Video is set to PIXEL/PIXEL.
    • 50.00Hz / [FHD] 1920x1080
      • 50.00p, 20Mbps / 16Mbps (H.265)
        50.00p, 16Mbps / 8Mbps (H.264)
        25.00p, 12Mbps / 6Mbps (H.265)
        25.00p, 6Mbps / 3Mbps (H.264)
    • 50.00Hz / [HD] 1280x720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

VIEWFINDER

  • Type

    • OLED Live View Finder

  • Pixels

    • Approx. 3.68 million dots

  • Field of view / Magnification

    • Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3

  • Eye point / Diopter adjustment

    • Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)

  • Eye sensor

    • Yes

  • Display speed

    • 120fps / 60fps

REAR MONITOR

  • Type

    • TFT LCD monitor with static touch control

  • Monitor size

    • Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect

  • Pixels

    • Approx. 1.84 million dots

  • Field of view

    • Approx. 100%

FOCUS (*⁴)

  • Type

    • Phase Detection AF system / Contrast AF system

  • DFD technology

    • Yes

  • Focus mode

    • AFS (Single) / AFC (Continuous) / MF

  • AF mode

    • Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
      *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set.

  • AF detective range

    • EV -4 - 18 (F2.0, ISO100 equivalent, AFS)

  • AF custom setting

    • AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction

  • AF assist light

    • Yes

  • AF lock

    • Set the Fn button in custom menu to AF lock

  • Focus ring control

    • Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached.

  • Others

    • AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

EXPOSURE CONTROL

  • Light metering system

    • 1,728-zone multi-pattern sensing system

  • Light metering mode

    • Multiple / Center Weighted / Spot / Highlight Weighted

  • Metering range

    • EV0-18 (F2.0 lens, ISO100 equivalent)

  • Mode dial

    • Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto
      *The same exposure operations as P/A/S/M mode is available.

  • Exposure compensation

    • 1/3 EV step ±5EV (±3EV for motion picture)

  • ISO sensitivity (Standard output sensitivity)

    • Still image
      • [Normal]
        Auto / 50 (Extended ISO) / 100-25600

        [V-Log]
        Auto / 125 (Extended ISO) / 500-12800

        *Switchable between 1/3 or 1 EV step.
    • Motion picture
      • [Normal]
        Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800
        Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) / 100-3200 / 4000-12800 (Extended ISO)

        [V-Log]
        Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800
        Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) / 250-3200 / 4000-12800 (Extended ISO)

        [Hybrid Log Gamma]
        Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800
        Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO)

        *Switchable between 1/3 or 1 EV step.

  • ISO Auto

    • Still image
      • [Normal]
        Minimum: 100-12800
        Max: Auto / 200-25600

        [V-Log]
        Minimum: 500-6400
        Max: Auto / 800-12800
    • Motion picture
      • [Normal]
        Minimum:
        Sensor output is 60fps or less: 100-6400
        Sensor output is 61fps or higher: 100-1600
        Max:
        Sensor output is 60fps or less: Auto / 200-12800
        Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO)

        [V-Log]
        Minimum:
        Sensor output is 60fps or less: 500-6400
        Sensor output is 61fps or higher: 250-1600
        Max:
        Sensor output is 60fps or less: Auto / 800-12800
        Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)

        [Hybrid Log Gamma]
        Minimum:
        Sensor output is 60fps or less: 250-6400
        Sensor output is 61fps or higher: 250-1600
        Max:
        Sensor output is 60fps or less: Auto / 400-12800
        Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO)

  • Synchro scan

    • Still image / Motion picture

  • AE lock

    • Set the Fn button in custom menu to AE lock

IMAGE STABILIZATION SYSTEM

  • B.I.S. (5-axis / 7.5-stop*)
    *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.]

    Dual I.S. 2 (7.5-stop**)
    **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.]

WHITE BALANCE

  • White balance

    • AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4

  • White balance adjustment

    • Blue/Amber bias, Magenta/Green bias

  • Color temperature setting

    • 2500-10000K in 100K

SHUTTER

  • Type

    • Focal-plane shutter

  • Shutter speed

    • Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
      Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
      Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60
      Motion picture: 1/25,000 - 1/25
      Creative Video M mode / MF mode: 1/25,000 - 1/8

  • Self timer

    • 10sec, 3 images / 2sec / 10sec / Custom Time

  • Remote control

    • Remote control by DMW-RS2 (sold separately)

  • Silent mode / Shutter type

    • Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

BRACKET

  • AE bracket

    • 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst

  • Aperture bracket

    • 3, 5 or all positions

  • Focus bracket

    • Yes

  • White balance bracket

    • 3 images in blue/amber axis or in magenta/green axis, color temperature setting

BURST SHOOTING

  • Burst speed

    • Mechanical shutter
      • H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)
    • Electronic front curtain shutter
      • H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)
    • Electronic shutter
      • SH75: 75 frames/sec (AFS/MF)
        SH60: 60 frames/sec (AFS/AFC/MF)
        SH20: 20 frames/sec (AFS/AFC/MF)
        SH75 PRE: 75 frames/sec (AFS/MF)
        SH60 PRE: 60 frames/sec (AFS/AFC/MF)
        SH20 PRE: 20 frames/sec (AFS/AFC/MF)
        H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View)
        M: 6 frames/sec (AFS/AFC/MF) (with Live View)
        L: 2 frames/sec (AFS/AFC/MF) (with Live View)

  • Number of recordable images

    • H/M/L*
      RAW+JPEG: More than 170 images**, More than 165 images***
      RAW: More than 215 images**, More than 200 images***
      JPEG: More than 260 images**, More than 250 images***

      SH
      RAW / RAW+JPEG : 190 images
      JPEG: 190 images***

      *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
      **When using a card with CFexpress Type B
      ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)".

FLASH

  • Flash type

    • TTL External Flash (sold separately)

  • Flash mode

    • Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only.

  • Flash synchronization

    • 1st Curtain Sync, 2nd Curtain Sync.

  • Flash output adjustment

    • 1/3EV step ±3EV

  • Synchronization speed

    • Less than 1/250 second

  • Wireless control

    • Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch

  • Flash sync socket

    • Yes

CROP ZOOM

  • Still image / Motion picture

COLOR SETTINGS

  • Photo Style

    • Photo Style
      • Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)*
        *Set to ON from Show/Hide Photo Style to select.
    • Picture adjustment
      • Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT
        *Adjustable settings vary depending on the Photo Style mode.

  • Filter

    • Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass

  • LUT Library

    • Supported file types: .vlt, .cube
      Vlog_709 / Set 1-39 (Set 1-3: Sample LUT)
      *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings.

MOTION PICTURE FUNCTION

  • Time lapse shot

    • Yes

  • Stop motion animation

    • Yes

  • SS/Gain operation

    • Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB

  • Luminance level

    • 8-bit: 0-255 / 16-235 / 16-255
      10-bit: 0‒1023 / 64‒940 / 64‒1023

  • Master pedestal level

    • 31 steps

  • Color bars / Test tone

    • Yes (SMPTE / EBU / ARIB) / Yes

  • LUT view assist

    • Monitor / HDMI

  • HLG view assist

    • Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)

  • Anamorphic desqueeze display

    • 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF

  • Wave form monitor / Vectorscope

    • Selectable

  • Knee control

    • Yes (in Like709 mode)

  • Other functions

    • Red REC Frame Indicator, Streaming Blue Frame Indicator

VERTICAL POSITION INFORMATION

  • Still image / Motion picture (ON/OFF)

LEVEL GAUGE

  • Yes

FUNCTION BUTTON

  • REC

    • Exposure Comp. / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Video) / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Crop Zoom (Photo) / Live View Composite / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Proxy Recording / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Audio Recording / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Crop Zoom (Video) / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist (Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Color Bars / Focus Ring Control / AF Micro Adjustment / Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Streaming / REAL TIME LUT / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default

  • PLAY

    • Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel (Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default

INTERFACE

  • USB

    • USB Type-C® (USB 10Gbps)

  • HDMI (*⁵)

    • HDMI
      • HDMI TypeA
        Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
    • Monitor-through
      • 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
        4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
        4K/120p / 4K/100p
        Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF
    • Playback
      • 59.94Hz: 8K/30p* / C4K/120p / C4K/60p / C4K/30p / 4K/120p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
        50.00Hz: 8K/25p* / C4K/100p / C4K/50p / C4K/25p / 4K/100p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
        24.00Hz: 8K/24p* / C4K/120p / C4K/24p / 4K/120p / 4K/24p / 1080/120p / 1080p
        *Only for still image playback. **Only for playback.

  • Remote input

    • φ2.5mm

  • Audio

    • Build-in microphone
      • Stereo
        Wind Noise Canceller: OFF / Standard / High
    • External microphone / External audio device input
      • φ3.5mm for external microphone / external audio device
        MIC (Plug-in Power) / MIC / LINE
        Wind Cut: OFF / Low / Standard / High *When attaching Φ3.5mm microphone.
        Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).
    • XLR microphone
      • Yes with DMW-XLR2 (sold separately)
    • 4ch mic input
      • Yes with DMW-XLR2 (sold separately)
    • Speaker
      • Monaural
    • Headphone output
      • φ3.5mm

  • Card slot

    • Slot 1: CFexpress Card (CFexpress Type B)
      Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card*
      *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards.

TC IN/OUT

  • TC IN/OUT

    • Yes with BNC Converter Cable (bundled)

  • Count up

    • Rec Run / Free Run

  • Time code mode

    • Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)

  • HDMI time code output

    • ON / OFF

  • External TC setting

    • TC Synchronization / TC Output Reference

FAN

  • Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.

LAMP

  • Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light

WIRELESS

  • Wi-Fi

    • 2.4GHz bands (STA/AP) (IEEE802.11b/g/n)
      5GHz bands (STA/AP) (IEEE 802.11a/n/ac)
      Security: WPA/WPA2/WPA3

  • Bluetooth

    • Bluetooth® v5.0 (Bluetooth Low Energy (BLE))

DUST AND SPLASH RESISTANT*

  • Yes.
    *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

POWER

  • Battery

    • Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
      USB power supply, USB power charging, USB power delivery

  • Battery life (CIPA standard)

    • When using CFexpress Card
      • Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Using a Nextorage CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
    • When using SD memory card
      • Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
        Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
        *Using a Nextorage SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec.
    • When using external USB-SSD
      • Approx. 280 images with H-ES12060 / DMW-BLK22
        Approx. 290 images with H-FS12060 / DMW-BLK22
        *Using a Samsung external SSD (T9_2TB). Under the test conditions specified by Panasonic based on CIPA standard.

  • Continuous recordable time (Motion picture) (*¹)

    • When using CFexpress Card
      • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
    • When using SD memory card
      • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060
    • When using external USB-SSD
      • MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060

  • Actual recordable time (Motion picture) (*¹)

    • When using CFexpress Card
      • MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
    • When using SD memory card
      • MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
    • When using external USB-SSD
      • MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
        MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060

DIMENSIONS / WEIGHT

  • Dimensions (W x H x D)

    • Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (Body only, excluding protrusions)
      Approx. 138.4 x 100.3 x 142.0 mm / 5.45 x 3.95 x 5.59 inch (with H-FS12060, excluding protrusions)
      Approx. 138.4 x 100.3 x 157.0 mm / 5.45 x 3.95 x 6.18 inch (with H-ES12060, excluding protrusions)

  • Weight

    • Approx. 805g / 1.77 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap)
      Approx. 721g / 1.59 lb (Body, Hot Shoe Cover) (excluding body cap)

OPERATING ENVIRONMENT

  • Operating temperature

    • -10℃ to 40℃ (14℉ to 104℉)

  • Operating humidity

    • 10%RH to 80％RH

STANDARD ACCESSORIES

  • Software

    • Recording
      • LUMIX Lab / LUMIX Sync
        ･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
        https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)

        LUMIX Tether
        ･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
        http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)
    • Playback / Editing
      • ･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Adwaa's website using computer connected to the Internet.
        http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)　

  • Standard accessories

    • DC-GH7 Kit
      Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap

      DC-GH7L Kit / DC-GH7M Kit
      Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap, Lens Cap, Lens Hood, Lens Rear Cap

      ･The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.

Note

  • (*1) About motion picture recording

    - The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
    Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
    Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
    Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
    Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
    Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card

    - A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
    Motion pictures with less than 72Mbps: 30 minutes
    Motion pictures with 72Mbps or more: 3 hours 4 minutes

    - A new file will be created to continue recording if the file size exceeds the following conditions.
    [MP4] in [FHD]: 4GB
    [MP4] in [4K]: 96GB
    [MOV] in 600Mbps or less: 192GB
    [MOV] in 800Mbps: 640GB
    [ProRes] in [5.7K]: 640GB

    - If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.

    (*2) Hybrid Log Gamma is selectable in [4:2:2 10bit] or [4:2:0 10bit].

    (*3) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

    (*4) About AF
    - Automatic Detection is not available for High Frame Rate video shooting above 60p.
    - Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting above 60p.

    (*5) To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).
Atidaryti naują puslapį spausdinimui

Susiję gaminiai

DC-GH7

Su 25,2 MP BSI CMOS jutikliu su PDAF, ProRes RAW HQ vidiniu įrašymu ir 32 bitų slankiuoju įrašymu, hibridinis „LUMIX“ fotoaparatas flagmanas leidžia kurti aukštos kokybės ir didelio efektyvumo turi...

DC-GH7L

Su 25,2 MP BSI CMOS jutikliu su PDAF, ProRes RAW HQ vidiniu įrašymu ir 32 bitų slankiuoju įrašymu, hibridinis „LUMIX“ fotoaparatas flagmanas leidžia kurti aukštos kokybės ir didelio efektyvumo turi...

Priedai

Objektyvai

H-E08018

LEICA DG VARIO-ELMARIT 8-18 mm / F2.8-4.0 ASPH.

H-X1025

„Micro Four Thirds“ 10-25mm standartinis keičiamo židinio nuotolio objektyvas / 20-50mm (35 mm fotoaparato atitikmuo)

H-ES12035

„Micro Four Thirds“ 12-35mm standartinis keičiamo židinio nuotolio objektyvas / 24-70mm (35 mm fotoaparato atitikmuo)

H-ES12060

LEICA DG VARIO-ELMARIT 12-60mm / F2.8–4.0 ASFER. / POWER O.I.S.

H-X2550

„Micro Four Thirds“ 25–50mm keičiamo židinio nuotolio teleobjektyvas / 50–100mm (35 mm fotoaparato atitikmuo)

H-ES35100

„Micro Four Thirds“ 35–100 mm kintamojo židinio nuotolio teleobjektyvas / 70–200 mm (35 mm fotoaparato atitikmuo)

H-ES50200

LEICA DG VARIO-ELMARIT 50-200 mm / F2.8–4.0 ASFER. / POWER O.I.S.

H-RSA100400

„Micro Four Thirds“ 100–400 mm keičiamo židinio nuotolio teleobjektyvas / 200–800 mm (35 mm fotoaparato atitikmuo)

H-X09

„Micro Four Thirds“ 9mm fiksuoto židinio nuotolio objektyvas / 18mm (35 mm fotoaparato atitikmuo)

H-X012

LEICA DG SUMMILUX 12 mm / F1.4 ASPH.

H-X015

LEICA DG SUMMILUX 15 mm / F1.7 ASPH.

H-XA025

„Micro Four Thirds“ 25mm fiksuoto židinio nuotolio objektyvas / 50mm (35 mm fotoaparato atitikmuo)

H-NS043

LEICA DG NOCTICRON 42,5 mm / F1.2 ASPH. / POWER O.I.S.

H-ES045

LEICA DG MACRO-ELMARIT 45 mm / F2.8 ASPH. / MEGA O.I.S.

H-ES200

LEICA DG ELMARIT 200 mm / F2.8 / POWER O.I.S.

H-HSA12035

LUMIX G X VARIO 12–35 mm / F2.8 II ASFER. / POWER O.I.S.

H-HSA35100

LUMIX G X VARIO 35–100 mm / F2.8 II / POWER O.I.S.

H-F007014

LUMIX G VARIO 7–14 mm / F4.0 ASPH.

H-FS12032

LUMIX G VARIO 12–32 mm / F3.5–F5.6 ASPH. / MEGA O.I.S.

Nuotrauka H-FS12032

H-FS12060

LUMIX G VARIO 12-60mm / F3,5–5.6 ASPH. / POWER O.I.S.

H-PS14042

LUMIX G X VARIO PZ 14–42 mm / F3.5–5.6 ASPH. / POWER O.I.S.

Nuotrauka H-PS14042

H-FS1442A

LUMIX G VARIO 14-42mm / F3.5–5.6 II ASPH. / MEGA O.I.S.

H-FSA14140

„Micro Four Thirds“ 14-140mm standartinis keičiamo židinio nuotolio objektyvas / 28-280mm (35 mm fotoaparato atitikmuo)

H-FS35100

LUMIX G VARIO 35–100 mm / F4.0–5.6 ASPH. / MEGA O.I.S.

Nuotrauka H-FS35100

H-FS45150

LUMIX G VARIO 45–150 mm / F4.0–5.6 ASPH. / MEGA O.I.S.

H-PS45175

LUMIX G X VARIO PZ 45–175 mm / F4.0–5.6 ASPH. / POWER O.I.S.

H-FSA45200

LUMIX G VARIO 45–200 mm / F4.0–5.6 II / POWER O.I.S.

H-FSA100300

LUMIX G VARIO 100–300 mm / F4.0–5.6 / MEGA O.I.S.

H-F008

LUMIX G FISHEYE 8 mm / F3.5

H-H014A

LUMIX G 14 mm / F2.5 II ASPH.

H-H020A

LUMIX G 20 mm / F1.7 Ⅱ ASPH.

H-HS030

LUMIX G MACRO 30 mm / F2.8 ASPH. / MEGA O.I.S.

H-HS043

LUMIX G 42,5 mm / F1.7 ASPH. / POWER O.I.S.

XLR mikrofono adapteris / mikrofonai

DMW-XLR2

XLR mikrofono adapteris skirtas 4 kanalų garso įrašymui, didelės raiškos garso įrašymui ir 32 bitų slankiajam įrašymui. Suderinamas su „LUMIX GH7“ (DC-GH7).

DMW-MS2

Mikrofonai

Nuotrauka DMW-MS2

VW-VMS10

Mikrofonai

Nuotrauka VW-VMS10

Akumuliatorius / akumuliatoriaus įkroviklis

DMW-BLK22

LUMIX S5 akumuliatorius

DMW-BTC15

DMW-BLF19 arba DMW-BLK22 skirtas akumuliatoriaus įkroviklis

„DMW-DCC18“

Nuolatinės srovės jungtis fotoaparatams, kurie suderinami su „DMW-BLK22“ akumuliatoriumi

„DMW-AC10“

Kintamosios srovės adapteris, skirtas naudoti su nuolatinės srovės jungtimi „DMW-DCC18“

Kita

DMW-RS2

Paleidimo nuotolinis valdymas

DMW-SHGR2

Kompaktiška, lengva rankena / mini trikojis padeda paleisti / sustabdyti vaizdo įrašymą ir užrakto paleidiklį.

VW-LED1

LED filmavimo lempa

Nuotrauka VW-LED1

DMW-FL200L

Išorinė blykstė

Nuotrauka DMW-FL200L

DMW-FL580L

Išorinė blykstė

Nuotrauka DMW-FL580L

DMW-BDC1

Korpuso dangtelis

Nuotrauka DMW-BDC1

DMW-MA2M

Jungties adapteris

Nuotrauka DMW-MA2M

DMW-TA1

Stovo adapteris

Nuotrauka DMW-TA1

DMW-SSTG9

Dirželis per petį

Nuotrauka DMW-SSTG9
Žiūrėti visus priedus

Pagalba

LUMIX GH7 fotoaparatas DC-GH7M

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